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natarey

@natarey@kbin.social
natarey,
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I'm sure there's a very long German word for that

natarey,
natarey avatar

Not quite within the guidelines, but since it's from Poetry Magazine, I'll allow it.

natarey,
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I keep them separate -- I don't like a single point of failure, and we're all so early on the fediverse stuff that I'm sure a few servers and services will implode in the near future before things settle down. Would be a real hassle to have everything attached to a single account.

natarey,
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Solipsism in particular, and radically skeptical positions generally, are almost universally rejected by experts in the field and professional philosophers.

natarey,
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It really is as if another great bastion of Reddit content has been felled. Everyone’s saying so.

natarey,
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I'm pessimistic that this will actually change much, or drive users to Mastodon. Just like, as much as I've been loving my time with Kbin/Lemmy, I don't think people are ever going to leave Reddit. Most people appear to have a way, WAY higher bullshit tolerance than I do. It's sad. The old guard are unusable, and the new options are withering on the vine.

natarey,
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There are accessibility concerns with doing that, if the poster doesn't provide alt-text. Images are basically unreadable to the vision impaired.

natarey,
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I'm also a Kagi user, and it's completely replaced Google for me for everything except the occasional image search. It's awesome, and I consider it worth the price.

natarey,
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I think this post is the most important thing that all these "Why would you block Meta?! They're a huge source of potential growth!!" people don't understand -- who cares about growth? This "growth and user counts are the only metric that matter" mindset is exactly why we all fucking loathe Facebook/Meta/etc. That exact attitude is what makes them so despicable.

natarey,
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Wow! I've been a heavy RSS user forever, and this is the first I've heard of RSS-Bridge -- thanks for this!

natarey,
natarey avatar

My reading of the poem has generally been that the speaker is looking over a river at night under the full moon, and remembering happier times spent there some time in the past — the “laughter of dead showers” are part of the “passionate pale-lit hours” that encompass wood and lea. Perhaps the dead showers (dead because they are in an unrecoverable past moment) are laughing as part of a cheerful memory of being caught in the rain with someone else.

In the second stanza, the tone turns colder, and the excited, anticipatory, summer-like imagery gives way to a bleak and silent December as the dawn comes. It seems to be a “times were happier once, but all that is gone now” poem.

This matches up with the context in which the poem was written — this is a war poem by a young man who died in the trenches of France during WWI, and he may have been looking out over a river that he’d once visited before in better days.

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