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For during :
Emil Nolde (German, 1867-1956)
Feuersalamander (Fire ), 1923-4
watercolor on Japan laid paper
36.4 x 46.3 cm (14.3 x 18.2 in)
https://www.invaluable.com/auction-lot/emil-nolde-feuersalamander-fire-salamander-%20%20%20%20212-c-0785a64a30

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+ :
Wilhelm Kuhnert (German, 1865-1926)
(n.d.)
Pencil & watercolor picked out in white, on paper, 27.9 x 17.8 cm
https://www.lempertz.com/en/catalogues/lot/1132-2/1567-wilhelm-kuhnert.html
🆔 Toco Toucan (Ramphastos toco), also known in Kuhnert's time as the Giant Toucan (it's the largest living toucan species)

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, here is a nursing 2 cubs, on top of a also nursing 2 cubs!
From Fol. 115v of BnF Lat. 16169 (Albertus Magnus, De animalibus), Paris, mid 14th c.
https://gallica.bnf.fr/ark:/12148/btv1b85409542/f232

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For + , two different versions of Two Long Neck , 2019, by Reuben Balarda Manakgu (Mandjuringunj clan, West Arhnem Land, b.1965)
Synthetic polymer paint on canvas, 26 x 43cm & 40 x 50 cm
https://www.mutualart.com/Artist/Reuben-Manakgu/391C37A818E900F7/Artworks

Aboriginal painting of two long-neck turtles, Rarrk (cross-hatching) style, with four waterlily leaves on dark red-brown marbled background

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:
Leslie van der Sluys (Australian, 1939-2010)
Gang Gang and Lemon Scented Gum, 1982
hand-coloured linocut, 32 x 29cm
https://www.invaluable.com/auction-lot/leslie-van-der-sluys-1939-2010-gang-gang-cockatoo-%20%20%20%203081-c-4594cac9c7

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For on 🐘🐘:
Two
from Manafi al-Hayawan (Uses of Animals) by Ibn Bakhtīshūʻ (ʻUbayd Allāh ibn Jibrāʼīl), Maragheh, Iran, 1297-1300 (w/ 19th c. additions)
The Morgan Library & Museum MS M.500 fol. 13r
https://ica.themorgan.org/manuscript/page/7/77363

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For on 🐘🐘:
Amrita Sher-Gil (Hungarian-Indian, 1913-1941)
Two , 1940
Oil on Canvas, 46cm X 54.3cm
National Gallery of Modern Art, New Delhi
https://artsandculture.google.com/asset/two-elephants-amrita-sher-gil/

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For on 🐘🐘:
Pair of Altar Candlesticks
China, probably Guangzhou (Canton), 19th c.
Gilt copper, cloisonné enamel, colored glass, stones; H 56 cm
"were probably part of a Buddhist altar set, the elephant being the mount of Akshobya"
The Khalili Collections: https://www.khalilicollections.org/collections/enamels-of-the-world/khalili-collections-enamels-of-the-world-pair-of-altar-candlesticks-ch920/

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For on 🐘🐘:
Pair of Earrings in the Form of Dancing
India, Deccan, 19th c.
Gold inlaid with rubies & sapphires
1 1/2 × 1 1/2 × 1/2 in. (3.81 × 3.81 × 1.27 cm) each
LACMA M.86.49a-b: https://collections.lacma.org/node/252139

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For #SaveTheElephantDay on #TwoForTuesday 🐘🐘:
#Elephant masks
Bamiléké people (Cameroon)
Blue cotton cloth, colored beads
Red cotton cloth, glass beads
Field Museum display
#AfricanArt

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+ :
195 & 318 “Blue Jay”
another pair from the ongoing search for all the animals from the 420 original 1906 Moravian tile by Henry Mercer on the Capitol floor.

photo of a Mercer tile mosaic depicting a blue jay on a branch, numbered 318 on PA Capitol red tile floor

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:
Ewer in the shape of a and
Vietnam, Tran-Le dynasties, 14th-15th c.
Stoneware with green glaze; molded & incised decoration
19.4 x 17 x 5.5 cm (7 5/8 x 6 11/16 x 2 3/16 in.)
On display at Museum of Fine Arts, Boston

