exposeonline, to random
@exposeonline@mas.to avatar

New today: "When and toured in 2022, they called it the Legacy Tour, highlighting music from throughout Haslam’s history, going all the way back to the early 70s and including some fan favorites. The tour also celebrated her lasting legacy as the group’s lead singer as she reached the age of 75 by including tracks from her own albums. The Legacy Tour 2022 is a 2CD recording from that tour..." http://expose.org/index.php/articles/display/renaissance-the-legacy-tour-2022-2.html

exposeonline, to random
@exposeonline@mas.to avatar

New today: " is a band from Toulouse featuring (sax, flute) and (drums) of , teamed with keyboardist , and there are definite similarities with Pulcinella. Virtually nothing is off limits for these guys — they’ll be playing a smooth groove one moment, then erupt into a passage full of jagged accents, or an eerie atmospheric section will jump into a distorted off-kilter jam." http://expose.org/index.php/articles/display/mowgli-gueule-de-boa-2.html

exposeonline, to random
@exposeonline@mas.to avatar

Here's a second of 's Imilla: "...they play some exceptional contemporary Italian , drawing on the legacy of such 70s greats like and ." http://expose.org/index.php/articles/display/il-bacio-della-medusa-imilla-6.html

exposeonline, to ElectronicMusic
@exposeonline@mas.to avatar

New today: "In the mid-70s, aka was a French computer engineer with a strong interest in musical endeavors. In 1975 he discovered synthesizers and got to work creating a home studio. Within a couple years he had released two albums, Green Ray and Moebius 256 301, both outstanding examples of French progressive electronic styles (for reference Jarre’s Oxygène was released only one year earlier)..." http://expose.org/index.php/articles/display/zanov-lost-in-the-future-3.html

exposeonline, to jazz
@exposeonline@mas.to avatar

New today: "Australian bassist met Korean percussionist at a festival in 2012, and the two connected over the commonalities and differences between their rhythmic cultures. Hale, with a background in both and flamenco music, started working on music that also incorporated both Korean percussion instruments and rhythm patterns, and Ritual Diamonds is the result." http://expose.org/index.php/articles/display/christopher-hale-ritual-diamonds-2.html

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