sinituulia, to random
@sinituulia@eldritch.cafe avatar

I have a mountain of ironing to do and none interest to do so. Would you, for morale reasons, look at this set of Edwardian underwear I made a little while ago? Now with cats!

A more posed but nonetheless lovely photo, wherein she is now wearing a black corset also. It has wheat brown embroidered flossing at the front, is a snug shape reaching up to her mid bust, and flares out significantly at the hip. The shape is quite distinct for late Victorian or early Edwardian corsets. She is also wearing a pair of black shoes that make her calves look absolutely fantastic, shapely, muscled and slender. She is looking off to the right, in profile. There is a large pink ribbon in her wig, and she looks rather lively despite being far more bony than the Edwardian era would have found best.
A back view, mid step and turn. Here you can see what the Edwardian silhouette is really about: Hip padding! There is an adorable little ivory pillow contraption with small yellow flowers and a cute ruffle on the edges of it. It is tied about the waist and under the corset, further emphasising what could at a glance be determined to be rather wide hips. Truly the waist to hip ratio is quite significant with the padding added! It all looks reasonably in proportion because fashion is weird. There is more embroidery at the back of the corset, showing hints of the mysterious placing of boning to make the back and bust take the jutted out shape familiar from more dressed up Edwardian vintage photographs.

sinituulia, to random
@sinituulia@eldritch.cafe avatar

It is I! The Outside Girl!

Here is the pictorial evidence of me pointing at the different crafted wood details on a pretty old building. And edit, another photo because my jacket I made is cute.
"Gosh that's a lot of snow for April", you may think, and indeed it is!

A more posed photo of Sini, looking at the camera, with her hands down. Her jacket has multiple quintessential qualities of the 1890s, foremost the huge lapels and the massive sleeves. It is just a generically nice photo also, and she looks a bit mischievous, even while wearing a white face mask.

sinituulia, to FiberArts
@sinituulia@eldritch.cafe avatar

Currently eyeing one of the many sheets I never use but that I've washed due to The Wormening. I do not exactly need another calf length 18th century petticoat to wear at home... But I also don't need that sheet, and the lovely black fabric would see a lot more use as a petticoat than as a straight sheet 🤔 It wouldn't be THAT much effort to cut it into two and pleat it up on waist ties, and then I wouldn't have to try to fit the sheet into my bed linens dresser that is both too large and not large enough

BluRae, to FiberArts
@BluRae@pagan.plus avatar

I love the aesthetic of Victorian and Edwardian inspired clothes, but all the trim these types of patterns inevitably call for is such a pain.

Also, this happens:

@sewing

BluRae, to FiberArts
@BluRae@pagan.plus avatar

Me: I wish I could dress like the 1860s

Also Me: Drooling over Son De Flor dresses

Waaait a minute.

I'll let you all know how it goes.

BluRae, to random
@BluRae@pagan.plus avatar

Me, I would buy them.

valhalla, to random startrek_it

Dear people,

I still have about half of the red fabric I've used for the shirt, and it may be just enough to make myself a short dress using the pattern I've used for the princess petticoat.

It will have to be shorter, maybe even knee length, and I'm quite sure that there won't be enough for the ruffle, nor for sleeves (or at most they will be really short sleeves), but there may be some fringe that I've accidentally bought in the past when it assaulted me from the haberdashery display.

I have to, right? :D

valhalla, to handsewing startrek_it

Some of you may remember that last year I have been a shirt in red wool, but by the time I've mostly¹ finished it it was already too warm to be able to wear it significantly.

At least, the Sensible Season seems to have started, and I can wear it!

There will be a blog post. At some unknown time in the future.

¹ it does need a few detachable collar and cuffs variants, to style it a bit differently, but those don't prevent me from wearing the shirt as is.

The same, standing still, from the front; there is little fullness above the waistline (where it's tucked in the skirt), and it opens with a button placket in the front with 3 visible buttons.

Rivikah, to FiberArts
@Rivikah@mstdn.social avatar

Hm. I think I need a turn of the 20th century wrapper/tea gown/house dress type garment.

My fabric is a cozy navy wool, so I'll want to avoid some of the more fantastical ruffled confections

Here's some pictures from the 1897 and 1898 Sears catalogues and the 1899 Eaton's catalogue.

For planning purposes.

I really like this lapel style front, but maybe I'll save it for a coat.
The previous year has more outrageous sleeves, and I'm tempted to try those watteau pleats that seem to be everywhere.
Here's a simple yoked design that looks nice less bulky to my eye.

Rivikah,
@Rivikah@mstdn.social avatar

Working on my sleeve draft.

Rivikah,
@Rivikah@mstdn.social avatar

All cut.

OK, I still need to make a plan about a collar and some facings. But all the big bits are done.

