iwaspunkrockonce avatar

iwaspunkrockonce

@iwaspunkrockonce@kbin.social
iwaspunkrockonce,
iwaspunkrockonce avatar

We could digitize (or otherwise store) human consciousness, print new bodies at the destination, and install those consciousnesses in them. The idea is touched on in Exception. I'd guess the number of variables that come into play for this are pretty large, though.

iwaspunkrockonce,
iwaspunkrockonce avatar

"The world has grown old, does not enjoy that strength which it formerly enjoyed, and does not flourish with the same vigor and strength with which it formerly prevailed ... The farmer is vanishing and disappearing in the fields, the sailor on the sea, the soldier in the camp, innocence in the marketplace, justice in the courts, harmony among friendships, skill among the arts, discipline in morals."

-- Cyprian of Carthage, c. 250 CE

"Same as it ever was"

-- Talking Heads

iwaspunkrockonce,
iwaspunkrockonce avatar

When the wheel was invented, there was almost certainly someone shaking their fist about it.

iwaspunkrockonce,
iwaspunkrockonce avatar

I miss physical encyclopedias all the time, but that's a lot to pay for a resource that will likely be out of date when you receive it.

iwaspunkrockonce,
iwaspunkrockonce avatar

If I have any functioning grey matter left over after work, reading, writing and learning languages are big ones for me. If my mind is exhausted, I'll google "adult coloring pages," print some out, and color while watching TV. I've gotten pretty good at making gradients, and have had a lot of fun experimenting with technique.

If I just want to be active and creative but not think about anything, I cook.

iwaspunkrockonce,
iwaspunkrockonce avatar
  • One Hundred Years of Solitude by Gabriel Garcia Marquez
  • Primeval and Other Times by Olga Tokarczuk
  • The Archive of Alternate Endings by Lindsay Drager
  • The Book of Nightmares by Galway Kinnell
  • Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice by Shunryu Suzuki
  • The Shadow of the Wind by Carlos Ruiz Zafon
  • Stories of Your Life and Others by Ted Chiang
  • Lincoln in the Bardo by George Saunders
  • Parable of the Sower by Octavia Butler
iwaspunkrockonce,
iwaspunkrockonce avatar

A good place to start is to look at stories you love and see how they're structured. I actually find this very useful with movies and some TV shows. Ask yourself how they arrived at that ending, and if it was implied from the beginning. And if it was implied, ask yourself how.

You can also follow some writing formulas to get a feel for them. A common one is the "try-fail" approach. Your characters are attempting to accomplish something -- have them fail twice, and then finally succeed. The failures themselves can be very interesting. For example, Frodo tries to take the ring to Mount Doom, but runs into the Ring Wraiths. They act as an obstacle, so the path is no longer clear.

If you take that approach, in my experience the failures will often suggest the successful ending.

Once you've written the story, go back and read it through. Sometimes endings will feel jarring because there's not enough of a suggestion for them earlier on. You can write in little hints, add a dream sequence, whatever. Over time as you practice with this, you'll develop some mastery and be able to write subtler and more mind-blowing endings.

Hope that helps.

HumanServitor, to writing
@HumanServitor@mastodon.social avatar

I'm working on my concept of time. Dealing with time travel, I'd like to say I have a sophisticated grasp of the mechanics and paradoxes of time. Yeah. Above my pay grade, boss.

In my world where the present and the near future are connected by a physical gateway, a basic question is: If I do X in the present does X manifest, having always existed, in the future?

My answer so far is: Sometimes? Not exactly. We don't quite know, really.

Time is hard.

iwaspunkrockonce,
iwaspunkrockonce avatar

@HumanServitor Ted Chiang's story "The Merchant and the Alchemist's Gate" touches on this, if I recall correctly.

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