Matte

@Matte@feddit.it

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Matte,

maybe he just got the opportunity to change air. maybe what we know is all there is, but he wanted to leave and jumped on the train

How do you deal with the situation where you are invited to play a game, only to find it's wildly complex and takes 4 hours to finish, and you find yourself not wanting to play it within minute 5?

This has happened to me a few times. One I remember was the game Alchemist, where I just sat there confused as hell for 4 and a half hours while three guys were all talking about strategies. Tonight it was Terraforming Mars, where I was told it would be a 3 hour game, but by hour 4 we were halfway done. This time I said...

Matte,

I got the opposite problem. I sit at the table and then get a super easy, super random game that lasts an hour and I just get irritated to waste an entire hour doing something that I feel trivial and random.

I’d rather play a 4-hour complex game but with lots of player agency rather than a 60-minute dice fest.

Matte,

anyways Terraforming Mars hardly lasts more than 3 hours. I’ve had games at it that lasted 1h45’. It needs that everybody prepare their turn on other player’s turns, and when it’s up to you, you just execute what you planned.

Matte,

why is everyone praising it? they spent it all on costumes and sets, and forgot to hire an almost decent writer. the script is terrible, it’s full of nonsensical stuff and it feels copypasted from others shows. I really disliked it, and I played all the Fallouts since the 1990’s.

pirati, to news Italian
@pirati@sociale.network avatar

Come togliere gli idioti dalla strada? Ecco quello che nessun Codice della Strada è mai riuscito a fare... 🫣

@news

NB: Chi falsifica o altera una targa commette un reato. Ergo...

Matte,

più che new age, è una serie degli anni 80. Quantum Leap, in italiano A Spasso nel Tempo

informapirata, to pirati Italian
@informapirata@mastodon.uno avatar

APPELLO URGENTE❗️ VI ASPETTIAMO domani dalle 12:30 alle 14:00 a Porta Pia presso l'Ambasciata Britannica a Roma

Insieme aspetteremo il pronunciamento dell'alta Corte di Londra sull'eventuale estradizione o meno di Julian Assange negli USA.
VI CHIEDIAMO DI UNIRE LE FORZE E DI AFFIANCARCI IN QUESTA MOBILITAZIONE
IL FUTURO DI JULIAN E DELLA LIBERTÀ D'INFORMAZIONE È APPESO AD UN FILO!

@pirati

https://t.me/FreeAssangeItalia/1468

Matte,

ma che vita è? chiuso in isolamento da anni, segregato dal mondo come il peggior mafioso…

Matte,

and that’s why he keeps on driving the GT cars on iRacing whenever he can. unfortunately they’re so much fun than any hybrid-era F1 race to drive, even worse if you’re in the lead in no man’s land for 99% of the time. smart drivers don’t want to win, they want to win a challenge.

Matte,

it’s definitely not the same thing, at all. multi-monitor: nice, but you’re still sitting at your desk in your room.

VR: (any, even a CV1) you’re existing in a simulated world that is NOT the one you’re now. you’re comparing apples and bananas.

Matte,

you’re not getting the full picture. you’re not… “playing”. you’re there and you’re living that experience first hand. you can’t possibly explain it with words. when you see the videos of those people freaking out because they’re walking a plank on top of a skyscraper, it’s not like you’re “playing” to be walking a plank… YOU ARE THERE AND THE PLANK IS UNDER YOUR FEET. to your brain, that’s as real as it can get.

Shut Up & Sit Down, Quinns Quest, and The Year Ahead - Quinn no longer reviewing board games, Tom taking over (www.shutupandsitdown.com)

Tom, you’re an extraordinarily rare talent. You’re hilarious, insightful, and technically-minded in a way I’ve never been (don’t know if you noticed this). But more importantly, you’re hungrier and more passionate about board games than my decrepit ass. Part of knowing when to step back a little is knowing when it’s...

Matte,

oh god, where do I even start?

first of all, the whole article reeks of bias and entitlement. “I don’t like VR so other people shouldn’t have it!!”

then, it all sounds like this guy never even tried any VR headset, or maybe he puked copiously after his first test.

and he’s constantly baiting and switching: “tim cook only interest is in squeezing money from us rather than releasing new products!!”, and right after “tim cook released a new product and it SUCKS!! even my mother said it!”

I bought a Rift CV1 in 2016, I’ve been waiting for some real VR since the first time I tested a rudimentary headset at a tech convention in 1996 playing Doom and some other VR game. it’s sick. I love it. I spent 10 hours a day in the headset during the first month, then I discovered simracing and it was an absolute blast. But the CV1 suffered the lack of direction outside of gaming. the screens were way too low resolution, it needed a powerful PC, it needed cameras, it needed joysticks, had no pass through so all of this stuff really didn’t make it for an optimal experience outside of gaming. I’ve ever since dreamed a way to use VR to work, and it seems like apple did it… or at least is in the process to.