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+ :
Museum of Fine Arts, Boston display
1 Gift cover (fukusa)
Japan, Meiji era, late 19th - early 20th c.
Silk satin embroidered w/silk & metallic threads
2 Oscar de la Renta (American, b. Dominican Republic, 1932-2014)
Woman's ensemble in 3 parts, 1980s

closeup of 1st work: Japanese Fukusa with embroidered green parrot design
closeup of the large parrot (scarlet macaw) appliqué on shoulder of Oscar de la Renta blue jacket from ensemble
“For several centuries, silk covers or fukusa were draped over gifts to be presented on lacquer trays during weddings and other special ceremonies. The embroidered image of a parrot on a perch with feeder suspended by tasseled red cords on this fukusa was appropriate for an art form known for its depiction of the natural world. Lightly padded and backed with red crepe fabric brought to the front to frame the central image, it was designed to fall softly over a gift beneath with its gilt tassels slightly weighting each corner.” “Born Óscar Arístides Renta Fiallo in Santo Domingo, de la Renta was a renowned American couturier and ready-to-wear designer. Trained by the great Cristobal Balenciaga (1895-1972), he rose to international acclaim in the 1960s and dressed numerous American first ladies, from Jacqueline Kennedy to Michelle Obama. From power suits to couture gowns, de la Renta often used a variety of birds in his designs, as an intricate embroidery, a romantic textile design, or an oversized applique. This ensemble was designed for the boldest of women and speaks to his passion for vibrant colors inspired by Spanish and Caribbean cultures and landscapes.”

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#TwoForTuesday + #TilesOnTuesday:
2 of 120 lifesize #lions that lined the Processional Way from the Ishtar Gate to the Temple of Marduk at Babylon.

Striding Lion Panels
Mesopotamian, Babylonian Neo-Babylonian Period, reign of Nebuchadnezzar II 604–561 BCE
Findspot: Iraq, Babylon, 1899, excavated by the Deutsche Orient-Gesellschaft for the Kaiser Friedrich Museum, Berlin
Terracotta glazed bricks

  1. Museum of Fine Arts, Boston 106 x 232 cm
  2. RISD Museum 104.1 x 228.6 cm

panel 1 at RISD “Open-mouthed lion, teeth bared, striding left.” framed and mounted high on white wall

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+ :
Joseph-Théodore Deck (French, 1823-1891)
Tile Plaques, c.1880
Earthenware w/ underglaze & overglaze enamel decoration
tiles 10 x 10 in (25.4 x 25.4 cm) ea.
panels 40 x 20 in (101.6 x 50.8 cm) ea.
On view at PMA

The vibrant turquoise blue in these works was one of the signature glazes developed by Deck, who was inspired by Turkish ceramics. It came to be so closely identified with the artist that it came to be known in the late 1800s as ‘Deck blue.’”

closeup of the left panel featuring male mallard duck
closeup of the right panel featuring pair of Mandarin ducks and two butterflies
gallery label: Tile Plaques Around 1880 Joseph-Théodore Deck French, 1823-1891 Earthenware with underglaze and overglaze enamel decoration Many ceramic works take their colorful appearance from glazes - liquid coatings that fuse onto clay to form a surface layer of glass when fired. Because the chemical components of glaze mixtures react differently in the kiln, the colors on a finished piece are often the result of an artist's intensive process of trial-and-error. The vibrant turquoise blue in these works was one of the signature glazes developed by ceramist Joseph-Théodore Deck, who was inspired by Turkish ceramics. The turquoise came to be so closely identified with the artist that it came to be known in the late 1800s as “Deck blue." [Plate] Gift of Larry A. Simms, 2023; [dish] Purchased with funds contributed by Mr. and Mrs. Adolph G. Rosengarten, Jr., 1978-117-1; [Tile Plaques] Gift of Lillian Nassau, 1973-203-1

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:
Two Standing, Braying , One Buff, One White, Their Backs Laden with Goods
Chinese, Northern Qi dynasty, 550-77 CE
earthenware
2003.193.1: H. 35 x W. 27.5 x D. 16.5 cm (13 3/4 x 10 13/16 x 6 1/2 in.)
2003.193.2: H. 33.5 x W. 25 x D. 19.5 cm (13 3/16 x 9 13/16 x 7 11/16 in.)
on display at Harvard Art Museums 2003.193.1-2

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:
Pair of Jade
China, Zhou Dynasty, Warring States or Western Han period, 3rd century BCE
nephrite, L. 19.1 x H. 8.8 x T. 0.5 cm (7 1/2 x 3 7/16 x 3/16 in.)
on display at Harvard Art Museums 1943.50.469 A, B

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For + : 105 + 156 “
Many of the designs appear in multiples & those in higher foot traffic areas have noticeably more wear, as seen in this pair.
From the ongoing search for all the from the 420 original 1906 Moravian tile by Henry Chapman Mercer on the Capitol floor.

photo of floor tile mosaic depicting an open white oyster (bivalve shells), numbered “156” and labeled “OYS TER” - light wear from less foot traffic

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