@art_history_animalia@historians.social
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art_history_animalia

@art_history_animalia@historians.social

Transdisciplinary zoologist exploring animal iconography from around the world via intersections of natural history with art & visual culture history.
Current research interests include opossum & coati iconography; the visual record of Australasian monotremes & marsupials; parrots in European art; exotic birds in early modern Dutch art; and the contributions of women to the visual record of zoology.

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art_history_animalia, to random
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Four brooches, Eastern Germanic, c. 380-500 CE
silver, copper alloy, iron
Morgan Library display

symbolized immortality in the ancient world, perhaps because of their seemingly miraculous regeneration after long periods of dormancy. Cicada brooches were worn by women living along the Danube and on the northern shores of the Black Sea. The Goths converted to Christianity in the period after AD 350, and these brooches may have had connotations of spiritual renewal and rebirth.”

gallery sign: CICADA BROOCHES Cicadas symbolized immortality in the ancient world, perhaps because of their seemingly miraculous regeneration after long periods of dormancy. Cicada brooches were worn by women living along the Danube and on the northern shores of the Black Sea. The Goths converted to Christianity in the period after AD 350, and these brooches may have had connotations of spiritual renewal and rebirth. 19 Four cicada brooches, ca. AD 380-500 Eastern Germanic, silver, copper alloy, iron

art_history_animalia, to spiders
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appreciation post:
Marble cylinder seals from ancient Mesopotamia, Late Uruk / Jamdat Nasr Period, c. 3500-2900 BCE:
(7) Three
(8) with a Plant
on display at The Morgan Library & Museum NYC

Scorpion with a Plant seal (numbered 8 on display) “Displayed here are seals with modern impressions replacing the clay used in antiquity. Below each impression is a photographic enlargement that clarifies the detail and beauty of the carving.”

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