@art_history_animalia@historians.social
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art_history_animalia

@art_history_animalia@historians.social

Transdisciplinary zoologist exploring animal iconography from around the world via intersections of natural history with art & visual culture history.
Current research interests include opossum & coati iconography; the visual record of Australasian monotremes & marsupials; parrots in European art; exotic birds in early modern Dutch art; and the contributions of women to the visual record of zoology.

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art_history_animalia, to random
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For when itโ€™s during โ€ฆ
Vessel with Toad/Feline
Moche culture, Peru
Early Intermediate Period, 1-650 CE
Ceramic, 7 1/4 x 4 x 5 1/4 in. (18.4 x 10.2 x 13.3 cm)
Michael C. Carlos Museum 1989.008.061 https://collections.carlos.emory.edu/objects/16182/vessel-with-toadfeline?ctx=f38075598fbf6644b7ad1726cf5c0d139758feee&idx=1#

art_history_animalia, to random
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For and :
Julius Adam the Younger (German, 1852-1913
Four* and a (n.d.)
Oil on canvas. 25.5 x 35.4 cm
(*there is actually a 5th kitten in the painting, can you find it? ๐Ÿ˜‰)
https://www.mutualart.com/Artwork/Julius-Adam-the-Younger-Four-Kittens-and/EE44FB1712F557EB5E6C4D756601EAFD

art_history_animalia, to random
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For :
Norbertine Bresslern-Roth (Austrian, 1891-1978)
Crane Migration, before March 1937
oil on jute, 120 ร— 100 cm
https://imkinsky.com/en/auction-results/106/495/7/58791
๐Ÿ†” Red-Crowned Crane (Grus japonensis)

art_history_animalia, to random
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For :
Rie Muรฑoz (American, 1921-2015)
Migration, c.1977
Seriograph, 22.25" x 27.25"
https://www.mutualart.com/Artwork/Migration/47FDDF1E6A0CA1E71B35173911296624

art_history_animalia, to random
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Salvador Dalรญ was born (11 May 1904 โ€“ 23 Jan 1989)โ€ฆand itโ€™s also so:
The Angel of Melancholy (from the Aurelia Suite), 1972
Signed in pencil, edition of 175
Etching, aquatint, drypoint,
37.5x57.5cm
https://www.goldmarkart.com/products/the-angel-of-melancholy

art_history_animalia, to Birds
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Happy !
Norman Lewis (American, 1909-79)
Migrating , 1954
oil on canvas
This entry won the Popular Prize at the Carnegie International Exhibition in 1955, making Lewis the first African-American artist to receive the award.
https://www.arthistoryproject.com/artists/norman-lewis/migrating-birds/

art_history_animalia, to random
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For :
The (Arctictis binturong), Plate X in Joseph Wolf's Zoological Sketches Vol. 2, London, 1867.
"A fine male specimen of the Binturong was presented to the Zoological Society in 1855, by Mrs. Samuel Rawson, and lived in good health nearly eleven years in the Gardens. It is believed to have been the only example of this scarce animal ever exhibited alive in Europe."
via BHL: https://www.biodiversitylibrary.org/item/252810#page/26/mode/2up

art_history_animalia, to shark
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For when itโ€™s still but is just around the cornerโ€ฆ
Jade pendant, with wings
Costa Rica, Central Caribbean Region, 500 BCE - 800 CE
H 15.5 x W 3 cm
Museo del Jade, Costa Rica

art_history_animalia, to shark
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For #FishFriday + #FintasticFriday : Giving #Sharks #Rays #Skates & #Sawfish a Voice, a celebration of all #Elasmobranchs:
Frank Edward Clarke (UK/NZ, 1849-1899)
Sphyrna zygaena (NZ) - Hammerhead Shark, head dorsal aspect & head ventral aspect, 1898
watercolors on paper, 424x252mm & 385x290mm
Te Papa 1992-0035-2278/112,3
https://collections.tepapa.govt.nz/object/1245019
https://collections.tepapa.govt.nz/object/1245029

scientific illustration, hammerhead shark, ventral head view with notes

art_history_animalia, to shark
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For #FishFriday + #FintasticFriday : Giving #Sharks #Rays #Skates & #Sawfish a Voice, a celebration of all #Elasmobranchs:
Romero Britto (Brazilian, b.1963)
Baby Shark, 2016
colors & applied diamond dust, 24cm x 50cm
https://www.mutualart.com/Artwork/Baby-Shark/54A4E9DAE2189BE4E09AC8FAED70F5BB

art_history_animalia, to shark
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For #FishFriday + #FintasticFriday : Giving #Sharks #Rays #Skates & #Sawfish a Voice, a celebration of all #Elasmobranchs:
Richard Ellis (American, b.1938)
Great White Shark, c.1979
Lithograph, 22 in. x 30 in. (55.88 cm x 76.2 cm)
https://www.rogallery.com/artists/richard-ellis/great-white-shark/
๐Ÿ†” The striped fish swimming around the Great White Shark (Carcharodon carcharias) are Pilot Fish (Naucrates ductor), which have a neat mutualistic relationship with sharks: https://www.thedodo.com/how-one-genius-little-fish-con-672797576.html

art_history_animalia, to random
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tโ€™s so itโ€™s the perfect excuse to share this ๐Ÿ˜›

