I heard a person call into a show the other day, voice only, and talk about some poor working conditions at a factory. Made me think about how it would probably be so easy for nefarious bosses to be able to identify that person through voice recognition SW with all of the data that comes from us looking directly into cameras and...
I’ve seen some misinformation that doesn’t address the question and no answers.
First the misinformation: if you live in the US and work in an at-will state, your employee handbook will dictate what company can or cannot do. In most cases, especially for larger companies, there will be explicit language allowing the company to do whatever they on anything that uses their software or tech they’ve provided (eg your phone you use for company email). Two-party consent doesn’t apply in these cases because you signed the employee handbook or were informed it was a condition of your employment. Since it’s at-will too bad. However, even with these power, most companies aren’t doing shit unless you’re fucking up. Give someone a reason to throw IT or security at you and it could happen. Chances of this are higher at either larger companies or small companies with power-hungry idiots running the show. I have worked at all kinds and see all sides. If you are not in the US or live in a state with employment contracts (not at-will), this might not apply unless you signed away those rights and there is nothing getting them back. It’s always a good idea to be friendly with IT and security to learn what they do and do not do.
As to your question, do companies fingerprint employee voices, most likely not. In the US I’m at-will states you don’t need to go through all the trouble of tracking voices for termination or legal action. In the private world, this is a very secrecy-oriented problem (eg Apple trying to keep the lid on surprise and delight) so it wouldn’t happen except for very large scale. In the public sector, you genuinely should be afraid of this because government agencies are sucking down all the data they can. This is true around the world. More importantly, they’re all incompetent as fuck and being sold shitty software that doesn’t work so they’re misusing data like this for incorrect identifications.
In general, if you want to be anonymous, practice good operational security. Changing your voice never hurts. It’s not a bad idea to be safer (unless you’ve chosen a tool that can be easily reversed). You should also use phone numbers and hardware that can’t be traced back, which is a bit harder.
This is the first unpopular opinion I’ve seen that’s truly an unpopular one. Through this lens, I’ve been a personal army for Victoria, people that think Alexis Ohanian is an idiot, people that think transparency to unpaid moderators is important, and people that think API pricing matters. I didn’t realize I was such a troll.
Dungeons is really fun. I played it on GamePass when it first came out. I don’t know if it has staying power. I’m on the fence about buying it even at this price.
BSD, Lunix, Debian and Mandrake are all versions of an illegal hacker operation system, invented by a Soviet computer hacker named Linyos Torovoltos, before the Russians lost the Cold War. It is based on a program called “xenix”, which was written by Microsoft for the US government. These programs are used by hackers to...
In case you want to fact check this post, I highly recommend Glyn Moody’s . It’s a nice, fast read and covers all sorts of cool shit. I’d love to see a sequel covering newer events.
(Edit: OP is facetious; mine is only facetious in that it references OP)
This isn’t new. Check out Yasha Levine’s . It’s a nice primer. Most of our internet tech was built for the military or funded by the military for military ideas (no matter what MIT or Berkeley theoreticians might try to convince you of).
I really like Ansible and have used it for my personal dotfiles for years. I don’t think it’s a silver bullet and I’m aware of a lot of the criticism. Containerization or immutable infra solves more production problems so I don’t really use it much at work.
At least in the devops/SRE circles I work in, we know there are different tools for different jobs. While we might fight about which is the best, I haven’t seen the ossification you’re describing.
I like how simple it is. It’s made distrohopping very, very simple for me over the years. The only pet machines I have are my actual dev boxes. The rest are cattle I manage with other tools. Galaxy has also made it much simpler to consume other Ansible which used to be really annoying.
I’m on the fence about Nix. When I first saw years ago it was yet another package management system. I’ve seen enough interesting things with it now that I’ll probably try it out the next time I want to rebuild my configs from scratch.
When Bloomberg reported that Spotify would be upping the cost of its premium subscription from $9.99 to $10.99, and including 15 hours of audiobooks per month in the U.S., the change sounded like a win for songwriters and publishers. Higher subscription prices typically equate to a bump in U.S. mechanical royalties — but not...
Before Spotify, I’d buy a record (physical or digital) and listen to that. I pay the artist once. After Spotify, I buy a record and listen to it on Spotify. I pay the artist the normal record price and there’s a long tail from stream payouts (unless they don’t reach the payout threshold).
