Very excited to get my first scans back after an impulse purchase of a very-vintage Yashica A TLR last year. Thanks to filmdev.co.uk for their rock solid processing & scanning.
#CUEdle#1970s#617 🟥 🟩 29.5s Not anything I was hoping to hear.
no: Cuedle 80s. I have missed this before. No clue who this artist is and have never heard this song. And don’t really like it. https://cuedle.fun
no: Heardle 1980s No. 1s #556
Oh man. I’ve missed this multiple times too. Never heard this song before playing Heardle.
🔇⬛️⬛️⬛️⬛️⬛️⬛️ https://80s.heardledecades.com
Ok, one more. Heardle Rock or Motown? which one’s calling me . . .
Heardle Motown #259
😓 At the first notes, I was like, yay, I picked right! But then I typed in the artist, and the song wasn’t there. 🤨 So I typed in the song title, but what came up for that title was a different artist. 🤔 So I tried a variation on the title, and it finally came up. There’s a glitch in this game that I think I’ve figured out.
🔊🟩⬜️⬜️⬜️⬜️⬜️ https://motown.heardledecades.xyz/
GT 9/11. TBH, it should be 8 because of Bandle. In any case, much better than yesterday. But now I need something completely mindless like watching this ridiculous show my sister's got me hooked on. 👋
it's going to be 52 images, so half the size of today's completed #120, with two garden variety fwippees as the expurgated content this time rather than 52 fwippees requiring 48 stand alone alternate versions as made my past three weeks generally unpleasant.
I should crank through this one in a straight forward way from what I skimmed. View may be different on the ground as details reveal themselves.
Exhibit #120 of 126 of my great big graphics project, representing more than 3 weeks work and a refutation of the basic tenets of capitalism, is now online.
This exhibit now presented online complete for the very first time ever was literally impossible for anyone else to see. The dataset contains 100 images and the 35 archived official reference copies contain 48. Until today, nobody anywhere except for me could see it all.
Now everyone not in China or Russia (where it's banned) can. For free
The slog continues on my latest great big graphics project exhibit, #120 of 126.
I've now passed the half way mark and can see the totals for it, barring any new surprises.
The 35 official restricted access copies of this dataset have 48 images.
My complete copy, which is the only known complete copy in existence, has 52 more images that were deliberately removed from the official record and have been unavailable to anyone anywhere, for a total 100 images.
So I've got 22 more images to create that will be difficult and very labor intensive outputting to two different pipelines, 2 that will be a bit of extra work then 23 garden variety difficulty images and #120 of 126 will be in the can ready for uploads.
Five more images and I'll be at the official half way mark on exhibit #120 of 126 of my multi-year unique great big graphics project.
Since this one's been an extra slog with the expurgated content not included with the 35 official copies of this dataset, I'm really really looking forward to crossing the middle and while there's still plenty more slog to go, at least I can comfort myself with the thought there is less left to do than I have already gotten done.
In great big graphics project news, the huge and complex expurgated section cut from all 35 official copies of this dataset, #120 of 126, is now about one third complete.
Major-ass slog. Not fun, lotsa the picky picky details that mean slow going, like trying to walk through thick brambles in waist-deep water.
Gotta keep going. If I don't get this done, it'll be gone forever. This is the only one there is.
Latest news on my great big graphics project: #120 of 126 is coming along very slowly.
For the large section removed from all 35 of the official copies of this dataset still in existence it is taking a great deal of labor.
For each in situ image I use a four image template for alignment, then create four new images, double check them for issues in order to create two final in situ images.
From each of these two images I then create two more images, now freestanding.
I know no one gets this and I'm a complete loon, but this is what anti-capitalism looks like.
Because I am an impoverished fuckup, I got nothing, I'm going to get nothing. I see things I am positive others miss.
Which is how I have the only original #120 complete dataset, data which money does not know.
And what do I do with this unique treasure? I spend weeks Mysteroning it and wideband it to the world so the whole world has it where only one person could see it before. Just fucking because.
I just discovered that exhibit #120 of 126 of my great big graphics project will have an entire section that was excluded from all archived copies of this dataset.
Once again the only place in the entire world this data will be available will be in my great big graphics project when this exhibit gets posted.
The section, previously lost, is as large as its host dataset so this is going to take me a while.
It requires a lot of exacting alignment and I'm creating two alternate versions of each of the expurgated section images so there's one set as part of the main dataset pictured in situ and one set of the section freestanding.
So current estimate's dataset #120 of 126 of my great big graphics project is going to be just shy of 100 images and there will be close to 150 all together in the exhibit.