That’s not plot, those are premises. Premises are fine at the beginning of a series but they need to do something interesting with those premises.
For example, lawyers starts a new office and falls in love with secretary is just a premise, a starting point. But it turns out that said lawyer has a strong imposter syndrome that makes him doubts everything he does despite his externally cocky attitude, while the secretary is actually a down on her luck law student who got emotionally abused by her previous boyfriend who is now the new hire on a high tier firm that is the main competitor of the protagonist’s firm. Main guy shows interest on the secretary but they have a fallout due to her wariness and his insecurity. Then the opposing firm starts a hostile takeover by stealing clients and lawyers. Main guy is on the brink of bankruptcy which throws him into a spiral. So he concocts a crazy plan that involves a dangerous representation of the local mafia, to which one of their big players are the estranged family of the secretary who she tried to abandon to run away from the insecurity and violent life. So now they find out this facts about each other when the mafia accidentally kills one of the lawyers of the opposing firm under weird circumstances and both the lawyer and the secretary end up hashing their deep emotional baggage on a road trip to another district and find their respective strengths, her to confront her criminal father and him to stand up for his employees, then…
You get the idea, that is plot. Things that happen to the characters or that the characters do, that fundamentally changes them and the context. A cool premise can only get you so far. In Fallout things barely happen and the characters end up more or less at the same place they started in, emotionally speaking.