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George Miller Reveals How Many Visual Effects Are in Furiosa (gizmodo.com)

“In Fury Road, in [Furiosa], there are hardly any shots that haven’t been manipulated digitally,” Miller told io9. “For instance, changing the sky. When Steven Spielberg shot Jaws, the sea was changing all the time. If you look at that film one moment it’s choppy, one moment it’s flat. You don’t need to do that...

‘Dawn of the Dead’ Star Gaylen Ross Recalls the Chaos of Shooting George Romero’s Zombie Classic: ‘Nobody Got Killed’ (variety.com)

To commemorate that anniversary, “Dawn of the Dead” returns to theaters, including a handful of shows — including on May 24 at Los Angeles’ Orpheum Theatre — featuring a live performance of the film’s original score by Claudio Simonetti’s Goblin. Ross recently spoke to Variety to discuss her role in what has now...

Indiana Jones and the Temple of Doom at 40: Spielberg’s hit-and-miss relic (www.theguardian.com)

Indiana Jones and the Temple of Doom begins with an action sequence that’s almost exactly 20 minutes long, starting with a show-stopping east-meets-west rendition of Anything Goes at a Shanghai nightclub in 1935 and ending in the whitewater rapids at the foot of the Himalayas. For the director Steven Spielberg, whose Raiders...

Demi Moore’s gory new horror movie could win her an Oscar (www.independent.co.uk)

People have been looking at Demi Moore’s body for more than 40 years. On the cover of Vanity Fair in 1991, nude and seven months pregnant. Rippling with muscles in GI Jane. Under strip club spotlights in Striptease. In her new horror film The Substance – which has become the most talked-about premiere at the Cannes Film...

Nicolas Cage film 'The Surfer' induces knee-buckling six minute standing ovation at Cannes (beachgrit.com)

Now, let us all be honest. There has only been one surf film, ever, worth the time of an auteur and that is Bruce Brown’s seminal masterpiece The Endless Summer. Others, including Point Break, North Shore, Blue Crush are cute. Others still, including Chasing Mavericks and In God’s Hands, are so offensive as to count as...

‘Twilight Of The Warriors: Walled In’: Cannes Review (www.screendaily.com)

Soi Cheang’s punchy, peppy thriller will be lapped up like manna from heaven by fans of Hong Kong action cinema. Set in the genre’s salad days, the 1980s, in Hong Kong’s gang-ridden enclave of Kowloon Walled City, it takes delicious advantage of that decade’s clothes, haircuts and pimpy shades....

Tiger Stripes review – entertaining Malaysian horror shows its claws (www.theguardian.com)

Amanda Nell Eu’s snarling debut is not the first film to harness body horror tropes as an allegory for the adolescent angst and the shame of female puberty. But this Malaysian production, which shares central ideas with Pixar’s Turning Red, as well as genre films such as Carrie and Ginger Snaps, folds in a distinctive...

Bill Nighy, Noah Jupe, George MacKay & Matt Smith To Star In Pablo Trapero’s English-Language Film Debut ‘& Sons’ From Oscar Winner Sarah Polley’s Script — Cannes Market Hot Project (deadline.com)

Oscar nominee Bill Nighy (Living), Indie Spirit nominee Noah Jupe (A Quiet Place I & II), BAFTA nominee George MacKay (1917) and BAFTA nominee Matt Smith (The Crown) are set to star in acclaimed Argentinian filmmaker Pablo Trapero’s (El Clan) English-language movie debut & Sons, which is being scripted by Oscar winner Sarah...

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