powerllama,
@powerllama@duck.haus avatar

yall. come on. this isn’t taking our jobs. this doesn’t even begin to go into how many generations they threw away, or how much time it took to make every generation. is it cheaper to make 30 gens to get what you want or to pay for one piece of stock footage? this gen stuff will eliminate stock footage at some point but productions will be buying the gen stuff instead of the cheap shot stuff
https://duck.haus/@joesteel/112459444817607942

joesteel,
@joesteel@duck.haus avatar

@powerllama There are so many bad clients, and bad producers, who skim this shit and will come away impressed. I can picture the completely serious email now, “Our editor has put a few clips from Sora in the offline. They’re 99% there, just need someone to take them across the line. The budget is a little tight but the good news is we’ve taken care of the compute.”

powerllama,
@powerllama@duck.haus avatar

deleted_by_author

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  • joesteel,
    @joesteel@duck.haus avatar

    @powerllama Like give us AI tools - better tracking, better mattes, better inferred depth generators, better retime tools - not some 1080p slow-mo blob

    powerllama,
    @powerllama@duck.haus avatar

    @joesteel oh you want 1080p slow mo blobs? Too bad these generate much lower

    joesteel,
    @joesteel@duck.haus avatar

    @powerllama Veo - Google’s shitburg - bragged about 1080p but what they’ve posted looks a lot lower. Once you stabilize and blow it up like Sora I’m sure it’ll be better

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