But, arguably, they were still being musically progressive by incorporating other styles. Genesis (R&B/Motown/new wave), Yes (US stadium AOR), King Crimson (new wave/minimalism/US post punk), Peter Gabriel (world music).
Only Pink Floyd didn't really embrace the 80s that much. The Final Cut is more like a step back to the antiwar/political songs of the late 60s and the post-Waters follow up sounds like an attempt to return to (imitate?) mid-late '70s Floyd but with '80s production values.