Question for any #harpist out there: how do you interpret slurs in a #harp part?
For example, if you see a melody or arpeggio spanning a few octaves in a bar or two, and it's obviously one single gesture, do you play it differently if it's under a slur than if it isn't? Which do you prefer to see?
I've noticed I'm not at all consistent about this in my scoring, which makes it look like I want different things when that's not necessarily so.