‘This new generation of Latin American writers has exchanged history for memory, dictators for narcos and political engagement for gender and class consciousness.’ (El País)
With authors from fifteen different countries, this diverse collection of stories transports readers to a host of new worlds, and represents the very best writing coming out of Latin America today.
A moment of inspiration in a café sparks a memory in Karóly Bálint's Metaphor by @SmythBooks
Catch this exclusive short story and listen to Smyth talking about otherness and reading from his short story at https://fictionable.world
4 Short Story Collections for any horror fan! #anthology#shortstories!
Unlocking the Darkness
amazon.com/dp/B0B7QDV7WC
Tales of the Sanguine Elixir
amazon.com/dp/B09Q1MRB2J
Beyond the Stones
Vol One
amazon.com/dp/B0CW1JY7TM
Vol Two
amazon.com/dp/B0CTHRLLSX
Head for the @fictionable#blog – available in full without subscription – and find Peter Kuper hymning the monarch #butterfly Ya-chun Liu on #fiction across the Taiwan Strait and Kate Tsurkan reporting on #writing from #Ukraine
4 Short Story Collections for any horror fan! #anthology#shortstories!
Unlocking the Darkness
amazon.com/dp/B0B7QDV7WC
Tales of the Sanguine Elixir
amazon.com/dp/B09Q1MRB2J
Beyond the Stones
Vol One
amazon.com/dp/B0CW1JY7TM
Vol Two
amazon.com/dp/B0CTHRLLSX
Turn the @fictionable#podcast up to eleven with #writers like @SmythBooks@mjohnharrison Joyce Carol Oates, Etgar Keret, Diana Evans, Evie Wyld and more…
New FREE #solarpunk story on this #solareclipse day! This one a little darker, as befits the Day of End Times.
TOMBS WITHOUT BODIES (Halfway to Better 4)
Humanity has left the cities to live in the "greenbelt," but a young woman’s curiosity brings her back to the bot-patrolled streets where human beings used to live... until she gets caught.
Tombs Without Bodies is one of six solarpunk #shortstories in the Halfway to Better collection (avail for preorder). #hopepunk
“It is difficult to read a collection of Scottish stories without becoming aware of the spoken voice and the power of first-person narration. It is absolutely crucial. It establishes the tone and direction of the story by forming an immediate and firm pact with the reader, appearing in every instance to take him or her into the writer’s confidence.”
Does your laptop have a mind of its own? Robert Neuwirth shares a file that booted up on his screen and wrote itself to the hard drive in The Disambiguation.
Catch this exclusive short story and listen to Neuwirth explain why he filled it with computer code at https://fictionable.world