"Natural Blues" is a hauntingly beautiful electronic track by Moby. Featured on his critically acclaimed 1999 album "Play", the song incorporates a soulful vocal sample from Vera Hall's 1937 folk recording "Trouble So Hard". Known for its melancholic undertones, "Natural Blues" became a global hit.
Released as a standalone single in 1989, "Love Less" is considered a fan favorite amongst New Order's extensive catalog. The track features the band's signature blend of electronic and danceable rock elements. Its lyrical content delves into themes of heartbreak and lost love.
Debuting in their 1977 album "Talking Heads: 77," "Psycho Killer" is an iconic track that defined Talking Heads' unique sound. With its enigmatic lyrics and unforgettable bassline, it's a standout in post-punk history, embodying the band's innovative edge.
Released in 1986 as the lead single from their album 'No. 10, Upping St.', C'mon Every Beatbox is a vibrant track by Big Audio Dynamite. Its infectious rhythm blends punk rock with hip-hop and dance music elements. The song's lyrics celebrate the power of music and its ability to unite people.
Released in 1980 on the album 'Never For Ever', Kate Bush's 'Army Dreamers' is a haunting waltz about a mother lamenting the loss of her young son during military exercises. Its anti-war message and unique sound marked a shift in Bush's musical direction.
"1979" is a coming-of-age anthem by The Smashing Pumpkins. Released in 1996, the song was featured on their critically acclaimed album 'Mellon Collie and the Infinite Sadness'. With its nostalgic lyrics, driving guitars, and electronic elements, "1979" became a massive hit for the band.
Released in 1997, 'Smack My Bitch Up' by The Prodigy, from 'The Fat of the Land', sparked debate. Its video was banned for explicit content, yet the track remains a defining big beat anthem, showcasing the band's innovative sound.
"Midnight City" is a song by French electronic music band M83, released as the lead single from their sixth studio album, "Hurry Up, We're Dreaming," on 16 August 2011. It became one of their most popular tracks, known for its catchy synth riff and saxophone solo.
"I Hate The Way" is a poignant track by Polly Scattergood, from her self-titled debut album released in 2009. The song is known for its emotional depth and Scattergood's distinctive, haunting vocal style.
From the Camp Soundtrack, a young woman has been literally silenced by her parents wiring her jaw shut to lose weight, then gets a chance to break free and sing.
Here's who I am
Love me
but don't tell me who I have to be
Here's who I am
I'm what you see
You said I had to change
and I was tryin'
But my heart was lyin'
...
Here's who I am
Help me to move on
but please don't tell me how
Our #SongOfTheDay is a COVID lockdown era collab between 4 incredible musicians called Fuubutsushi. Tough to classify, it's sort of jazz-influenced modern classical and very beautiful. It's "Along the Causeway".
"Stigmata Martyr" is a seminal track by Bauhaus, a pioneering gothic rock band. Released in 1980 on their debut album "In the Flat Field", the song was later included in their 1982 album "The Sky’s Gone Out". It delves into themes of pain, sacrifice, religion, and spirituality, showcasing Bauhaus' unique and haunting style.
Released on 21 November 1994, "Ode to My Family" is a reflective track by The Cranberries from their album "No Need to Argue." The song, written by Dolores O'Riordan and Noel Hogan, delves into O'Riordan's life choices and their impact on her family and Irish traditions.