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art_history_animalia, to random
@art_history_animalia@historians.social avatar

Also born : Dante Gabriel Rossetti (12 May 1828 – 9 April 1882). :
Rossetti's : Pre-Raphaelites and Australian Animals in Victorian London (2008) https://amzn.to/3QH12B3 via

art_history_animalia,
@art_history_animalia@historians.social avatar

bonus article: “O Uommibatto:”
How the Pre-Raphaelites Became Obsessed with the https://publicdomainreview.org/essay/o-uommibatto-how-the-pre-raphaelites-became-obsessed-with-the-wombat/

art_history_animalia, to random
@art_history_animalia@historians.social avatar

Yay it’s !
Also , so:
Charles Frederick Tunnicliffe (British, 1901–1978)
Tabby cat on a branch amongst blossom, n.d.
pencil & watercolor, 43.5 x 58 cm. (17.1 x 22.8 in.)
https://www.artnet.com/artists/charles-frederick-tunnicliffe/tabby-cat-on-a-branch-amongst-blossom-CqbhG_ElUmMGKxQ9zYqraw2

art_history_animalia,
@art_history_animalia@historians.social avatar

Bonus: our fat tabby boy Ziggy in his two favorite positions ¯_(ツ)_/¯

Ziggy the gray/black/white tabby cat sleeping on his back on a bed

art_history_animalia, to random
@art_history_animalia@historians.social avatar

For here is a watercolor of Linnaeus' pet , Sjupp, by Lars Alstring, c.1746-7. Sjupp was a gift from Crown Prince Fredrik and lived in Linnaeus' garden at Uppsala. This work hung in Linnaeus' study at Hammarby.
Read more about Sjupp here: https://nature.com/articles/446255a

art_history_animalia,
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Here too is a short video from the Linnaean Society about Sjupp:
The Called Sjupp https://youtu.be/RSxV1AX0nt0?si=sGxaudgO0RJmeBr1

art_history_animalia, to worldwithoutus
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art_history_animalia,
@art_history_animalia@historians.social avatar

I saw the 2019 exhibition the book is based on & found a few photos of the artworks on display:

  1. Carved Narwhal Figure
    Canada, mid-20th c.
    Soapstone & ivory
  2. Narwhal Composition sculpture
    Kakee Ningeeochiak
    Cape Dorset, Canada, n.d.
    Soapstone & caribou antler
  3. Allangua (Narwhal)
    Tim Pitsiulak
    Cape Dorset, Canada, 2016
    Reproduction of Lithograph
  4. A Woman Who Became a Narwhal
    Germaine Arnaktauyok
    Iqaluit, Canada, 1993
    Etching & aquatint

photo of artwork #2 on display at show
photo of artwork #3 on display at show
photo of artwork #4 on display at show

art_history_animalia, to random
@art_history_animalia@historians.social avatar

Happy !
A tusk is the upper left canine tooth that grows through the lip. Sometimes, the right one does the same, resulting in a 2-tusked individual, as illustrated by English naturalist George Shaw (1751 – 1813):
George Shaw's The British Miscellany (1806)
https://biodiversitylibrary.org/page/28913677#page/54/
George Shaw's Zoological Lectures (1809)
https://biodiversitylibrary.org/item/126483#page/279/mode/

illustration of a single-tusked narwhal along with a skull of a two-tusked narwhal from George Shaw's

art_history_animalia,
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Found a photo I took of a real double-tusked skull that was on display at the Smithsonian NMNH :

art_history_animalia, to random
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(1/2) Maria Sibylla Merian was born (2 Apr 1647 – 13 Jan 1717).