Before Spotify, if someone heard a song and didn’t buy the record, they didn’t pay the artist. After Spotify, if they still don’t buy a record, the artist now earns from stream payouts.
Finally, before Spotify, if someone bought a record but stopped buying after Spotify, the artist loses that record purchase. This is definitely bad. Was Spotify the real reason? Would something other than Spotify have pulled them away? What levels of fame are materially affected by this?
Do artists have to pay to be on Spotify? Is that the issue?
I’ve been doing DIY music since I was a kid. The vast majority of bands are never going to make any money ever. Spotify didn’t change that. Streaming didn’t cause that. The reality of every kid with a guitar thinking music is about making money not having fun is what did that.
Who the fuck has a label? Do you know anything about music that isn’t already incredibly corporate? When was the last time you went to a DIY show and bought handmade merch off a band touring in their minivan? Compare that to the last time you bought a record from a label or merch from an online store run through not the band.
There are more than likely 300+ bands in a 20 to 50 mile radius around you. Do you support all of them as much as you’re pushing people on the internet to support all music? What about the really bad cover bands? Them too?
Your statements paint a picture that you have no idea what I meant by “levels of fame” because fucking no one makes money off music unless you get lucky. There’s just too much because music is fun.
So you’ve bought every album from every artist you’ve ever listened to? Or, like the rest of us, do you have a limited amount of resources and have made strategic decisions about who to support? Because if you’re not dropping $20 in the tip jar of the next busker you see, you’re a huge fucking hypocrite.
I have not devalued music at all. You have, multiple times. You’ve also said that music has to be about money which is pretty fucking capitalistic. I’ve highlighted it’s about fun multiple times. You keep advocating for labels and ignore DIY which means you’ve already established a class system in music. You’ve provided no quantitative evidence to show you support any music and seem to hype up record labels whose business is built on licensing.
Should everyone get paid for all their music? Fuck yeah. Can I afford to pay every band? Fuck no. Did Spotify or streaming or even the fucking radio do that? Nope. Sure fucking didn’t. The market saturation did because music isn’t about money, it’s about fun. If you want it to be your job, good fucking luck. That’s just simple commerce. Not capitalism. If everyone on the commune is just making bead necklaces and there’s only one customer looking to buy one necklace, is that customer fucking all the people on the commune except the person they bought from?
At least 50% of the bands I’ve seen, toured with, or heard don’t record music to make money. There’s just too much music for it to be dependable income. They do it because they wanna share something neat with their friends. They upload it to sites like Spotify or a decade ago MySpace or a decade before that zines so other people can find cool shit. If they get lucky, that stumble upon nets a shirt sale which actually nets the band some income.
The sweeping generalizations you’re making do not apply. Stop trying to make music about money.
Edit: mailing tapes was a thing a few decades ago. Are you saying I ripped off those folks because I wanted friends on one coast to hear shit friends on the other coast recorded? That’s a really fucking hard DIY tour to build. You’re fucking Skinner saying all us kids are wrong.
For someone opposed to capitalism, you sure seem to think everything should be a grind mindset.
You’re underpaying all of us for our labor in interacting with you. You’re late on your “pay everyone on the fediverse” invoice. Don’t forget to pay your family for their “putting up with insufferable bullshit” time.
I said multiple times “lots of folks do music for fun.” You said “you’re undervaluing their labor.” That’s why everyone thinks you think money is the point.
You also seem to not understand market saturation. If a fair value for a recording is $20 (just pretend for a minute), consumers are happy to pay $20, and artists sell for $20, why aren’t musicians getting rich? It’s because there are more musicians producing an incredible volume of work than the consumers can completely support. Nowhere in that statement is an attack on the value of that labor just an acknowledgment that there’s too much to consume.
In addition, you seem to fail to understand the difference between value to the artist and value to the consumer. Physical and digital radio provide incredible value to the consumer. They don’t really provide value to the artist unless you have an incredible amount of fame. A very good question to ask is “how do we create a solution that’s good for the consumer and the artist?” I have no idea. Making music about money (like you continue to do) instead of about fun (like a good number of artists who aren’t topping charts do) makes it very difficult to balance what an artist should get paid against what consumers can afford to pay (assuming we remove all middle layers).
