DoomsdaysCW, to random
@DoomsdaysCW@kolektiva.social avatar

“This River is Our Relative” — a new documentary, coming soon!

Sunlight Media Collective February 2, 2024

"'This River is Our Relative' is an upcoming Sunlight Media Collective documentary about the ’s intrinsic connection to and tireless environmental stewardship of the . The story is told through the voices of 24 Penobscots, who share a story of historical, physical, and spiritual connection to place; of cultural identity and survival. Their narratives are interwoven with a traditional story about how The People and defeated a greedy monster frog, , who was hoarding all the water. This story parallels both historical and present day concerns, and is also the Clan origin story for Penobscots. 'You can point to any aspect of our culture from a riverine perspective,' says Penobscot Cultural Dept. Director James E. Francis, Sr.

"'It is our responsibility to care for that River, for all of us,' explains Penobscot and filmmaker . Despite many obstacles including ongoing territorial theft and a rapidly increasing number of pollutants, the Penobscot Nation and its people continue to demonstrate their commitment to protecting the health of their beloved Relative, the Penobscot River. 'I always come back to the water because that’s where I belong. It’s my Relative,' explains Penobscot Elder Kathy Paul, 'and I want to stay and support that Relative.'"

Link to trailer:
https://vimeo.com/758792376

Source:
https://www.sunlightmediacollective.org/this-river-is-our-relative-a-new-penobscot-documentary-coming-soon/

msquebanh, to Archaeology

The — an alliance of the , , and ’kmaq — wanted to rebury the . But ’s of and said, as it had in past years, that the tribes didn’t have enough evidence to show that they could be tied, through or , to the whose remains the held.

https://www.propublica.org/article/inside-wabanaki-tribes-struggle-to-reclaim-ancestral-remains-from-harvard

DoomsdaysCW, to maine
@DoomsdaysCW@kolektiva.social avatar

The Repatriation Project

Tribes in Spent Decades Fighting to Rebury Ancestral Remains. Harvard Resisted Them at Nearly Every Turn.

by Mary Hudetz and Ash Ngu
Dec. 4, 5 a.m. EST

"Donna Augustine was in tears as she read the letter from Harvard University that winter morning in 2013. Looking around the room inside an elementary school on Indian Island, Maine, she saw other elders and leaders from the four Wabanaki tribes were also devastated as they read that the university was denying their request to repatriate ancestral remains to their tribes.

"The Wabanaki tribal nations — an alliance of the , , and — wanted to rebury the ancestral remains. But Harvard’s of Archaeology and Ethnology said, as it had in past years, that the tribes didn’t have enough evidence to show that they could be tied, through culture or lineage, to the ancestors whose remains the museum held.

"The denial felt like a rejection of Wabanaki identity for Augustine, a Mi’kmaq grandmother, who had spent years urging Harvard to release Native American remains.

"'Every one of us in that room was crying,' she recalled. 'We jumped through every hoop.'

"The group representing the only four tribal nations in present-day Maine had furnished a deeply researched report documenting their histories in the region, even sharing closely held stories passed down within their tribes from one generation to the next that told of their ancient ties to Maine’s lakes, islands and forests.

"Now they could see it hadn’t been enough for Harvard, which especially prized the remains of 43 ancestors buried for thousands of years near Maine’s Blue Hill Bay.

"Complicating matters for the tribes, another museum, the similarly named but smaller Robert S. Peabody Institute of Archaeology, housed on the campus of the , a Massachusetts preparatory school, held items from the same ancient burial site.

"Instead of sending a letter as Harvard did, the Phillips Academy museum director, Ryan Wheeler, had asked to meet with the tribes. Seated at the table that morning, he was initially uncertain what he would do. He would later say that it became evident during the meeting that the tribes exhibited a strong connection to the ancestors they sought to claim, both from the report they had provided and their reaction to Harvard’s decision.

"He recalled leaving the meeting certain he would repatriate. 'There was really no question about it,' he later said.

"What the Wabanaki committee and Wheeler didn’t know, however, was just how hard Harvard would push back. In the two years that followed, the director of the Harvard museum went to surprising lengths to pressure Wheeler to reverse his decision.