Apple is not Google, so the Vision Pro is not going away. they’ll keep on refining it and bring it forward because that’s the future. you can’t judge it by now, we’re 5-10 years ahead of mass adoption of this tech, but we can already see what’s going to become.

unfortunately the tech suffered a big, big blowback caused by the boom of cryptocurrencies… we’ve all been waiting for more powerful graphic cards in order to cheaply manage VR, but nVidia was more concerned about making easy bucks selling to bitcoin farms rather than serving their loyal customers… and so VR took a hit around 2020 due to lack of cheap availability.

Facebook created the quest in order to detach their product from the whims of a terrible company like Nvidia, and that has somehow helped. but the Quest is and remains an entertainment product, not something that you can rely on for working.

I think the Vision Pro will be a revolution for those doing 3D modeling, or even programming. When the guy in the article says “you’ll get isolated in your tech!!” I think he knows he’s full of bullshit, because cubicles DO exist and people working at a PC screen is now more isolated than ever.

maybe his job is typing rants from the couch of a hotel on his iphone?

Matte,

wait… why would you want to carry it with you??

Matte,

ora, la mettono giù un po’ drammatica nell’articolo, e sono convinto che sia un mix di ignoranza sull’argomento da parte del giornalista e di volontà di creare il pezzone emotivo acchiappa click.

pero’ i fatti sono giusti. il board del branch no-profit di OpenAI è (era) formato da cultisti imparanoiati dall’estinzione del genere umano dovuta all’AI un po’ alla terminator.

basta guardare un paio di vecchi podcast di Joe Rogan con Elon Musk per capire il livello di paranoia e paura che questo… “culto” ha.

Il punto semmai è che finché stavano in paranoia loro, noi potevamo stare più tranquilli perché quel che usciva da OpenAI eravamo sicuri che fosse già stato vagliato dalla loro paranoia. pero’ è anche vero che il vaso di pandora ormai è stato aperto, e se non saranno loro, sarà Google o Microsoft a fare qualche cazzata corporativa alla Skynet o alla Black Mirror.

In più, Altman stesso faceva parte di quel culto, anche se era il piu rilassato, pare.

la notizia gigante semmai è che siamo arrivati in un baleno alla singolarità, ovvero ad una AI che fra pochissimo potrà veramente essere intelligente a 360 gradi… pensavamo di arrivarci nel 2035, e invece già ci siamo.

Matte,

non sono disponibili, perché le indiscrezioni su Q* vengono dalla soffiata di un impiegato anonimo di OpenAI

Matte,

they literally don’t have a monopoly since they have lots of competitors: epic, ubisoft, ea…

Matte,

of course a direct purchase from bandcamp, either an album or a shirt/merchandise is the best. avoid amazon at all costs. purchasing from itunes is decent. if you want to stream, pay for an account on tidal, it’s the one that pays best of all the streaming services. the very worst is spotify and right under spotify youtube/youtube music. it’s better if you just grab the album from piratebay at that point, since youtube is the only one making money.

Matte,

ah, you got to the main issue of the question. the problem is not different from before, and Spotify has just been used as a tool from the majors. if you read a comment below, I wrote that it’s true that Spotify pays their 70% to the artists… but they don’t tell how that money is redistributed. what we earn as independent is absolutely not the same of what a Warner or Sony artist earn. Spotify made under-the-table agreements with the majors in order to grab their catalogue and avoid getting shut off.

the majors saw spotify as a great tool to get themselves out of the hole they dug themselves into during the post 2000s, and kept doing their same shady kind of business.

so well spotted, you’re absolutely right.

Matte,

nope. majors have flooded the factories a couple years ago and cut off all the orders from small labels. we had a turnaround of 8 weeks, that from one month to another suddenly became 12 MONTHS. we tried looking for another factory but they were all booked. lots of labels died because of this. the majors played aggressively to kill ALL the competition, included small actors like me.

have you seen the hundred thousand unsold copies of Adele’s last album last year? just to name one

Matte,

of course it’s a better deal, Youtube Music barely pays anything. it’s even worse than Spotify, and most of their streamings come for free, which is enraging to say the least.

anyways they have two paths: they either suck the costs in and increase the subscriptions (and lose customers in the meanwhile, so they’ll earn less in order to give more money to the small artists) or they cut the share they’re giving to the majors, which is the biggest percentage of the pie. but majors will simply boycott spotify and create their own platform, just as it happened with netflix.

Matte,

sure thing, I’m not saying it’s not true. but we had two models to choose from: the bandcamp model, which is a marketplace where the artist can set their own price, the spotify model, where the distributor sets the price, and an in-between that was itunes, where the artist would suggest the price and the distributor could modify it.

for some reason we went to the nuclear solution, and chose the terrible spotify business model, where three companies make money while killing everybody else.

Matte,

I’m not sure if that changes anything. by logic I’d say if you pay more, more money will get redistributed but I can’t say for sure. what I can say is that I see my payouts, and Tidal is the one with the highest payout rate per streaming.

Matte,

I think they used all the bad choices with sainz… although I can’t blame them, a race here with no SC was really an oddity.

Matte,

not the best driver.

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