petrnuska, to brainfood
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petrnuska, to academicjobs
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beatnikprof, to academia
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This week in teaching.

petrnuska, to brainfood
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#AcademicJob

Tenure Track Position in Fiction and Documentary Directing and Editing

@ Toronto Metropolitan University

https://hr.cf.torontomu.ca/ams/faculty/preview.cfm?posting_id=550861

CC @academicjobs

#Documentary #Docs #FilmStudies #Editing #Directing #Cinemastodon

beatnikprof, to academia
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beatnikprof, to academia
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petrnuska, to Finland
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beatnikprof, to random
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This week in teaching.
#litstudies #filmstudies #malcolmx #spikelee

WerkstattGeschichte, to movies German
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Heute beginnt die 74. !

Wir erinnern daher an zwei -Artikel über , die bei vergangenen Internationalen Filmfestspielen Berlin der Jahre 2000 & 2007 Premiere feierten:

▶️ Christina White, Die Stille nach dem Schuss – Melodram oder Komödie?, 27/2000, https://werkstattgeschichte.de/alle_ausgaben/fraeulein/

[1/2]

@histodons @historikerinnen

WerkstattGeschichte, to movies German
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Heute vor 65 Jahren feierte die "Schlag auf Schlag" mit Premiere, ein Remake des 20 Jahre älteren -Films "Das Paradies der Junggesellen" (1939).

Stefanie Mathilde Frank hat für 65/2015 die Geschlechterrollen und die Musik in den beiden Filmen miteinander verglichen:
https://werkstattgeschichte.de/alle_ausgaben/disability

@histodons @historikerinnen

beatnikprof, to movies
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So today I’m teaching Shaft.
#filmstudies #film #LitStudies #professor

petrnuska, to brainfood
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Assistant Professor of Moving Images

@ University of Minnesota - Department of Art

Deadline: 08/01/2024

"We seek an engaged colleague with demonstrated expertise in contemporary Moving Image practice (including narrative, experimental, documentary, or animated Filmmaking or various expanded cinema practices)"

https://www.jobs.ac.uk/job/DET370/assistant-professor-of-moving-images

CC @academicjobs

sheribiesen, to movies
@sheribiesen@mastodon.social avatar

I was so delighted to see my new book, Through a Noir Lens: Adapting Film Noir Visual Style, in the Columbia University Press catalog. Hope folks enjoy it! #Film #Cinema #media #filmstudies #cinemastudies #FilmNoir #filmhistory #mediastudies #bookstodon #history #mediaindustry #cinemahistory #mediahistory #books

https://cup.columbia.edu/book/through-a-noir-lens/9780231560894

image/png

IHChistory, to history
@IHChistory@masto.pt avatar

🆕 Eight new research contracts were awarded to the IHC under by the FCT: six in the Junior Researcher category and two in the Assistant Researcher category, which will result in five new members joining the Institute. 🥳

👉 Find out who they are and what they'll be researching on our website: https://ihc.fcsh.unl.pt/en/ceec-eight-contracts-fct/

@histodons
@internationalrelations
@filmstudies

AndyPaciorekArt, to books
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IHChistory, to history
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🏅 Leonor Areal‘s film-essay "Where is Pessoa?" was awarded an honourable mention in the Outros Olhares section of the 29th edition of the Caminhos do Cinema Português festival, “for transforming an over 100-year-old current affairs film into a modern crime thriller”. 👏👏👏

👉 Read the full story on our website: https://ihc.fcsh.unl.pt/en/pessoa-honourable-mention-coimbra/

@films
@histodons

beatnikprof, to academia
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Finally figured out to films for my African-American Cinema class next semester (and a number of good ones didn’t make it):
Shaft (original), Buck and the Preacher, Do the Right Thing, Mississippi Masala, Malcolm X, Poetic Justice, Madea Family Reunion, Selma, Fences, Get Out, BlackKKlansman, The Last Black Man in San Francisco, Moonlight, and Black Panther.

AndyPaciorekArt, to books
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WerkstattGeschichte, to movies German
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Zum Welttag des audiovisuellen Erbes ein Hinweis auf 69/2015 "anti/koloniale filme", hg. v. Jürgen Dinkel & Dirk van Laak, mit einem Literaturbericht (Dinkel) & Artikeln v. Johannes Pause (Battaglia di Algeri, 1966), @kainowak (Africa Addio, 1966) & @chrkalter/Inga Kreuder/Ulrike Peters (portugiesische ):
https://werkstattgeschichte.de/alle_ausgaben/antikoloniale-filme

@histodons @historikerinnen

IHChistory, to poland
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📖 Caterina Cucinotta published a paper about the Italian filmmaker Rino Lupo, where she explores “his period in Russia and Poland (1916–21), when Lupo began to expand his cinematographic activity beyond directing movies to creating a journal and a film school, the first in Warsaw.”

👉 Journal of Italian Cinema and Media Studies: https://doi.org/10.1386/jicms_00197_1

@histodons
@filmstudies

beatnikprof, to Cinema
@beatnikprof@mas.to avatar

Student: What’s your favorite #film ?
Me: 2001…and The Godfather…Parts I AND II….Andrei Rublev….Wings of Desire and Lawrence of Arabia and Drive My Car and The Big Lebowski oh and There Will Be Blood don’t forget Network and Parasite not to mention La Dolce Vita and The Leopard and Masculine Feminine of course Nashville….I forgot Fanny and Alexander…and then there’s Brazil…Malcolm X..
[student slowly backs away]
#FilmMastodon #cinemastodon #filmstudies #cinema

IHChistory, to historyofmedicine
@IHChistory@masto.pt avatar

🆕 We have some great news:

the journals : Revista Portuguesa da Imagem em Movimento and - Journal of History of Science and Technology, both published with the support of the IHC, have been accepted for indexing by the platform! 🥳🎊

👉 https://ihc.fcsh.unl.pt/en/aniki-host-scopus/

@histodons
@filmstudies
@historyofmedicine

beatnikprof, to Cinema
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Today’s 2001 Day in my seminar.

Snoop dancing backwards

beatnikprof, to random
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Dr. Strangelove went much better than Paths of Glory in my seminar. Next up: 2001.

beatnikprof, to sciencefiction
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Picked the films for this semester’s Intro to Cinema ( focus) class: 2001, Interstellar, Nope, Brazil, The Matrix, both Blade Runners, Everything Everywhere All At Once, Children of Men, and Dune.
For group projects: Solaris, Alphaville, The Host, and Neptune Frost.

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