art_history_animalia, to random
@art_history_animalia@historians.social avatar
art_history_animalia, to random
@art_history_animalia@historians.social avatar

For when it’s during
Vessel with Toad/Feline
Moche culture, Peru
Early Intermediate Period, 1-650 CE
Ceramic, 7 1/4 x 4 x 5 1/4 in. (18.4 x 10.2 x 13.3 cm)
Michael C. Carlos Museum 1989.008.061 https://collections.carlos.emory.edu/objects/16182/vessel-with-toadfeline?ctx=f38075598fbf6644b7ad1726cf5c0d139758feee&idx=1#

art_history_animalia, to random
@art_history_animalia@historians.social avatar

For + , two different versions of Two Long Neck , 2019, by Reuben Balarda Manakgu (Mandjuringunj clan, West Arhnem Land, b.1965)
Synthetic polymer paint on canvas, 26 x 43cm & 40 x 50 cm
https://www.mutualart.com/Artist/Reuben-Manakgu/391C37A818E900F7/Artworks

Aboriginal painting of two long-neck turtles, Rarrk (cross-hatching) style, with four waterlily leaves on dark red-brown marbled background

art_history_animalia, to random
@art_history_animalia@historians.social avatar

Happy International 🦇
Mace head representing a
Nicoya, Costa Rica
attributed to Guanacaste-Nicoya culture, c. 1-500 CE
carved & drilled stone, 13x9x7cm
Smithsonian NMAI 22/9577: https://americanindian.si.edu/collections-search/object/NMAI_244301

art_history_animalia, to random
@art_history_animalia@historians.social avatar

Happy ! 🦭

Effigy Stirrup Vessel
Moche, Peru, 50-800 CE (Early Intermediate-Middle Horizon)
Earthenware (Blackware), H: 6 1/4 x W: 9 1/2 x D: 6 1/4 in. (15.9 x 24.1 x 15.9 cm)
The Walters Art Museum 48.2842 https://art.thewalters.org/detail/79387/seal-effigy-stirrup-vessel/

🆔 South American Sea Lion (Otaria byronia)

official museum photo of the object, side profile 2 on gradient grey background Moche blackware ceramic single spout stirrup effigy vessel in the form of a sea lion

art_history_animalia, to Rabbits
@art_history_animalia@historians.social avatar

:
Mask
Guerrero Nahua (Mexico)
1940-1960
Copper, cotton cloth, paint
26.5 x 18.2 cm
Smithsonian NMAI 24/5904

Shanmonster, to photography
@Shanmonster@c.im avatar

My profile photo was taken by my friend Bangishimo, who currently has a show at the Kitchener Waterloo Art Gallery called “The Medicines We Carry.” Here’s one of their photos, of my friend Brittney, who is another excellent artist (primarily beadwork, quillwork, and leatherwork). Bangishimo is Anishinaabe and Brittney is Mi’kmaw. @waterlooregion @WaterlooEvents

robert_davis_hoffmann, to random
@robert_davis_hoffmann@mastodon.social avatar

This artist won the Sealaska Heritage Institute “Celebration 2024” contest. See his work at nickallenart.com

art_history_animalia, to random
@art_history_animalia@historians.social avatar
art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
, 1974
Art Thompson (Canadian, Ditidaht, Nuu-Chah-Nulth, 1948-2003)
serigraph, 58.5 x 44.4 cm
Art Gallery of Greater Victoria 1998.035.024: https://aggv.ca/emuseum/objects/15671/woodpecker

art_history_animalia, to random
@art_history_animalia@historians.social avatar

For :
Flying Fox Mask, 1913
Gulf of Papua New Guinea
H315 x W950 x D210mm
"This mask depicts a flying fox, referred to locally as bilak bokis. It is made from bark cloth over a cane frame and is painted black, red and white."
Queensland Museum:
https://collections.qm.qld.gov.au/objects/CH20372/mask-flying-fox

art_history_animalia, to random
@art_history_animalia@historians.social avatar

For , check out this on display at the American Museum of Natural History:
“Ceramic whistling bottle molded and painted to represent a muscovy duck, a South American domesticate.”
🆔 Muscovy duck (Cairina moschata)
“Sican style, Peru” - Sican aka Lambayeque culture, c. 750-1375 CE

art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
Earthenware
Kari'na culture, Suriname, before 1914
6.5 x 12.5 cm (2 9/16 x 4 15/16 in.)
Wereldmuseum Amsterdam TM-7-106: https://hdl.handle.net/20.500.11840/178081
"Finely pounded charred bark of the kwepi tree is mixed with the clay as a binding agent in a 1:1 ratio, then shaped and baked."

