StuartDNeilson,
@StuartDNeilson@mastodon.social avatar

A re-interpretation of the famous unbroken tracking shot in the film Wings (1927).

This is a dual image cleaving the left and right peripheral views as the camera passes through the Café de Paris tables, ending with the protagonist Jack centred in a tableau resembling The Last Supper.

About the shot: https://filmschoolrejects.com/how-they-shot-wings/

Wings was notable in many respects in early cinema history: https://en.wikipedia.org/wiki/Wings_(1927_film)

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