Here is a 1719 copy of Metamorphosibus Insectorum Surinamensium turned to
“Pineapple with Cockroaches” that was on display at the “Making Her Mark: A History of in Europe, 1400-1800” exhibition at the BMA:

Gallery labels “Maria Sibylla Merian German, 1647-1717 Pineapple with Cockroaches in Dissertatio de Generatione et Metamorphosibus Insectorum Surinamensium... (Dissertation on the generations and metamorphosis of Surinamese insects) Amsterdam, 1719 Bound volume of hand-colored engravings and etchings Oak Spring Garden Foundation, Upperville, Virginia” ““This ripening pineapple's sweet aroma attracts a swarm of cockroaches. Maria Sibylla Merian observed this interaction during a three-year, self-financed voyage with her daughter Dorothea Maria to the South American country of Suriname, then a Dutch colony, in 1699. While there, Merian studied the native plant and insect life, learning their uses and behavior from enslaved African and Indigenous guides working at the sugar plantation where she stayed. In her notes, Merian characterized the pineapple as "the most outstanding of all edible fruits" and cockroaches as "the most infamous of all insects in America." Merian's illustrations innovatively presented insect life cycles, habitats, and the broader ecological dynamic. After returning to the Netherlands, Merian published an illustrated compilation, creating one of the most important natural history publications of the time. Her daughters Dorothea Maria Graff and Johanna Helena Herolt-Graff continued to issue editions after Merian's death, such as this deluxe version, contributing to their mother's foundational reputation in entomology.”

art_history_animalia,
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(2/2) Here are two more works by Maria Sibylla Merian from the same exhibition at the BMA:

  1. Der Raupen wunderbare Verwandelung und sonderbare Blumen-Nahrung (The Wondrous Transformation of Caterpillars and their Curious Diet of Flowers), 1679-83
    Bound volume w/ hand colored engraved illustrations
  2. Convolvulus and Metamorphosis of the Convolvulus Hawk Moth, c.1670-1683
    Watercolor w/ touches of opaque watercolor over indications in black chalk or graphite on vellum

photo of the watercolor in grey mat also on display

art_history_animalia, to Horses
@art_history_animalia@historians.social avatar

:
Franz Marc (German, 1880-1916)
Grazing IV (The Red Horses),
1911
Oil on canvas, 121 x 183 cm (47 5/8 x 72 1/16 in.)
On display at Harvard Art Museums

“As this painting's numeric title suggests, Marc returned repeatedly to the horse as a subject. He became well known for his preoccupation with animals, seeing them as the embodiment of a better, purer world, the bringers of spiritual renewal to Western culture.”

Franz Marc German (Munich 1880-1916 Verdun) Grazing Horses IV (The Red Horses), 1911 Oil on canvas Busch-Reisinger Museum, Bequest in memory of Paul E. and Gabriele B Geier, 2014.301 In 1911, deep in discussions with other members of the expressionist group Der Blaue Reiter and preoccupied with questions of color, Marc began work on Grazing Horses IV. Wishing to give form to inner experience and to free himself from formal constraints imposed by the outside world, he aimed to detach color from its descriptive function and assigned each primary color a specific symbolic value. As this painting's numeric title suggests, Marc returned repeatedly to the horse as a subject. He became well known for his preoccupation with animals, seeing them as the embodiment of a better, purer world, the bringers of spiritual renewal to Western culture. Grazing Horses IV became the artist's first work to enter a museum collection, the same year it was made. Like Heckel's triptych and Kirchner's self-portrait nearby, the painting first belonged to the Folkwang Museum in Hagen (later in Essen), which was at the vanguard of contemporary art collecting in Germany at the time. The painting was removed from the collection in 1937 as part of the National Socialist campaign to rid German museums of "degenerate art."

art_history_animalia,
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art_history_animalia, to random
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art_history_animalia,
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(2/2) closeups of the insects from Dirck van Rijswijck’s floral still life panel:

closeup 2: top right corner (2)
closeup 3: bottom left corner (2)
closeup 4: bottom right corner (2)

art_history_animalia, to random
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art_history_animalia,
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FYI, there are three living species of manatee, and Wolf's illustration has gone through the confusion of first being misidentified as one, then another, before finally being correctly recognized as the third! More info here: https://arthistoryanimalia.com/2024/03/27/animal-art-of-the-day-for-manatee-appreciation-day-joseph-wolfs-misidentified-manatee-illustration/

art_history_animalia, to random
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Happy ! 🦭