art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
Peter Wadaymu Ganambarr (1930-1997) - Yolngu, Ngaymil clan, Dhuwa moiety
Bark Painting showing Wititj at Garrimala, c.1968-71
Galiwin'Ku, Australia
Bark, pigments 56 x 23.8 x 0.8 cm
On display at Baltimore Museum of Art
Wititj = the sacred rainbow serpent (olive python)

art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
Double-Spout Bottle
, Peru, South Coast, 3rd century
Earthenware, polychrome slip paint
5 × 4 × 3 1/2 in. (12.7 × 10.2 × 8.9 cm.)
BMA 2016.203
on display at Baltimore Museum of Art

art_history_animalia, to random
@art_history_animalia@historians.social avatar

For :
figure by Melvin Olanna, 1968
Inupiat Eskimo, Shishmaref, Alaska, USA
Yellow cedar wood, L 32 x W 18.5 x H 20.5 cm
25/6106 Indian Arts & Crafts Board Collection, DOI, at Smithsonian NMAI

photo of the virtual label from information monitor at museum- text transcribed in post

art_history_animalia, to random
@art_history_animalia@historians.social avatar

#MonkeyDay:
#Monkey Figure
Mezcala culture, 1st–8th century
Balsas River region, Guerrero, Mexico
Serpentine
H. 2 13/16 x W. 5/8 x D. 2 1/8 in. (7.1 x 1.6 x 5.4 cm)
The Metropolitan Museum of Art, New York 1979.206.1208
https://www.metmuseum.org/art/collection/search/313383
#IndigenousArt #MesoamericanArt

official museum photo of the monkey serpentine sculpture, side profile view 2 on grey gradient background

art_history_animalia, to random
@art_history_animalia@historians.social avatar

: effigy vessel, style, Acomayo (Department of Cuzco, Peru) c. 1400-1532.
Clay & pigment, h18 x w8.50 x d32.50 cm.
Museo de América No. 08570: https://www.culturaydeporte.gob.es/museodeamerica/coleccion/america-prehispanica/coat-.html

cosullivan, to 3goodthings
@cosullivan@mstdn.io avatar

  1. first to find on a in
  2. Sold ALL my novels for $$
  3. Bought carving made by an artist of a prominent Burrard Nation family, a special request from my in-laws. The souvenir shops have useless silent staff so we went upscale to a gallery with knowledgeable staff.
    @3goodthings
robert_davis_hoffmann, to random
@robert_davis_hoffmann@mastodon.social avatar

I make these carved combs with yellow cedar and abalone inlay. Wolf, Thunderbird, Killer Whale

liberate, to Palestine
@liberate@mastodon.au avatar
ameel, to melbourne
@ameel@mastodon.social avatar

Scar trees that are part of the Scar Project artwork installation in Enterprize Park, which is on the banks of the Yarra River in Melbourne.

robert_davis_hoffmann, to art
@robert_davis_hoffmann@mastodon.social avatar

Didn’t quite stick to the plan. Raven design.

image/png

art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
shell effigy decorated w/ turquoise & shell mosaic
Hohokam Culture (300 BCE-1450 CE)
House mound (IV). XIV (Los Muertos, AZ, USA), collected 1892
5x4.7x2.3cm (1 15/16 x 1 7/8 x 7/8 in)
Harvard Peabody Museum:
https://collections.peabody.harvard.edu/objects/details/1946

Top down side profile view
top down underside view (showing bare shell)

robert_davis_hoffmann, to random
@robert_davis_hoffmann@mastodon.social avatar

This 6’ x 4’ killer whale design I carved in 1986 hangs at the Sitka National Historical Park. It is the clan crest of my clan, Tsaagweidi of Kake, AK. Acrylic on carved yellow cedar, abalone shell inlay.

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