@sean_ae
i did a rough rework of Saw You, dunno how close it is to real master by you but i guess its gonna work at least for now lol
hope u dont mind, made it so i have at least something from that tape in my collection
btw where does that string/pad thing originates from? my friend sent me a sample of guitar string and i used it as a result
iirc that sound was a tx81z. was prob an edited preset cos it was only the first time we used one.
one of a handful of tracks we did in daz fitton's studio above dr rock (drake st, rochdale). we'd meet him in the shop at 6pm and he'd give us the keys and leave us in there all night, so we had to fig it all out by ourselves.
the tracks came out sort of ok considering, but after a bit we realised we were doing better stuff at home, so it goes.
was good experience though, learned some stuff, and very cool of daz to let us do that.
If on a flight the attendant ever asks you to put away that laptop for landing, you answer "don't worry darling, it is securely and comfortably attached to me" in your best Tim Robbins impression.
@miunau that sounds nicely smooth.
i did a ring mod (with phase distortion) module and yeah, it's quite nice on simple tones. it can grab its pitch from any channel so it can do like [2 melodies at once] type things
It is the end of the day that "Incunabula" evokes for me. Autumn nights, wrapped up wandering the fleetingly lit streets, lost in thought putting the pieces of our days together.
Happy Pearl Jubilee and thank you for the music, @sean_ae & Rob! <æ
@gzepidemic@changterhune@Cognessence oh yeah definitely, and Every Breath You Take is well creepy as well.
There’s even Can’t Stand Losing You, where he threatens to kill himself if she leaves him.
Police were proper dark I reckon.
@Cognessence@gzepidemic@changterhune there was a max headroom sting interview, on the c4 show. I had it on tape, watched it way too many times, he’s such a tool.
I love these days (17th Feb is the other) when we celebrate both Autechre and Kate. For me, this one is a passing of the electronic baton. Kate's (current) final – before the jazzier 50WfS – and Autechre's first conceived as an album focused on electronics.
I dunno, guys, it was 1995, the year Wipeout also arrived on PlayStation (I never had it, just a demo of the later 2097 on my Demo One). And, though the closest Autechre and Psygnosis got (AFAIK?) was via tDR's artwork, Tri Rep and Wipeout are the two pieces that call each other to mind the most for me.
@miblo hey cheers matt. i didn't mind Wipeout but i was prob more of a Descent guy really.
couple of my mates had ps1 but i didn't really accept sony consoles until the ps2 came out.
@Cognessence@miblo right yeah, i love the mechanics of the original. don't think i ever played descent II, just had a look at some gameplay, looks nice.
there's a newish version called overload on steam, i have it on my machine in mcr but hardly played it really. basically the same game.
just seen a guy on the internet saying he doesn't like walking through forests because "it's just a load of random branches and stochastically generated leaves"