Woman With , c.1930s
Ercole Barovier (Italian, 1889-1974) for Barovier & Toso (Italian)
Blown & solid-worked glass
13.5x4.75x7.5 in. (34.3x12.1x19.1 cm)
The Chrysler Museum of Art 97.42.9 https://chrysler.emuseum.com/objects/28083/woman-with-shrimp#

art_history_animalia, to random
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Itโ€™s both and so here is this piece again!
Ewer in the shape of a and
Vietnam, Tran-Le dynasties, 14th-15th c.
Stoneware with green glaze; molded & incised decoration
19.4 x 17 x 5.5 cm (7 5/8 x 6 11/16 x 2 3/16 in.)
On display at Museum of Fine Arts, Boston

art_history_animalia, to random
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Topping off with this collection of pรขte de verre glass by Amalric Walter (French, 1870-1959) & Henri Bergรฉ (French, 1870-1937), all c.1920:

  1. paperweight H8.5cm
  2. tray (vide-poche) H8.5 x L15 x P11.2 cm
  3. tray (vide-poche) L25.5cm
  4. pendant 60x60mm

"A chameleon-shaped tray low receptacle in yellow and orange glass paste, chameleon in shades of green with finely chiseled scales" https://www.mutualart.com/Artwork/A-chameleon-shaped-tray/6E9E6476839A0CFA6547A9A0BDA9BFD9
"VIDE POCHE WITH CHAMELEON AND OLIVE BRANCH translucent glass" (chameleon sitting on edge is green with spots, tray base golden yellow) https://www.mutualart.com/Artwork/VIDE-POCHE-WITH-CHAMELEON-AND-OLIVE-BRAN/2CC5270231A5D9FE
"This French pate-de-verre (glass paste) pendant...was made by Amalric Walter to designs of his friend Henri Berge at their glass studio in Nancy, Lorraine, which produced decorative glass objects for discerning clients between 1919-35. They excelled at using the complex technique of pate-de-verre casting, which they perfected while working at the Daum glassworks before WWI. They pressed layers of coloured glass granules into wax moulds before firing them the kiln. The technique offered endless colour combinations & Walter experimented with the chemicals used to colour the glass, even using uranium to achieve the bright yellow seen in this pendant. ... A distinctive characteristic was the use of naturalistic motifs which were becoming simpler as the modern Art Deco style began replacing Art Nouveau in the 1920s. Issued alongside chameleon paperweights & bowls, this pendant is an example of this stylistic transition." https://collection.powerhouse.com.au/object/170539

art_history_animalia, to random
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:
Headdress
Burkina Faso (Bobo style)
โ€œThe chameleon is abundantly represented in the art of Burkina Faso peoples (Bwa, Bobo, Lobi, Nuna). Itโ€™s considered one of the original primordial creatures created by God. They are considered magical & powerful because of their ability to change color when aroused or frightened. Its deliberate manner of walking also makes it an animal to fear.โ€
https://www.hamillgallery.com/BOBO/BoboChameleons/BoboChameleon02.html

art_history_animalia, to random
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New on the blog for : ANIMAL ART OF THE DAY for International Chameleon Day: Sean Kenney's Lego masterpiece https://arthistoryanimalia.com/2024/05/09/animal-art-of-the-day-for-international-chameleon-day-sean-kenneys-lego-masterpiece/

art_history_animalia, to random
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:
Ustad Mansur (Indian, d.1624, fl.1590-1624)
A , 1612
Brush & ink with green bodycolor on discolored paper 11.0 x 13.8 cm
RCT 912081 https://www.rct.uk/collection/search#/-/collection/912081

see ALT text for notes on possible species ID...

art_history_animalia, to random
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art_history_animalia, to random
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:

  1. Plate 1 in Bilder-Atlas zur wissenschaftlich-populรคren Naturgeschichte der Wirbelthiere, 1867
    ๐Ÿ†” Indian Chameleon (Chamaeleo zeylanicus)
  2. "Sudanchamรคleon" plate in Brehms Tierleben: Allgemeine kunde des Tierreichs, Bd.2, 1913
    ๐Ÿ†” African Chameleon (Chamaeleo africanus)
    via BHL:
    https://www.biodiversitylibrary.org/page/4024187#page/23/mode/1up
    https://www.biodiversitylibrary.org/page/2982216#page/302/mode/1up

digital scan of color book plate, portrait orientation: illustration of 3 chameleons perched in foliage, one with tongue extended catching an insect, identified as African Chameleons - each with different colors/patterns (all earthtoned green/brown/tan)

art_history_animalia, to random
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art_history_animalia, to random
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For :
Maurits Cornelis Escher (Dutch, 1898-1972)
Stars, 1948
wood engraving on Japan paper, 32 x 26 cm
"Escher writes that [chameleons] were chosen as its inhabitants 'because they are able to cling by their legs and tails to the beams of their cage as it swirls through space.' The chameleon on the left sticks out his tongue, perhaps in commentary; H. S. M. Coxeter observes that the tongue has an unusual spiral-shaped tip."
https://en.wikipedia.org/wiki/Stars_(M._C._Escher)

art_history_animalia, to random
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art_history_animalia, to random
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for ๐Ÿซ:
Introducing the Medieval Ass (Medieval Animals series) (2020) https://amzn.to/3WwASEU via

art_history_animalia, to random
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art_history_animalia, to random
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Happy #WorldDonkeyDay ๐Ÿซ!
Franz Marc (German, 1880โ€“1916)
#Donkey Frieze, 1911
oil on canvas, H 81 cm (31.8 in) x W 150 cm (59 in)
https://www.wikiart.org/en/franz-marc/donkey-frieze-1911

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