clintunplugged, to history
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Photographic : what to do with so-called 'physical type' photos? Can we treat them as portraits instead of mere stereotypes? Does this change the nature of the photos? Michelle Green and Hans Maes offer clarity on these issues

https://aestheticinvestigations.eu/article/view/16888

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clintunplugged, to Aesthetics
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Does it matter who poses? In her article, Aurélie Debaene argues that it does: models are not mere props in the creation of artworks, understanding their contribution impacts our understanding of a work, and the process of modelling also has value considered for itself. @philosophy
https://aestheticinvestigations.eu/article/view/16890

clintunplugged, to Artist
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How is a typically made? In 'Constructing and using the portrait sitting as an art-historical research object', Dawn Kanter argues against the prevalent view that it is solely up to the who creates the portrait. Drawing on the art history of portraits in the National Portrait Gallery (London, UK), Kanter shows that the is often just as important in impact on the final result. @philosophy @arthistory

https://aestheticinvestigations.eu/article/view/16887

clintunplugged, to art
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Aesthetic Investigations is out just in time to ring in the new year! This issue: 'Models and Sitters' a special issue on the and of

https://aestheticinvestigations.eu/issue/view/1252

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clintunplugged,
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@philosophy
features contributions by Dawn Kanter, Aurélie Debaene, Tzachi Zamir, Michelle Green & Hans Maes, A.W. Eaton, Peg Brand Weiser and Sue Spaid

Image credit: Nude Models Posing for a Painting Class 3 (1890) by Adolf de Meyer, image in the public domain, sourced via Wikimedia Commons

clintunplugged,
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@philosophy Over the coming weeks, I will be using the hashtag to highlight some of these contributions. If you would like to stay updated (or you'd rather not see these posts in your timeline), consider following (or blocking) this hashtag.

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