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The Talisman - Paul Sérusier (1888) (www.musee-orsay.fr)

Paul Sérusier sojourned in Pont-Aven during the summer of 1888, as Paul Gauguin, whose advice he followed. On his returning to Paris, he showed his young fellow painters, the future “Nabis” (“prophets” in Hebrew), what was to become their “Talisman”. A close observation of the painting allows one to recognise...

Desire and Satisfaction - Jan Toorop (1893) (cdn.mediatheque.epmoo.fr)

Jan Toorop, born in Java in 1858 when it was still a Dutch colony, soon came to Europe and studied at the Amsterdam Academy from 1881 before continuing his studies in Brussels, Paris and London. Receptive to the many aesthetic currents then running through Europe, he soon gave up Naturalism for Neo-Impressionism, before devoting...

The Church at Auvers - Van Gogh (1890) (cdn.mediatheque.epmoo.fr)

After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris. His brother Théo, concerned with his health, incited him to see the Doctor Gachet, himself a painter and a friend of numerous artists,...

London, the Houses of Parliament, Sunlight Opening in Fog - Monet (1904) (cdn.mediatheque.epmoo.fr)

The London Houses of Parliament crop up regularly in Monet’s work in 1900. At first the artist observed them from the terrace of St Thomas Hospital, on the opposite bank, near Westminster Bridge. Monet’s London production, which includes views of Charing Cross bridge and Waterloo bridge, is in fact dominated by variations in...

Madone - Benjamin Carbonne (2021) (media.artsper.com)

Benjamin Carbonne was born in 1970 in Saint-Martin d’Hères in the Isère. A self-taught artist, he starts making art at the age of 20 and gets to express the things that bother him, sometimes his own violence, that of the others or of the world and finally to make place in himself for something else....

The Dead Christ with Angels - Édouard Manet (1864) (upload.wikimedia.org)

MANY PROGRESSIVE mid-nineteenth-century artists, including Gustave Courbet, felt it was dishonest to paint things that could not be observed at first hand: for example, angels with wings. In fact, “Religious painting has disappeared,” pronounced one critic of the Salon of 1857. Not surprisingly, Manet’s The Dead Christ,...

Night Scene from the Inquisition - Francisco de Goya (upload.wikimedia.org)

This painting by Goya (of Saturn Eating his Son fame) came from a group of smaller paintings that Goya executed - because the topic interested him rather than commissioned. Both as a visual narrative and as a painting per se it is influenced by Goya’s keen interest in the grim fate that befell many people during his lifetime....

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