You missed the market saturation. Again. You addressed everything except the last part of the sentence there. Music is a lottery, like most jobs, because there are too many people trying to do music. Streaming, radio, labels, exposure, these aren’t the problems at all. The number of people who are good at a thing and enjoy it are.
I follow maybe 30 artists fairly closely. I regularly listen to maybe 200. Across the genres I hit each month (way down from my music heyday), there’s probably 500 in regular rotation. I work in tech and make decent money. I can’t afford to support all of these amazing people. Sharing their music gets them more exposure which might lead to merch sales which is how they actually make money. If I had to sell their music every time I shared it, that would go away. Samplers, mix tapes, music videos, all of that is to drive merch sales. I buy on Bandcamp and still stream, meaning artists are getting more money from my consumption than back in the day when me buying a cassette was the final sale.
Unless you’re going to put some sort of barrier to entry in front of music, this problem does not go away. You’re advocating for the shitty cover band making the same amount of money as the original artist putting blood, sweat, and tears into a long career. That just doesn’t work. And, unfortunately, there are too many killer artists out there for all of them to earn a living doing music. Even if I could support all the artists I love in my country, there are that many or more in other countries.
Not everyone gets to do their dream job. Decent analysis if a bit scathing. My dream as a kid was writing. Turns out that dream was held by a ton of kids like me and none of can survive on that.
Multiple teams are being cut, at least at Arkane Austin. I don’t know the total heads rolling. Many of my friends are now out of a job. The severance isn’t terrible, at least for some of the engineers. That’s not better than a job, though.
I’m not gonna lie I found he died today when I was double-checking the spelling with a quick google. I then had to check the timeline to make sure he was actually involved in the sale.
Basically selling user data from BNET didn’t work out and after the year of flops the board got antsy. Still blame Altman tho.
hotwheels sisyphus (mander.xyz)
Coroner's Report Reveals Boeing Whistleblower's Cause of Death (gizmodo.com)
Do companies store facial and voice recognition data from the thousands of hours of zoom/teams calls that their employees use?
I heard a person call into a show the other day, voice only, and talk about some poor working conditions at a factory. Made me think about how it would probably be so easy for nefarious bosses to be able to identify that person through voice recognition SW with all of the data that comes from us looking directly into cameras and...
Reddit Blackout was just mods choosing to be a personal army for app developer
In my opinion, the Reddit Blackout was essentially moderators acting as a personal army for app developer....
MIT Students Stole $25 Million In Seconds By Exploiting ETH Blockchain Bug, DOJ Says (slashdot.org)
Minecraft Dungeons and Legends 50% off (store.steampowered.com)
I can’t remember the last time I found these on sale, so I wanted to share in case anyone else was waiting on a discount.
The real history behind the Lunix operating system
BSD, Lunix, Debian and Mandrake are all versions of an illegal hacker operation system, invented by a Soviet computer hacker named Linyos Torovoltos, before the Russians lost the Cold War. It is based on a program called “xenix”, which was written by Microsoft for the US government. These programs are used by hackers to...
May 13, 2024, Banned and Restricted Announcement (magic.wizards.com)
Legacy, Vintage, and Pauper:...
Tech workers should shine a light on the industry’s secretive work with the military (www.technologyreview.com)
it'll take some time and patience (programming.dev)
After announcing increased prices, Spotify to Pay Songwriters About $150 Million Less Next Year (www.billboard.com)
When Bloomberg reported that Spotify would be upping the cost of its premium subscription from $9.99 to $10.99, and including 15 hours of audiobooks per month in the U.S., the change sounded like a win for songwriters and publishers. Higher subscription prices typically equate to a bump in U.S. mechanical royalties — but not...
It's Time To Stop Giving Xbox Boss Phil Spencer A Pass (Opinion) (kotaku.com)
Microsoft Closes Redfall Developer Arkane Austin, Hi-Fi Rush Developer Tango Gameworks, and More in Devastating Cuts at Bethesda (www.ign.com)
Affected devs:...
What's a good graphics card for jellyfin?
I assume it’s not nvidia. Yet I have no idea how to differentiate between them and neither do I know what a good price is....