The saltarello is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare (“to...
Hugh Aston (c. 1485 – buried 17 November 1558) was an English composer of the early Tudor period. While little of his music survives, he is notable for his innovative keyboard and church music writing. He was also politically active, a mayor, Member of Parliament, and Alderman.
Add MS 29987 is a mediaeval Tuscan musical manuscript dating from the late fourteenth or early fifteenth century, held in the British Library in London. It contains a number of polyphonic Italian Trecento madrigals, ballate, sacred mass movements, and motets, and 15 untexted monophonic instrumental dances, which are among the...
John Playford (1623–1686) was a London bookseller, publisher, minor composer and member of the Stationers’ Company. He published books on music theory, instruction books for several instruments and psalters with tunes for singing in churches. He is perhaps best known today for his publication of The English Dancing Master in...
Miserere mei, Deus (Latin for “Have mercy on me, O God”) is a setting of Psalm 51 by Italian composer Gregorio Allegri. It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by...
While in prison, Richard wrote the musical piece Ja nus hons pris or Ja nuls om pres (“No man who is imprisoned”), which is addressed to his half-sister Marie. He wrote the song, in French and Occitan versions, to express his feelings of abandonment by his people and his sister.
“Mirie it is while sumer ilast” (“Merry it is while summer ylast”) is a Middle English song of the first half of the 13th century. It is about the longing for summer in the face of the approaching cold weather. It is one of the oldest songs in the English language, and one of the few examples of non-liturgical music from...
All of [Cavazzoni’s] extant music is contained in the print Recerchari, motetti, canzoni […] libro primo, which was published in Venice in 1523. Included are the earliest known ricercars—they are not yet imitative, and are essentially written down improvisations, but there is a considerable amount of thematic development.
The Agincourt Carol is an English folk song written some time in the early 15th century. It recounts the 1415 Battle of Agincourt, in which the English army led by Henry V of England defeated that of the French Charles VI in what is now the Pas-de-Calais region of France.
Add MS 29987 is a mediaeval Tuscan musical manuscript dating from the late fourteenth or early fifteenth century, held in the British Library in London. It contains a number of polyphonic Italian Trecento madrigals, ballate, sacred mass movements, and motets, and 15 untexted monophonic instrumental dances, which are among the...
As we gather from 12th- and 13th-century depictions of bagpipes, the instruments from the period lacked the shoulder drones -a feature common to many present-day instruments- having in addition multiple-bore chanters (in my reconstruction a melodic pipe with a parallel drone). These chanters were probably activated by single...
The regal is a small portable organ, furnished with beating reeds and having two bellows. The instrument enjoyed its greatest popularity during the Renaissance. It may be seen as the ancestor of the harmonium, the reed organ, and the various varieties of “squeezebox” such as the accordion, the concertina, and the Bandoneón.
The vihuela is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings.
Maddalena Casulana was an Italian composer, lutenist and singer of the late Renaissance. She is the first female composer to have had a whole book of her music printed and published in the history of western music, dedicated to her female patron Isabella de’ Medici.