#PennedPossibilities 323 — What's a piece of advice for writers that you listened to and are glad for?
An Australian author, Lucy Sussex, told us at Clarion West 1998 to be shameless in promoting ourselves. Being a shy person, networking and promotion has been a heavy lift, but I working on it and I know it's going to help. Mastodon: ☑️
“No writing is wasted. Did you know that sourdough from San Francisco is leavened partly by a bacteria called lactobacillus sanfrancisensis?... Even a failed loaf is not wasted. Likewise, cheese makers wash the dairy floor with whey. Tomato gardeners compost with rotten tomatoes. No writing is wasted: the words you can’t put in your book can wash the floor, live in the soil, lurk around in the air. They will make the next words better.”
#PennedPossibilities 322 — What piece of advice, as an author, did you once receive but hadn’t followed? Looking back on it now, you might wish that you had.
Advice: Don't only write novels. Write lots of shorter pieces.
When I started I saw that you could only make a living if you sold novels, so I wrote novels. That completely discounted the fabulous practice you get completing lots of smaller stories. Completing a novel takes lots of time and there's a mounting anxiety that in the end the plot will fail or no publisher will be interested. Yeah, true with short fiction, but the investment is far lower (or should be if you're doing it right). There used to be lots of magazines you could sell short fiction to... for pennies a word, but it was something, and it offered a chance to build a brand name and a following. Such notoriety could help you sell novels, too.
@DonDeBon Yep. Ray Bradbury. I think both him and Asimov told how they wrote a story DAILY for a few years (and submitting) before making that key first sale.
It was impossible to write 52 bad short stories in a row. One of them had to be good.
#WordWeavers 2405.22 — Is your antagonist more a dragon or a dragon rider? CW: Innuendo
This question has me rolling on the floor laughing, but then you'd have to know the context of the story Fire Brand is in. The antagonist's type of human is called a... You guessed it. The MC has described his "attributes" cough intimately, having let herself be captured by him... And, well... "riding" is a euphemism she's well acquainted with. So, will she become a dragon rider...? 😊
I wrote about the dynamic between these two characters in the tootfic Ms George and the Dragon https://eldritch.cafe/@sfwrtr/110603595653290409. Please read it, if you haven't already. It should amuse you in this context...
#WritersCoffeeClub Ch 9 Nbr 21 — Do you format as you write or do that at the end?
I am writing a manuscript for a fiction book or short story. Since I use a computer and now use #scrivener, the question is, what formatting? If you mean do I /italicize/ words? Yes. If you mean to I occasionally indent for stylistic meaning?
Yes.
I do.
It's ard to show on Mastodon.
Centered chapter breaks? I use a style.
Beyond that? What formatting? Scrivener blats out a manuscript when I'm done. If I want a book, I'll likely find someone to edit and design for me, if a conventional publisher doesn't buy it first.
#WordWeavers 2405.21 — Do you consider how your MC’s appearance may contribute to stereotypes?
Yes. Which is why I leave most details vague. Since I write fantasy or SF that's generally in the far future, I discuss issues like racism and inequality from different angles. For example, my devil-girl (her term for herself) in her internal dialogue might call a day angel a featherbrain, but if one of them should call her a /devil/ (it's not the "official" term for her kind), them's fighting words...
#PennedPossibilities 321 — Did your SC once admire their parents? Who else did they admire growing up? What about today?
Caramello admired his mother. He felt loved growing up despite a difficult situation with hostile step siblings and a status as the youngest child of the chieftain that kept children his age away. The chieftain took her as a second wife because he needed help ruling Crab Island; his first wife, though she gave him many children, had him on disaster patrol keeping her from ruining things. The business marriage required a child, Caramello. His mother did everything to protect him while she worked, saw he had a good life and a real childhood, ensured trades folk trained him in fishing and sailing (he admired them, too), and the mainland traders schooled him in letters and numbers. She saw him safely away on the mainland when it looked like a succession bloodbath might start between his siblings. Today, he misses her a lot, and fears the next letter he might receive via ship.
#WordWeavers 2405.20 — How did you settle on your antagonist's appearance?
Antagonists almost always are regular people with different agendas than the MC's. Rarely, they have a skewed sense of right and wrong or how reality works, which could describe a few MCs. In any case, I very much wish to prevent latching on to a stereotype as it will paint a divergent picture of what I want to represent and, far worse, comes with a subtext that I have no control over. Like the MC POV, I keep appearances vague so the reader can use their imagination, only less so because antagonists are seen and features important to the story must be eluded to. The MC will also make uncensored comments in her internal dialogue, aka 1st person narration.
In one case, the antagonist got her own side story as the POV. Note in the following #excerpt from Fledge, she has woken up with bodily changes (and amnesia). She self-labels herself as a chimera, a monster that's a combination of creatures but in her case parts of other people. She never states facial features, needs never say anything about hair color, or what we relate to as race. She does mention an in-story kind of human. However, the following feature is important to her "appearance" as it relates to the question, as well as the plot. She's squatting on a tree limb two dozen stories high...
He [her rescuer] pointed at the useless things on my back. "You remembered enough to shield your fall [...] using them. You're learning."
Below my normal right shoulder blade, a red-feathered monstrosity twitched. Adjusting my hips carefully, I glared left to see iridescent blue and purple feathers and down lit by the setting sun, better suited for a pigeon's breast. The day angel wing poked out, balancing, splaying breeze-rustled feathers to instinctively steady me. My blue "add-on" was larger than the red. Both went thwack to my back, acting as if they'd noticed I'd noticed my alien, unasked for, new limbs playing—behind my back—and hid. I had to steady myself with a hand.
