You may not agree, but they are right. We are not most people. They want, and they have, that sweet “lowest common denominator” market, and they will take advantage of that until something else generates more cash. The “lowest common denominator” demand more CoD and whatnot. They don’t care if it’s bad, because them and all their friends will buy it and perhaps even have some fun. The big studios converging on vapid cash grabs instead of creating interesting content is depressing, sure, but hardly surprising in a world where morals and ethics don’t matter, where you can get away with the absolute most heinous, reprehensible acts, and suffer zero consequences.
I don’t really care though. The indie scene is unaffected by this, and has only gotten better every year for as long as it has been around. It’s fucking GLORIOUS already, and it’s not going anywhere because it’s not run by an oligarchy of publicly traded shitfactories.
Yeah. I’m of the same mind. I was here to witness the resurgence of Boomer and Movement Shooters. Now, we’re in the cusp of the resurgence of RTS. I am very much happy with the state of gaming, without having to focus on sequels.
The last game published by 505 I played were apparently Indivisible, which was trash. I never played Ghostrunner nor Control which basically eliminates most of their notable recent output. I think I can safely say I’ll be fine with my continued ignoring of them as a publisher.
It’s very well done! It wasn’t really on my radar, but I got it for free from epic, and thoroughly enjoyed it. Ditto Kingdom Come: Deliverance. I think the only things I’ve paid for on the epic store are the dlc from those gems.
Also, making a good game is always a risk, it’s an intersection of tech, business, and art. Control e.g. sold only a few million copies, depsite being widely praised.
If you however want be sure, you invest a lot in marketing and monetisation, targeting a wide audience as you said, and can take a lower risk to make back your investment. Absolutely hate this of course, but luckily there are still good games, as long as e.g. Sony is willing to take that risk to sell more PS consoles, or we get wonders like BG3
Yeah i think we’re in a golden age of indie games. When i want to find a new game, i search youtube for “best indie games of 2018” or 2017, 2021 or whatever. So much great stuff to play made in the last 5-10 years. And so much more affordable. And it feels great to give my money to these devs.
If someone told me 4-5 years ago, that the year we got really incredible sequels to both Breath of the Wild, and that cool new Spider-Man game on PS4, my most-enjoyed game would be an indie Lovecraftian light-horror fishing game, I wouldn’t have believed them.
Not polished as it’s still in early access, not amazing graphics, but turning out to be a damn good game that most “AAA” developers wouldn’t even try to make, that was made by one guy (and now a small team of volunteers/contractors lol)
I feel old. Remember when a brand new, highly anticipated, AAA game was like $40?
Not they are $70, plus $20-40 for preorder deluxe directors cut extra content bonus versions. Plus $10-30 for “season passes”. Plus online subscription services for the game itself, the online service the game runs on, or both. Oh, and don’t forget ad placement in the game. A giant billboard for house insurance in every cutscene. Drink your monster energy to refill your sprint meter…
That doesn’t include greedy mobile games that require vast amounts of money to remove artificial restriction, such as daily energy meters to act. Or cosmetic DLC that costs half the price of the game itself.
And don’t even get me start on the constant tracking, spying, or actual malware some publishers implement in their games.
My highest play time game is probably minecraft, and my recent go-to is slay the spire.
Sequels are seen as safer profits (there is an existing market) so they get more investment and more investment tends to make better games.
This doesn’t mean its what people want, it just means that name recognition means its cheaper to market a hit game with previous versions acting as a marketing boost. Its a feedback loop.
It is always amusing to see the head of optional entertainment industries make statements like they are making a declaration on par with climate change, a economic depression, etc. As if they expect massive press coverage and endless crying by their would be customers.
When in reality the actual reaction by most is along the lines of “oh no, anyway” and move on to the next bit of optional entertainment media while they and their company are forgotten to the trash pile of failed companies.
What gamers want is innovation and overall fun gameplay, sequel or not. I’ve heard rather little coming from AAA studios of interest to me as of late 'cause they’ve all gone to creating endless battle royales, action RPGs or looter-shooters that all play near identically, all with the same military or techno jungle aesthetic that just doesn’t appeal to me. It’s all gunning for their game to get big on that e-sport sponsorship money or find some way to load their games with micro transaction pay to win gambling BS. For the most part, small and indie studios are doing as well as the AAA big boys because they are able to put more creativity into their games on smaller budgets. When a big AAA game such as BG3 does succeed, it’s because they put as much or more effort and care into innovative and entertaining gameplay as they do into fancy ray tracing graphics and cash grab mechanics. Games like BG3 are as praised as they are because they are complete games that work like they should out of the box, no day 1 patch/DLC or extra money required for the full intended experience. We get the quality we expect for our $60-$70. Whether that’s a brand new IP or a sequel doesn’t matter much.
My only quibble with this is that I’m not sure I’d classify larian as a AAA studio. Not when you’re comparing to Activision or Bethesda or something. The game is absolutely amazing, I’ve put over 700 hours in and am still playing it. I can’t think of any of the big AAA studios releasing a game that comes close anytime in the last decade.
Meh, at least as far as the games industry goes, we’ve been here before. Really the past few years have been incredible for games, now it’s time to settle into another stretch of mediocrity as companies learn the same lessons over again. Super sucks for the devs, though, seems they always get the shortest end of the stick.
Ah yes the anime treatment. Only release reboots, sequels, prequels, and poor spinoffs. For every One Punch Man, Mob Psycho 100, Chainsaw Man, or Megalobox, there are way more re-do’s or milking such as Yet Another Gundam Series, a new Bleach something or another, InuYasha retread, Trigun reboot, Hunter x Hunter reboot, FMA Brotherhood, Fruits Basket, Fate/Stay universe, Evangelion remake, everything DragonBall…I could go on. It’s rather depressing.
Games are just following the curves established by other artistic mediums over the decades when laziness and greed wins, as it always does. Even The Last of Us wasn’t safe.
For every reboot sequel and prequel there are 10 new series. There are around 40 different new anime this season. (Without counting Chinese, musics, poor quality and children’s show). Take a look at myanimelist seasonal anime.
(Anime in Japan come out in season : winter, spring, summer, fall. So they start and finish roughly at the same time).
.
And most or your example are pretty bad,
bleach just got an end that everyone liked
hunter hunter was paused because the author is sick, it never stopped and it’s not a reboot
FMA brotherhood was great because it fixed the issue with FMA : the end of the anime was made before the manga. And it’s 2009 come on you can’t use that to say that nowadays there’s only reboots
yeah they are milking the fate franchise and evangelion, and their community is all for it
A quick 5 minute search shows me that this is true. Lots of articles and lists out there. And the only games I could see that weren’t sequels or remakes, are Starfield and Harry Potter.
This isn’t a new development either. Pong had a sequel.
Elden Ring. Cyberpunk. Outer Wilds. HiFi Rush. Stray. Midnight Suns (licensed like Potter but original).
Not saying a lot. But far from none. And alongside Starfield and Horizon Forbidden West (second game in an original series) it’s hardly no original titles.
Add comment