@4CPcomics@heads.social
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4CPcomics

@4CPcomics@heads.social

Mastodon outpost for the Save Your Face mixtape blog.
Notes and mp3s: https://saveyourface.posthaven.com/
Streams of most of the Grateful Dead mixes: https://www.youtube.com/playlist?list=PL8yyM8q9j5gYkJCSTEeciFyUItDQjFxcK

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4CPcomics, to random
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Can't believe I missed the 50th anniversary of one of the top 10 events of all time!

5/19/74 Portland, OR

4CPcomics,
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@mrcompletely Agreed! More a statistical novelty than peak Dead. See my other post from tonight. Vancouver is the version I'd have included. Nonetheless, I understand why Seattle is included.

4CPcomics,
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@mrcompletely @caravan Exactly the same at our house: The PNW box is displayed in the living room, while the rest are on top of a shelf in my office.

4CPcomics,
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The official 3-CD reduction of the Pacific Northwest box seems very on point. A great archive release to keep in print as a canonical "album."

4CPcomics,
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4CPcomics, to random
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Notes on 6/3/76 #gratefuldead from @bourgwick

All his 1976 notes here: https://jessejarnow.com/2018/08/deadfreaksunite-1976/

I'm interested in making a best of June 1976 mix. All input welcome!

4CPcomics,
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@mrcompletely @noah_s I just dropped the needle into the first verse of all the Cassidys from those final two June '76 runs, and I'd say that 6/29 is pretty clearly where the Bobby/Donna vocals come across and together the best. https://relisten.net/grateful-dead/1976/06/29/gd76-06-29-t03-cassidy?source=337017

4CPcomics,
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@mrcompletely Encore of the last show - Might as Well - incendiary and Donna prominent. (Yes, a little band burp.) Methinks the challenge is to find the best-sung/recorded version of every "small" song from June '76 and then winnow from there.

4CPcomics,
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@mrcompletely I agree about the mighty status of Crazy Fingers as a composition. Plus, it seems perfectly suited to the mood/pace/vocal precision of '76 Dead. I'm going to educate myself.

4CPcomics,
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@mrcompletely The only 6/76 Dead I'm fluent in anymore are the Slipknot, St. Stephen, and "out of nowhere" jams. (SYF compilations.)

4CPcomics,
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@mrcompletely Thanks for those leads. And the best "little songs" is what I'm curious about. Subplot would be to begin to take notes for a Donna '76 mix - songs/arrangements where her parts are crucial and the mixes present her whole voice.

4CPcomics,
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@mrcompletely Help out someone who rarely hears June '76 or April '78: What are the first five songs you think of as Donna showpieces at either or both times?

4CPcomics,
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4CPcomics, to random
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There really ought to be an established nomenclature to distinguish among types of instrumental playing.

“Jam” obscures a basic distinction that Phish fans have managed: Type 1 (related to a song) and Type 2 (unrelated to a song).

Dead setlist culture tends to make Type 2/pure improv invisible, esp. in the 1972-1974 period.

For example - 12/31/72: “Truckin’ > The Other One > Morning Dew” is not adequate or helpful.

4CPcomics,
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@mrcompletely On the spot, oy vey! Anything nameable should be named, including something like Hard to Handle > Tighten Up Jam > Hard to Handle. I don’t see why that’s different from Playin > UJB > Playin. Stand-alone improv (“Type 2”) should be given a name and noted, as in Playin > Type 2 > Playin. 1/2

4CPcomics,
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@mrcompletely I’d open up a broad category of “Space” for abstract passages at least back to 1972, with the intention of gradually sub-categorizing. Watkins Glen: Type 2 > Space > Type 2. Jerrybase is an opportunity to make everything rational and transparent, eventually. Fun/challenging to think about naming in this context. 2/2

4CPcomics,
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This is how the same music is named/indexed for the Clugston/Miller SBD on archive.org

4CPcomics, (edited )
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@mrcompletely There is a zone of interstitial that is too short or unformed to matter. My rubric is that if you can't break it out as a passage that can stand on its own, it's not worth indexing as an event. No one cares, and it's not historically important, if you'd never listen to it by itself.

4CPcomics,
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@mrcompletely Petering out into drums is, I think, part of the previous song. It's not hard to discern whether or not there's something you'd index separately, in my experience.

4CPcomics,
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@mrcompletely I think “type 2,” full-band improv is self-evident throughout their history (if you’re willing to break it out). However, distinctions get dicey in the long “Space” era. I have curated what I consider to many “type 2s” inside partial-band Space passages, but breaking those out in an index of Dead music would likely slide into hopeless subjectivity. Where is that line?!

4CPcomics,
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@mrcompletely But what is the base data layer, versus annotations? What counts as a primary, separate musical occurrence?

4CPcomics, to random
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Good morning, kids. Here's my favorite five-and-a-half minutes of #gratefuldead playing a Chuck Berry tune.

"Around and Around" instrumental break 1/25/93, Oakland, CA

4CPcomics,
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Seriously, you'll love this.

4CPcomics, to random
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Grateful Dead: Summer ’73 (The Phil Jazz Jam)

I can’t say I have a general take on the sporadic performances from the summer of 1973… except for the luminous quality of the improvisation, featuring one of the great improv themes, The Phil Jazz Jam.

70 minutes of summery Dead improv:

Streaming:
YouTube:
https://www.youtube.com/watch?v=tqTF79vs4Tg&t=610s
Archive:
https://archive.org/details/grateful-dead-save-your-face-theme-from-summer-of-73-the-phil-jazz-jam

Notes and mp3 download:
https://saveyourface.posthaven.com/theme-from-summer-of-73-phil-jazz-jam

4CPcomics, to random
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GD: Wake & Mars Hotel Supplement (outtakes & live)

For some reason, the 50th anniversary physical releases of #gratefuldead studio albums do not include a generous portion of studio outtakes or a curation of great live takes of the albums’ songs.

Here are two Spotify mixes:

Curated “Angel’s Share” outtakes
https://open.spotify.com/playlist/6B7DVphDHjvZSK5BiuezSn?si=926b9f96e3b74af9

Tasty live versions 1973-1974
https://open.spotify.com/playlist/27aBLEMmXeUhbn16ZLJ9oO?si=38a866167e2640c6

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