At the funeral for her parents, her mother's best friend, the main antagonist, took the opportunity to make a political statement instead of comforting the MC. Yes, her mother was (secretly) the strongest mortal "mage" of the modern era and the MC shows signs of surpassing her, but what the 4-year-old needed was to be hugged and told it would be alright—not elevated, titled, and given estates to govern.
#PennedPossibilities 319 — MC POV: Where did you grow up? What was your childhood like there?
On a farm and in the Fell Woods. I don't remember much about the former, but the latter was both exciting and difficult every day. I chose to live with wolves, which because of my gift better understood me every day. They were still wolves, and they lived and ate like wolves, not humans. I survived despite the dirt, raw meet, living without shelter, and an incredible amount of walking. The wolves cherished the cunning and technology I brought to the pack and helped me find a way. They taught me to hunt. People, I learned much later, like to be touched; contact was natural to wolves, but sadly despite people liking to be touched they don't routinely do so. The whole leaving the wild to attend school has left me with what one of Her Highness' psychologist call species-disphoria. I'm more comfortable living amongst beasts than people because they are so much more friendly and, if not, so much more predictable. I'm sure I'll go back when school's over—despite having a new boyfriend.
#PennedPossibilities 318 — What do you need in your writing space to help you stay focused?
Less is more in this case. That doesn't mean that in a perfect situation I won't suddenly find myself sweeping the floor instead of writing. They don't call it displacement activity for nothing!
#WordWeavers 2405.19 — How did you settle on your MC’s appearance?
Historically, I wrote my characters such that I found them attractive. I don't do that anymore.
Sometimes I don't have control, except for hair styles and clothes, or the lack thereof. The story or character may have certain in-the-moment requirement, like when the MC needed to train in an almost all-male fight gym as a prizefighter (she'd later win a championship). Of course she had tailored pink and black gym wear made of technical fabric that outlined every curve—which proved interesting.
These days I do the best not to assign an appearance at all, instead keeping things vague and sticking to describing only what's absolutely necessary. My experiences with publishers is that'll they'll ignore your descriptions for cover art and promotion anyway. In any case, doing this allows the reader to imagine someone they would find attractive(†). The MC in the current WiP is described physically only as tall, shy, so beautiful that both sexes fall for her, and that she has "winter eyes," whatever that is. In the other story, the only thing I'm settled on is described by the devil-girl something like this:
"Take two finger length pieces of rusty rebar, sharpen one end, bend it ninety degree, and stick one above each temple, pointing backwards. Makes wearing hats problematic. Yeah. Gets messy when they try to grab you by the head in a fight, especially if it sticks in..."
She's also describes her very olive complexion; she's mentioned green eyes in a mirror and red hair everywhere. It could easily change in revision.
(†) A recent writer's prompt asked about my target audience. Can I say "imaginative?"
#WordWeavers 2405.18 — What kind of dragon (behavior or looks) would your MC be?
In one WiP, this question makes as much sense as asking a typical Irish person what kind of Tahitian they would be (body type). In the other, dragons also exist but seem to be (it's not totally defined) the result of some kind of contagious magic. We've already seen a wyvern, wbo is a monstrous fire breathing bat, and will soon realize there is a monitor lizard version (a wyrm?), but by this token there could also be a cat dragon. Thus, this question makes no sense in the other WiP, either.
#WritersCoffeeClub Ch 9 Nbr 18 — Have you written sections where the action occurs against the clock? How did you do it?
My current story segment in serialization takes place over a very short time period, after the last third of the previous story taking place between dusk and dawn. The other story I am working on is a three act story, each act taking place over very few hours.
Writing stories in compressed time isn't much different than writing stories that take place more episodically over longer periods of time. In both cases, I write about what is important for the character and how they deal with events. An example may help.
In the serialization (obviously spoilers if you know which story I'm referring to), the MC realizes that though the leader has left on a military adventure to handle a "guerrilla insurgency," she sees evidence that same foe may attack the capital city. In theory, she's politically second in command. In practice, she has no real power. How she spends that day scheming and conniving with only a title to get a single frigate on patrol drives the story and the clock. It starts with a PTSD episode where she realizes she may be responsible again for innumerable deaths without the power to prevent them, then her working every contact she knows, butting heads with the generals who discount her experience running a crime syndicate (briefly), convincing a discriminated against officer who wants to accept discharge to instead command a museum-piece frigate, getting into a bloody fight with the XO, avoiding what the reader will see as assassination attempts, and it just gets worse with her love interests (plural!) pulling at her heart.
All in 12 hours. Tick-tock! That's one day of three days of escalating existential threats. The fourth day's events take place over one hour, which is about the time it would take to read.
"Were my trust misplaced, I'd learn something about myself. But, then again, that seemed to be my method of operation: win—or get hurt, pick myself up, make different mistakes." HRH CPE S. G. Regina A. M.
Any set of readers who appreciate all the characters working (whatever that means) to the best of their ability. The above quote is how my MC views getting things done. Plot advancement by stupidity is verboten. They should probably like fantasy or soft / social SF, too.
#PennedPossibilities 317 — What clothing materials or outfits feel the most comfortable to your villain?
Stuff like this. White woman who's spent decades studying various martial arts, but kalaripayattu and HEMA-style fencing form the basis of her practice.
They're at home, wondering how they could possibly have let their little girl die like that, even though she's very much alive, trapped, a long long way away...