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LadyMarth01, to music
@LadyMarth01@mstdn.games avatar

Album of the Day 256: It Doesn't Matter by Saxon Shore

https://saxonshore.bandcamp.com/album/it-doesnt-matter

2009 post-rock album from Los Angeles, California. "This Place" pushes into a shoegaze/dream pop direction with guest vocals from Caroline Lufkin.

My picks: "Nothing Changes," "This Place," "Bar Clearing Good Times"

auzzy,
@auzzy@bbq.snoot.com avatar

@LadyMarth01 Another great album I haven't listened to in a minute! Thanks for giving me an excuse to do so now. =)

CultureDesk, to movies
@CultureDesk@flipboard.social avatar

Stunt doubles are highly skilled and trained professionals who are often at risk through their work, but part of their job is staying away from fame. “Anonymity has always been the contract that we’ve agreed to, and it’s partly for the audience’s benefit,” says David Leitch, director of "The Fall Guy," who was Brad Pitt's stunt double for a decade. The Hollywood Reporter talked to him and Ben Jenkin, Logan Holladay and Chris O’Hara, three of the stunt performers from "The Fall Guy" about how they created the movie's action sequences, and the fight to get industry recognition for their profession. Tell us in the comments what you think the greatest stunt in movie history is.

https://flip.it/R0WzPE

#Movies #Hollywood #Entertainment #Film #Cinema #Stunts #TuneIn

auzzy,
@auzzy@bbq.snoot.com avatar

@CultureDesk Skipping your question, sorry.

It's so weird to me that one of the oppositions to a stunt Oscar is "How can a layperson know what goes into this?"

Do they think laypeople know anything about editing? Or the nuance of what constitutes production design? They don't know much about the technical categories. And that's okay! At their best, the Oscars are a great teacher.

Conversely, big stunts often constitute water cooler talk. "Did you see that?!?! It was AWESOME."

SaltiredPopcorn, to Blog
@SaltiredPopcorn@bbq.snoot.com avatar
auzzy,
@auzzy@bbq.snoot.com avatar

@SaltiredPopcorn @horror RE: the marketing strategy, I really feel for Bettinelli-Olpin and Gillett.

LadyMarth01, to music
@LadyMarth01@mstdn.games avatar

Album of the Day 250: Hellfire by black midi

https://www.youtube.com/watch?v=QfAOFyhfZJU&list=OLAK5uy_kUzro9EulGZUsIl-Bvn8hnQmPZU0jpSHw&index=1

https://bmblackmidi.bandcamp.com/album/hellfire

2022 experimental rock album from London, England. A crazy experience that takes from prog rock, show tunes, jazz fusion, and more. A hellish nightmare concept album, at times sung, at other times ranted in a blend of carnival barker and auctioneer; often hectic, occasionally soft, frequently discordant.

My picks: "Eat Men Eat," "Welcome to Hell," "Dangerous Liasons"

auzzy,
@auzzy@bbq.snoot.com avatar

@LadyMarth01 The vocal style, especially on tracks like Hellfire, reminds me a lot of Sleaford Mods.

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