I am becoming more and more obsessed with post-WWII social criticism and its intersections with left-leaning 50s science fiction. #history#scifi#sciencefiction#books
Josh Kirby's cover art detail for the 1976 edition of John Brunner's Polymath (variant title: Castaways' World) (1963) #scifi#sciencefiction#art#artist
Hello new followers! I know that many of you found me because of the birthday posts and cover art. I have been writing religiously about the texts-- published primarily between 1945-1985 -- on my fanzine website for more than a decade: https://sciencefictionruminations.com/
I'm an obsessive reader and writer of whim. I've conducted review series on diverse topics from Native American SF authors to generation ships.
In the surprisingly bleak “Masquerade” (1941), metamorphic aliens on Mercury’s radiation-blasted surface parrot human actions. Beneath their clownish behavior is a plot, a plot to takedown an Earth corporation. #scifi#sciencefiction
In “Tools” (1942), the unchecked capitalist vastation shifts from Mercury to Venus and a new form of power. Instead of harvesting the sun’s rays as in “Masquerade,” the monopoly Radium, Inc.—which “owns the Solar System, body and soul” (122)–exports shiploads of radium from the Venusian mines harvested by specialized robots with ‘radon brains.' #scifi#sciencefiction