First things first, obviously very happy to find this place. I thought it'd be good to have an initial director discussion thread.
Personally David Fincher and Darren Aaronofsky — I can watch their films time and time again. I'm currently watching The Whale for the second time and I think it's one of the most powerful movies I've ever seen.
I have a deep fondness for David Lynch. The relationships he cultivates with staff and talent seems admirable, and more than his surrealism, I appreciate his ability to take mundane, or rote scenes and inject something new. For example, in twin peaks the straight lace fbi main character's "rally the forces scene" has him revealing he has a literal belief that he is a physic, or the introduction of the police office having the decorative deer head collapse on the table. It's just little visual and conceptual additions which subvert the viewers expectations and gets you reconsidering the scene. You can tell he's having fun.
Additionally, I think that kojima studios work on death stranding actually scratches the same itch, though not a film. I love the little emotional beats Norman Reedus' character takes whenever people insist on shaking his hand (he is phobic of touch), and the more earnest, sudo comedic scenes, like when you meet a character who dies and is revived every 23 minutes in his house without any preparation or context are welcome diversions which capture the magic of the weird while delivering essential exposition.
I just watched Lost Highway yesterday, and like every other Lynch project, I feel like it cracked my brain in ways I won't be able to quantify for a very long time.
Not the biggest movie buff in recent years but always interested in what Villeneuve and Aranofsky are up to. Always fun to check in on Wes Anderson, but in smaller doses.
Ah I didn't realise Villeneuve directed Prisoners, I loved that movie — the others (Dune, Blade Runner etc.) I definitely have to be in that kind of mood to watch them.
Hi!
Well, I am kinda oldschool when it comes to movies, actors, director and so on, I really like directors like Stanley Kubrick, Alfred Hitchcock, Quentin Tarantino and the list could go on...
Yeah Tenet I think had a very cool concept but it was just hard to follow with all the audio issues and the super fast pacing taking you from scene to scene with various one off characters
Did they fix the audio issues? I remember in the cinema not being able to hear things properly. I think the fast pacing was on purpose, probably hard to follow on purpose?
I don't think they ever fixed it since it would mean having to remix the audio to balance it well. If I rewatched it I'd rely on the subtitles.
Regarding the pacing maybe so? I just felt like I needed more time to have some of the concepts sink in a bit. I think inception did a much better job of doing that than tenet but idk
Since no one else mentioned him, I'll go with Akira Kurosawa this time. Rashomon is a great watch on the short side and my personal favourite, based on a short story by Akutagawa. The most enjoyable part of the movie to me is the obvious - different ways the characters twist their retelling of the crime, which do a great job of telling you what kind of person the speaker is.
In addition, I'd bet most people if not have watched it, have atleast heard of Seven Samurai. If not, surely have seen something inspired by the movie.
Francois Truffaut is my all time favorite director.
Also, I feel a bit bad about it considering what a horrible person he is, but there's no denying Woody Allen has a very strong filmography that I greatly enjoy.
Turns out Francois Truffaut starred in Close Encounters of the Third Kind which is funny — I need to watch some older movies so thanks for the recommendation!
I really like Jeremy Saulnier. He did Blue Ruin, Green Room, Hold the Dark and Murder Party. The way he shows violence is so abrupt and visceral. It's as far from glorification as it gets. Well, except for Murder Party, that was just fun and hilarious.
Green Room was great, loved how it held the tension all the way through. Murder Party sounded interesting but could easily be terrible, I didn't realize it was the same guy. I'll have to check it out.
Murder Party is about a guy who answers a flier for a Halloween party but it turns out the people who put out the flier are crazy art students that want to murder someone. It has the same kind of vibes as Ready or Not. It's very comedic which is a big departure from his other work like Green Room where everything is bleak and realistically violent.
First two directors I used to be into but no longer:
I loved Tarantino's work but I feel that I've "outgrown" it. I'm just not that interested in ultraviolence anymore.
Similarly, big fan of Wes Anderson, especially Moonrise Kingdom, but the incredible whiteness (both in cast and settings) of the majority of his movies has me longing for something more diverse (again, in both literal casting and in thematic backgrounds).
And now, who I'm still excited for:
DANIELS - I really enjoyed Swiss Army Man, tho it was flawed. I was hyped for Everything Everywhere and it delivered and then some. Can't wait to see what they do next if that was just their second one.
Makoto Shinkai - All of his work is so achingly beautiful. Love it.
Jordan Peele - Loved Get Out of course. Us was interesting but didn't stick as much. Even NOPE was flawed but still very unique and intriguing. I want to see what else he has.
Ari Aster - Hereditary was good, and Midsommar was amazing. I heard very little at all about Beau is Afraid (which is almost worse than hearing bad things), and I haven't seen it yet. Still intrigued to see what's next.
I am in love with the style of Edgar Wright. To me, he is the best director. Not only because I enjoy his work, but also because in my eyes, he is one of few directors who understand the medium movies, and use that knowledge with every frame.
He is one big reason, why I began to look at movies as an Art form.
I've been watching a lot of Mike Flanagan's stuff recently. I'm a sucker for Stephen King and he's the only one I've seen able to match the feel of King's storytelling and atmosphere.
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