Here are four piles:
Two continuous meters of left over fabric that I might get a very practical pair of trousers from if I'm careful. (Only 3 meters used for this garment if anyone's keeping score.)
A pile of small probably useless scraps.
A pile of larger pieces that I will cut the aforementioned collar and facings from.
My cut out pieces.

sinituulia, to random
@sinituulia@eldritch.cafe avatar

"So Sini, talk a little bit about your look today?"
"Well, I was really going for the vibe of 'Early 19th century poet imprisoned for their radical beliefs and a touch of homosexuality if we're honest, but he's the scion of a wealthy family so we just put him in an asylum instead' but then I was really having trouble making a neat bow today"

I put on a clean shirt, looked in the mirror and chuckled at myself.
indeed.

laumapret, to random

Late night internet surfing landed me into one if those a bit historicaly looking clothing shops. Gorgeous red wool cloak. Priced almost realistically for wool.

Do I feel ready, tho? to be the only person in my small town wearing such an eye-catching outerwear? Damn, even in the capital where I go for work meetings and dentist appointments, I don't see red cloaks...

sinituulia, to random
@sinituulia@eldritch.cafe avatar
valhalla, to random startrek_it

My mother's washing machine is breaking down, and she lives close enough that I'm washing all of her laundry.

Now, I like being able to fill more loads and wash things more often, rather than have them accumulate until the laundry basket is overflowing, so I'm not encouraging her to buy a new machine (an attempt at repairing hers has already been done, and failed).

My real question is: should I do the proper thing and embroider my husband's initials on all of our household items? should I do a radical feminist thing and embroider my own initials¹? And what should I do with the bedsheet that already has my great-grandfather initials on it?

¹ or rather design. which has the advantage of having a form that is extremely easy and quick to embroider, and I already use on my conference t-shirts that are identical to @diegor 's ones :D

sinituulia, to handsewing
@sinituulia@eldritch.cafe avatar

But Sini, what do you wear when it's hot enough that you forgo your general policy of not being sassy on the internet?
A linen shift! In case you didn't know what that is, it's one of the most enduring garments ever, a simple long shirt built out of rectangles and triangles, extremely frugal in fabric use. When hand sewn, nearly indestructible.
Also my linen bedgown, another 18th century fabric use efficient garment, when a desire to be slightly less boobalicious strikes.

Photo of the same, but with a horizontally striped loose open jacket on top. There are no closures and it resembles a kimono in fit and construction. She is looking to her right and down. The garment is knee length and slightly longer at the sides, where the long bias seams from under the arm are cut on the diagonal.

sinituulia, to random
@sinituulia@eldritch.cafe avatar

Gaze upon me finally documenting my works! A brief five part thread of photos, with guest appearances by cats.

Main garments sewn this year with shirts and layers made in the years before. Taken by me in my living room, which is how the boys can participate as they please. 😂​ Further details in the posts below.

🧵​ 1/5

A photo of Sini in the same spot with the same backdrop of sheer lace curtains with light streaming through. She is wearing a striped button down shirt with the black linen vest and skirt, hands at her hips and looking down at two cats. A ginger tabby is standing and looking up at her. A black cat with a little white cravat is sitting, his luminous yellow eyes contrasting his dark fur. Sini looks gently exasperated.

sinituulia,
@sinituulia@eldritch.cafe avatar

Here it is photographed, that I finished quite some time ago. Sewn using a slightly modified pattern from Black Snail Patterns, the 1890s Fan Skirt. I used a medium weight black European made linen, which was lovely to work with. The hem has a relatively deep facing of black cotton twill. It has lovely movement and structure, trust me, or look at the clip in the first tag!
Pretty good for just going on a walk in.

🧵​ 2/5

A photo from the back, showing the full volume of the skirt. It flows down from the tight gathering at the back in a soft but structured fashion, like only linen does. It is a very graceful garment, but also not flashy. The photo itself is serene and pretty in a very classical way and could perhaps be used as the cover photo of some (hopefully very gay) historical romance book.

sinituulia,
@sinituulia@eldritch.cafe avatar

I had enough scraps left over from the jacket and skirt that I wanted to make a simple, untailored vest. got swiftly out of hand, but used linen from the skirt and jacket, as well as the hem facing twill from (photos posted yesterday) and the only thing I had to get for it was matching buttons. The pattern was kind of a disaster, but it turned out nice.

🧵​ 3/5

A photo from behind, full length. The notch at the upper neck of the vest shows the same style lines as the front. Even bending down to reach a pointer finger at the ginger cat sitting at her feet, the back is rather wrinkle free and structurally pleasant looking. The wide peplum of the vest, cut as one, with a seam at the back waist, sits on top of the very voluminous skirts without issue.

sinituulia, to random
@sinituulia@eldritch.cafe avatar

There's only two of these more modern photos and they show off nicely, so here they are on their own.

The skirt is a 50% linen 50% cotton mix, and my own pattern, using a combination of 1890s drafting guides and late night maths. The shirt is something I made in perhaps 2012 based on my own pattern. Worn over a modern bra, a small bustle pad and two petticoats! The first tag leads to details, progress photos and so on.

A front facing photo of the same. The stripes form exact and pleasingly symmetrical chevrons at the front. She is looking down. Here the shirt front shows multiple tiny pin tucks at the yoke, with two darts at the front under the bust. Hew wig is almost exactly the colour of the paler red brown stripes of the skirt. It is also a flattering photo, though not as dramatic.

sinituulia, to random
@sinituulia@eldritch.cafe avatar
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