sugarfuel, to berlin German
@sugarfuel@mastodon.social avatar
vtrbng, to streetphotography Italian

SHADOWS: “Quando le ombre si sovrappongono diventano più scure?” si chiede il signor Hirayama, il protagonista di “Perfect Day”, l’ultimo bellissimo film di Wenders. Ci ho pensato tanto e non sono sicuro della risposta. Tu che dici?

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cliophate, to random
@cliophate@overkill.social avatar

Here's an exercise a coach once asked me to do: What would a look like?

https://cliophate.wtf/posts/perfect-day

FoucPerotin, to Cinema French
@FoucPerotin@piaille.fr avatar

Bande-annonce
Je merde trop, ces jours, à procrastiner de manière folle sur un travail. Alors, je ne vais pas au ciné.

Perfect Day, la chanson, je l’ai longtemps eue en post épinglé sur bdx, un compte avec alors 10 followers quand celui sur Mamot en avait 550. J’avais accompagné le lien de la mention « en boucle, pour apaiser une autre tristesse » Et voilà que cette bande-annonce suffit à me mettre les larmes aux yeux. Je me traite de mauviette triste.

Vidéo de la bande-annonce du film Perfect Days

FoucPerotin,
@FoucPerotin@piaille.fr avatar
50years_music, to transgender
@50years_music@mastodon.online avatar

"Walk on the Wild Side" is a song by American musician from his second solo studio album, (1972). It was produced by and and released as a with "". Known as a counterculture anthem, the song received wide radio coverage and became Reed's biggest hit and while touching on topics considered taboo at the time, such as people, , , and .
https://youtu.be/oG6fayQBm9w

nothingistrue, to vinyl
GayDeceiver, to random
@GayDeceiver@mstdn.social avatar
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