Zerofactorial,
@Zerofactorial@noc.social avatar

How did the Jane character, who got maybe one minute of screen time, get a head shot in the end titles?

allanb,
@allanb@mastodon.social avatar

@Zerofactorial exactly!

kcarr2015,
@kcarr2015@mstdn.social avatar

@allanb @Zerofactorial
Clearly she emoted hawtly!

Zerofactorial,
@Zerofactorial@noc.social avatar

@kcarr2015 @allanb Was that the high point of the film? I'm asking, not proposing

moira,
@moira@mastodon.murkworks.net avatar

@Zerofactorial @kcarr2015 @allanb honestly i think there were a few legit wow moments that worked just as well in 2D:

  1. The initial forced-perspective zoom inside the spaceship. That thing is big and it showed how big (if briefly) and it worked.

2: the initial scene still in the crater when doc whatshisname almost got in the door.

  1. The alien eye turns to smoke turns into Russell Johnson's hand. Dang that was nice.

  2. The laser wand. Too bad they didn't let her actually aim, but.

moira,
@moira@mastodon.murkworks.net avatar

@Zerofactorial @kcarr2015 @allanb

Smaller bits I liked:

  1. the two aliens who looked like the linemen walking together and clearly didn't know how to walk like normal human worm babies so were in locksync

  2. the whole being followed around visually by the aliens with the static bubble effect.

  3. back to the linemen, I mean, it's theatre-y but I do like the bit about the wind in the wires and really most of that scene.

  4. The outdoors vs. outdoor set transitions were helped a lot by B&W but still pretty good, particularly for then. Some nice work in there, I've seen lots worse

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