Enjoy the writing, make sure you actually listen to the ones that sound intriguing and, of course, support these artists with your follows, favs and, if you can afford it, your finances.
If you do like the writing and/or need more new music, you can find more on my site with the #OPM tag. If you really like the writing, you could always buy me a coffee:
After discovering that it was likely Malcolm Catto that performed live drums during a DJ Shadow performance I saw long ago via this video, I discovered that he’s played on several records I’ve enjoyed over the years. Now I’m listening to his rewarding Heliocentric albums.
there's a new mixtape I did for Bass, Breaks 'N Flow and their Insomniac radio show. One hour breaky electronic music put together, available for listening here:
my new Fysen EP releases this Friday and today we gonna have a listen party on Bandcamp. It will start at 7pm CET (Berlin) time. I will be available in the chat, if you wanna join please check here:
Ce weekend c'était #concert au Black Lab pour Al'Tarba et Senbeï qui présentaient leur album Rogue Monsters II
Pas pile dans mon genre, je savais qu'on était entre #electro et #hiphop, et ça basculait parfois #breakbeat ou même #punkrock, mais en tout cas c'était plein d'énergie !
La première partie Maïcee faisait également un grand écart musical, entre #rap et #electro.
En cherchant parmi ses clips je retombe sur cet air de flûte que j'ai en tête depuis tout à l'heure, pas de raison que vous n'en profitiez pas : https://www.youtube.com/watch?v=Zf9ZZBR1ZS8
Elle invitait le public à relayer sa musique, nul doute qu'un partage sur Mastodon va faire décoller sa carrière.
there's a new remix out for my track Hawa by Norwegian producer Tater Andersson.
He took my track more into the club corner and if you like some growling basslines
and lo-fi beats it's maybe something for you. He produced the remix entirely on his MPC:
Released in 1997, 'Smack My Bitch Up' by The Prodigy, from 'The Fat of the Land', sparked debate. Its video was banned for explicit content, yet the track remains a defining big beat anthem, showcasing the band's innovative sound.
Thanks for checking out my first full-length album which is out today*. I kind of made it by accident but as I usually overthink things that made a nice change.
In 1969, an American soul group based out of D.C. recorded the song "Amen, Brother". Halfway-ish through the track, the band pauses to let the drummer, G.C. Coleman, perform a solo. This 7 second solo went on to influence (or outright create) #HipHop, #Jungle, #DrumAndBass, #Breakbeat, and much more.
They were The Winstons, they created the Amen Break that completely changed modern music, and they got next to nothing for it.