@litherland@typo.social
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litherland

@litherland@typo.social

Design + type + text. Solidarity forever. Views are my own.

Header set in Proxy Condensed (https://vault.commercialtype.com). Avatar: Tesla Dynamo by Nikola Djurek.

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litherland, to random
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“The industry’s protective ecosphere is strong. A coterie of enablers, some unwittingly, foster the myth. Regulators have been absent and afraid to challenge the PE behemoth.”

https://carey.jhu.edu/articles/research/private-equity-business-not-all-its-cracked-be

litherland, to random
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“Private equity is an industry that thrives on failures. It is a form of economic activity with so few redeeming features that even a sympathetic account of its workings becomes an indictment of its track record, its culture, and its practices.”

https://newrepublic.com/article/167819/grim-secrets-private-equity-sachin-khajuria-review

litherland,
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@Luke I confess that I do question the values of anyone who consciously, voluntarily has anything to do with private equity.

litherland, to random
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litherland, to random
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This is a tough one. I was an editor at A Book Apart for more than a decade, and it was the honor of a lifetime. We left everything on the field, all of us, always. We sweated the details. I loved everyone I worked with, from my colleagues to all of the authors.

What an honor. Thank you, everyone. ❤️

https://www.getdrip.com/broadcasts/980319841/3e433208c98dc54ebd321

litherland, to random
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For those who haven’t seen it yet, Jan Gerner (Yanone) has started a fundraiser to help type designer Hasan Abu Afash and his family evacuate Gaza. Chip in if you can! https://www.gofundme.com/f/save-type-designer-hasan-abu-afash-from-gaza

litherland, to random
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Oh, look—Ionic Modern by @greg and Paul Barnes, released today by @commercial https://commercialtype.com/catalog/ionic_modern

And Paul wrote an essay about it, with lots of great images: https://commercialtype.com/catalog/ionic_modern

litherland, to random
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I always think that the past tense of “troubleshoot” should be “troubleshat.”

litherland,
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@onpaperwings Exactly!

scott, to random
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  • litherland,
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    @scott Thanks, Scott!

    litherland,
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    @scott What if I got a 13ʺ M2 air and an external studio display? (I have to replace my display soonish, too—everything is breaking 😅)

    litherland,
    @litherland@typo.social avatar

    @scott Oh, yeah, I’ve been using at least one external display for as long as I can remember. I had a studio display back in the day and it was the best; now I have a Dell that is punking out. Jonesing for a really good 5K display tbh.

    litherland,
    @litherland@typo.social avatar

    @scott A Samsung 5K display would still be cheaper than a studio display so 🤔

    litherland,
    @litherland@typo.social avatar

    @scott Right?

    litherland,
    @litherland@typo.social avatar

    @jordan @scott Thought about that one, too—thank you!

    litherland,
    @litherland@typo.social avatar

    @onpaperwings @jordan @scott Good to know!

    litherland, to random
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    A five-part series on modern handwriting by Sébastien Morlighem? How did I miss this?

    https://www.typotheque.com/articles/modern-handwriting-a-historical-survey-1

    litherland, to random
    @litherland@typo.social avatar

    An interesting exchange with someone today about Arial made me wonder if most people really do think of type more in terms of product than in terms of process.

    Greg Gazdowicz certainly recognizes this and has thought about this in depth; that’s one reason I love Terza so much.

    Oliver Reichtenstein has thought about it, too.

    The type I use to write, the type I edit in—this matters hugely to me; it’s not trivial.

    litherland, to random
    @litherland@typo.social avatar

    I wonder why uncials have always left me cold. I have never liked these forms. Maybe it’s just a question of my not being sufficiently evolved to appreciate them?

    I love roundedness. But I don’t love uncials.

    litherland,
    @litherland@typo.social avatar

    @onpaperwings I have these very strong typographic biases that I have never really understood; I’m not sure where they come from. Maybe part of it comes from growing up surrounded by (really well typeset) books and magazines, setting type myself as the EIC of my high school newspaper… So I love tightness, condensedness, low contrast. Even when these things are not necessarily appropriate for all contexts!

    litherland, to random
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    I wonder how many italic-first designs there are in the world? (I don’t mean italic only, but families where the italic has been designed first.) 🤔

    Anyway I already loved the italic, and now here’s the roman, featuring sans serif caps mixed with a serif lower case.

    From Tim Ripper and Paul Barnes, based on Miller & Richard’s News Bill Italic

    https://vault.commercialtype.com/vault/punch

    litherland, to random
    @litherland@typo.social avatar

    “I work well with slightly crazier people, I balance them out. I like seeing how things can get better, not fighting things for the sake of fighting them but listening to things that people suggest. You reach a point where you realise you’re not always right, in fact, there really is no right or wrong, you just keep trying stuff until it clicks.”

    Rereading this interview with Chris Dixon https://www.eyemagazine.com/feature/article/reputations-chris-dixon

    litherland, to random
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    litherland, to random
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    Supposedly it’s passive-aggressive to sign emails

    “Best,”

    so I’ve started signing emails

    “Best!”

    litherland,
    @litherland@typo.social avatar

    @Luke Same; I love “best,” but I’ve heard people say this before, and I just read it again recently. I’ll try to find it.

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