zeruch,
@zeruch@mastodon.social avatar

"I admit I had no idea who was when I first heard it. I was 10 or 11, and it played a few times on college radio, which I was only just starting to tune into, but for which so much of the messaging in the music was alien."

This track by was probably the first solo track of his I ever heard, and it still is as listenable as it was in the mid 80s:

https://zeruch.wordpress.com/2024/04/05/sounds-that-have-been-made-ep-112-keith-leblanc-malcolm-x-no-sell-out/

mxtthxw,
@mxtthxw@mxtthxw.art avatar

deleted_by_author

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  • zeruch,
    @zeruch@mastodon.social avatar

    @mxtthxw I literally have had an idea for a "Taxcider" illo for years (think Geof Darrow on funky LSD) and I've been fascinated by Keiths whole process for as long as I can remember. I really love his solo LPs.

    When I finally saw Tackhead live (circa 2011), I just about fell over sideways. Watching him was just perplexing, because he was clearly playing these wild-ass parts effortlessly.

    He was such a singular, un-reproducible sound machine.

    mxtthxw,
    @mxtthxw@mxtthxw.art avatar

    deleted_by_author

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  • zeruch,
    @zeruch@mastodon.social avatar

    @mxtthxw I just kind of realized (or maybe I'm just delu-gin-al) but Keith is the J Dilla of the classic/electro era of hip hop, just far less known among the public.

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