Effigy Stirrup Vessel
Moche, Peru, 50-800 CE (Early Intermediate-Middle Horizon)
Earthenware (Blackware), H: 6 1/4 x W: 9 1/2 x D: 6 1/4 in. (15.9 x 24.1 x 15.9 cm)
The Walters Art Museum 48.2842 https://art.thewalters.org/detail/79387/seal-effigy-stirrup-vessel/

🆔 South American Sea Lion (Otaria byronia)

official museum photo of the object, side profile 2 on gradient grey background Moche blackware ceramic single spout stirrup effigy vessel in the form of a sea lion

art_history_animalia,
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art_history_animalia, to random
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:
Porcelain Vase In The Form Of Two Inside An Icy Cave
'Makuzu' ware, Miyagawa Kozan workshop, Japan, c.1900-10
H 22.2 cm x D 15.9 cm
V & A: https://collections.vam.ac.uk/item/O39341/vase-miyagawa-kozan/
"From the late 19th century, the Makuzu workshop produced porcelain for the Western market. The source of inspiration for this remarkable object was models of polar bears made by the Royal Copenhagen Manufactory. The icy effect was created using experimental glaze techniques."/

art_history_animalia,
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art_history_animalia, to random
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art_history_animalia,
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art_history_animalia, to parrots
@art_history_animalia@historians.social avatar

: a trio of
Edward Henry Murphy (Irish, c.1796-1841)
Paroquets, c.1830
oil on canvas, 86.4 x 66 cm
National Gallery of Ireland NGI.161:
http://onlinecollection.nationalgallery.ie/objects/3063/paroquets
🆔 Scarlet Macaw, Salmon-Crested Cockatoo, Rose-Ringed Parakeet

art_history_animalia,
@art_history_animalia@historians.social avatar

2/2
Reminder that aren't native to Europe & the ones in this painting come from 3 different regions of the world (Neotropical Americas, Australasia, & Indian Subcontinent). But they became common companions in aviaries, brought together through European colonization & conquest. This painting will be part of my presentation at the upcoming HSS Virtual Festival:
The Parrot in the Picture: Biogeographical Knowledge as a Decolonization Tool in Visual Culture Studies https://tinyurl.com/23485bet

art_history_animalia, to lemur
@art_history_animalia@historians.social avatar

:
Giuseppe Castiglione (Italian, 1688-1766)
Cochin , 1761
Qing Dynasty, China
Lemurs are of course not native to China, but rather endemic to Madagascar. This one was given to the Qianlong Emperor by the King of Vietnam, who likely got it from European traders. It was then painted by Castiglione, a Jesuit missionary who served as an artist in the Chinese imperial court. The background was likely painted by Jin Tingbiao (Chinese, d. 1767). A truly international history! (1/2)

art_history_animalia,
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🆔 Castiglione’s is easily identifiable as a Ring-Tailed Lemur (Lemur catta), but note the level of morphological detail - he included the antebrachial gland on the forearm (used for scent marking), and the tail appears to have suffered some loss at the tip. (2/2)

Ring-Tailed Lemur (Lemur catta) in right side profile with full tail erect and scent gland visible on left front wrist https://pixabay.com/photos/ring-tailed-lemur-eye-lemur-catta-826012/

art_history_animalia, to random
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art_history_animalia,
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Also check out this piece next to the bed at Maymont- silver & tusk ivory dressing table & chair by Tiffany & Co., 1905, in the Viking / Celtic revival style.
https://maymont.org/explore/historic-estate/mansion/maymont-mansion-collection/

official museum photo of the dressing table & chair

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