Euclidean rhythms the easy way and with voice stacking inside of Bitwig. Simple start and getting slowly complex, with lots of options to extend the ideas.
I'm implementing crate for reading (and later on writing) #polyend#tracker projects :-) Not proactively developed until I get my serial tool in shape tho. After I have that I might write a playback engine for the projects and a command-line player. For reverse engineering reverb and delay algorithms I'm going to use Bitwig Grid and then just compare sampled output until I get it right.
The utility would be e.g. to convert Polyend project to #Bitwig or #Ableton project and stuff like that but to do proper conversion you first need to have a playback engine for comparative testing even though those tools do no need to play anything.
@polarity I just started trying to wrap my head around the Clip Launcher in #Bitwig and how I can use it in my workflow.
Do you know whether it's possible to launch Scenes by incoming MIDI Program Change (PC) messages?
I can get it to work via the Mappings Panel and tying Scenes to note values, but it seems like the "mapping listener" (or whatever it's called) doesn't react to PC. And I'd rather use PC values, as it's easier to understand and translate (i.e. PC1->Scene1, PC2->Scene2, etc.)
As you may or may not know @dreamer makes these really cool plugins at https://wasted.audio/software, and the plugins are featured heavily in this track. I particularly like the multi-band plugins. Do check them out and support an independent (and ethical, non-drm) plugin developer if you can.
Cyber Tuesday - Generative Patch from Scratch in Bitwig (free preset). Today, I'm diving back into creating a generative grid, something I haven't done in a while.
Hey everyone, in today's video, I demonstrated how to create a delay effect that aligns with a shuffled rhythm, using an FX grid and specific techniques like feedback loops and scalar controls, to enhance the groove in funky music without disrupting it. I've shared this unique approach on my GitHub for you to try out in your own productions.
I like the new MIDI clip generators feature of Live 12 from what I've seen. I wish Bitwig could something similar in terms of baking the results of MIDI effects into a clip.
I know you can route one MIDI track into another and record that way, but it's a bit inconvenient compared to Live's new feature.
I wonder what #ardour is doing different to #bitwig in terms of their #flatpak builds. I noticed that some #plugins run just fine in Ardour while Bitwig Studio reports problems with reading metadata or glibc version conflicts. 🙄️ #sandboxing#debugging#daw#linuxdaw
@amadeus 😀 Hello! I'm looking for how to do this. Which Linux distribution do you use, or which one do you recommend to start with for #bitwig , considering that I have no prior experience with Linux, and I want to be able to do streaming of all this? Thank you!!! <3
I keep seeing people online saying that #Linux isn’t ready for professionals, or that the Linux desktop isn’t for doing real work, or this usual « year of Linux desktop » meme.
So I thought I’d address the topic, because Linux is undeniably already being used by professionals all around the world, and definitely has a lot of tools to do professional work, either #OpenSource or proprietary:
Fading between sounds is a technique I should have utilized more often, but it sometimes slips my mind. In Bitwig, there are actually multiple methods for achieving this effect, and it can be incredibly powerful.