Meow [Mamiya RB67 Pro S + Mamiya-Sekor C 90mm f3.8, Fomapan Action 400 ASA] (lemmy.world)
First roll with the Mamiya RB67 Pro S and first self-made film development, with the Lab-Box.
Hoops [Minolta X-500 | Tokina 70-205 3.5 | Porta 160] (pxscdn.com)
Garden [Minolta X-500 | 85mm 1.7 | Porta 160] (pxscdn.com)
Offer [Zorki-4 (1957) | Jupiter 8 50mm F2 (yellow filter)| XP2 super] (pxscdn.com)
Developed in Rodinal 1+25, scanned with Opticfilm 8200i
The collector [Minolta XG-M | 85mm 1.7 | Kentmere 100] (pxscdn.com)
Developed in Rodinal 1+50, scanned with Opticfilm 8200i
Some heroes do wear capes [Canon A-1 | 28mm f2.8 | Kodak Gold 200] (i.imgur.com)
Dancing Lights [Canon A-1 | 28mm f2.8 | Kodak Ultramax 400] (i.imgur.com)
Baker's Flow [Canon A-1 | 50mm f1.4 | Kodak Ultramax 400] (i.imgur.com)
Out for a Ride [Canon A-1 | 50mm f1.4 | Kodak Gold 200] (i.imgur.com)
L 91[Minolta X-500 | 85mm 1.7 | Adox CMS 100 II] (pxscdn.com)
Developed in FX-39 1+9. Scanned with plustek 8200i
Gloom [Canon A-1 | 50mm f1.4 | Kodak Gold 200] (i.imgur.com)
Horizontal Lines on Lab Scans (lemmy.world)
I’ve been shooting for years and sometimes my lab scans come back with horizontal lines in them. It’s somewhat rare that I see them, but I was sad that it happened on this roll as I liked a lot of the shots. I asked one of the employees, and he was not certain. I think it might be something in the scanner or density...
Christmas Time [Canon A-1 | 50mm f1.4 | Kodak Gold 200] (i.imgur.com)
Secret Garden [Canon A-1 | 28mm f2.8 | Kodak Gold 200] (i.imgur.com)
Optimus Prime has Fallen [Canon A-1 | 28mm f2.8 | Kodak Gold 200] (i.imgur.com)
Balonnen [Minolta X-500 | 50mm 1.4 | Porta 160] (pxscdn.com)
LA from above (lemmy.world)
Ice [Yashica L AF, kentmere 400@1000] (lemmy.world)
Outside In [Canon A-1 | 50mm f1.4 | Kodak Gold 200] (i.imgur.com)
Illuminated [Canon A-1 | 50mm f1.4 | Fuji 200] (i.imgur.com)
Tea Time [Canon A-1 | 50mm f1.4 | Fuji 200] (i.imgur.com)
Whoops edited title from Kodak Ultramax 400 -> Fuji 200, didn’t double check my negatives. This was shot on the new, Kodak produced, Fuji Color 200.
Het Witte Huis [Minolta X-500 | 85mm 1.7 | Porta 160] (pxscdn.com)
Monk | Canon EOS 50e | 50mm | Porta 400 (lemmy.world)
Palm Springs shortly before sunset | ae-1 | 35mm f2.8 | Portra 400 (lemmy.world)
Having grown up in the flat Midwest it was a shock when I realized how quickly the sun goes down when mountains get in the way.