"A investigation this year into repatriation has shown how some of the nation’s museums have used their power and vast resources to delay returning ancestral remains and sacred objects under the Protection and Repatriation Act. By exploiting loopholes in the 1990 law, anthropologists overruled tribes’ evidence showing their ties to the oldest ancestral remains in museums’ collections. We’ve also shown that museums and universities have delayed repatriations while allowing destructive analyses — like DNA extractions — on ancestral remains over the objections of tribes.

"Harvard, where the remains of an estimated 5,500 Native Americans are stored at the Peabody Museum, used these loopholes over the span of three decades to prolong the Wabanaki tribes’ repatriation process while remaining in technical compliance with the 1990 law, our review found.

"For Augustine and her colleagues, few things were more frustrating than knowing that NAGPRA had empowered museums to decide whether Indigenous people had a valid connection to their ancestors. These were the same institutions that had collected the human remains and objects from ancestral burial sites. Despite NAGPRA’s intent to give Indigenous people say over ancestral remains, institutions still made the final decisions on whether to repatriate.

"'The wolves are in charge of how to deal with the sheep,' said , a former vice chief of the Passamaquoddy Tribe who helped create the Wabanaki Intertribal Repatriation Committee to accelerate negotiations with the institutions. 'It’s just not a good way.'

"Harvard in recent years has apologized and promised to speed repatriation, saying it aims to repatriate all remains and the items once buried with them within the next three years and recently doubled staffing in the Peabody Museum’s repatriation office. However, the school has yet to return more than half of the human remains it reported holding under NAGPRA, according to federal data from November. Only two institutions, of the hundreds that must comply with NAGPRA, hold more human remains than Harvard."

Read more:
https://www.propublica.org/article/inside-wabanaki-tribes-struggle-to-reclaim-ancestral-remains-from-harvard?utm_medium=social&utm_source=mastodon&utm_campaign=mastodon-post

msquebanh, to maine
@msquebanh@mastodon.sdf.org avatar
adamjcook, to random

The architectural lettering in a few prominent Downtown buildings is fascinating... to me at least.

The Building (which is most recognizable by its glowing "orb" atop the antenna mounted to the roof) is my favorite building in Detroit - a shame that its current owners do not take better care of it, however.

Perhaps someday, the observation deck will be reopened. Seems like a no-brainer to me at least.

A photograph of the hand dial clock situated above the entrance gates to the retail promenade area of the Guardian Building in Downtown Detroit. The clock is integrated into a wrought iron gate that is a dark brown color. The face of the clock is backlight with a yellow-ish light. There are various etchings surrounding the clock face that radiate outward. The typeface for the numbers on the clock is highly distinctive and similar to other typefaces found throughout the building. The typeface features sharp path deviations where the shapes would normally be smooth curves.
A plaque mounted outside of the Guardian Building in Downtown Detroit. The plague shape has a "staircase" pattern that is mirrored on both sides. Each staircase has three landings - which makes the width of the plaque on the bottom larger than the width of the top. The plaque features a think gold trim along its outer edges. Otherwise, the plaque is painted solid black with raised "Guardian Building" letter that is the same color as the outer gold trim. The typeface is distinctive and features sharp path deviations where the shapes would normally be smooth curves.
A photograph of the Penobscot Building entrance in Downtown Detroit taken from Griswold Street at dusk. The entrance features a large, domed, white stone entrance with gold trimmed glass panes taking up the top two-thirds of the entrance. The words "Penobscot Building" is featured just above the four doors that lead into the building. The typeface is similar to that found in the Guardian Building featuring sharp path deviations where the shapes would normally be smooth curves. However, it differs a bit as the corners of each letter seem less "sharp".

  • All
  • Subscribed
  • Moderated
  • Favorites
  • provamag3
  • rosin
  • thenastyranch
  • Durango
  • DreamBathrooms
  • ngwrru68w68
  • magazineikmin
  • cubers
  • Youngstown
  • mdbf
  • slotface
  • osvaldo12
  • GTA5RPClips
  • kavyap
  • megavids
  • InstantRegret
  • everett
  • tacticalgear
  • vwfavf
  • tester
  • normalnudes
  • modclub
  • ethstaker
  • khanakhh
  • cisconetworking
  • anitta
  • Leos
  • JUstTest
  • All magazines