So #Trove has a new 'Content survey' form for you to fill out. The 'content' in this case is not what's in Trove, but what gets shared by Trove through social media.
Far be it from me to suggest that you might reply 'Examples of research tools and methods for working with Trove data' to the question about what you'd like to see shared through social media.
And yes, Trove's social media still steadfastly refuses to admit that the #GLAMWorkbench and all the associated Trove tools and resources actually exist...
Dear #DigitalHumanities and #corpus_linguistics colleagues: In order to help a colleague with a project application that may also help a project I'm involved with, I'm wondering what, if any, arguments there are for #part-of-speech-tagging as an accessibility feature? Does anyone have an example of how this can help people with non-normative functionalities?
Boosts with other hashtags appreciated. @corpuslinguistics @linguistics
the Luxembourg Centre for Contemporary and Digital History https://www.c2dh.uni.lu/ has an interesting permanent researcher position in Data Visualisation for Digital History:
This week at the MAI-Tagung (museums and the internet) taking place at #JMBerlin, we present our ongoing research project »Granularities of dispersion and materiality – Visualizing a photo archive about diaspora«
The Université de Liège is looking for a Post-doctorant·e dans le domaine des études de la #traduction/études #littéraires et des #humanités numériques" starting September 1, 2024.
📯 We have opened the call for applicants for the Marie Skłodowska-Curie Actions Postdoctoral Fellowships with the IHC as the host institution!
✍️ Send us your proposals by 23 June.
👉 https://bit.ly/msca24
Die 1. Sitzung ist wieder ausgewählten Abschlussarbeiten gewidmet:
Julia Pabst untersucht, wie #MachineLearning in der #Epigraphik zur Identifikation von Wappen & Inschriften eingesetzt werden kann & Lukas Germann widmet sich den Herausforderungen der Analyse von #Twitter-Daten.
I've written a little post about the National Library of Australia's collection of archived websites in Pandora and the new #GLAMWorkbench section that helps you to work with the data.
Want to find websites from Australian elections back to 1996? Just go to Pandora. Want all the urls in a spreadsheet? Just run my new notebook.
Es hat sich einiges getan in unserem Storytelling-Projekt, das einst "Hidden Cities" hieß - und nun "HistoryCity Apps" heisst. Es folgt eine Übersicht der Apps, Begleitbücher, Webseiten, Comics, etc.
Geschichte vermitteln und erleben: Historisches Storytelling!
Unser #DigitalHumanities - und #DigitalHistory -Experiment erprobt mögliche Horizonte, Grenzen und Zukünfte von digitalem Historischen Storytelling. Einen ersten Sammelband dazu haben wir vorgelegt, als teures Papierbuch und preiswertes open access ebook. Have a look:
Hidden Cities. Urban Space, Geolocated Apps and Public History in Early Modern Europe (2022). Eds. Fabrizio Nevola, David Rosenthal, Nicholas Terpstra
Happy and honored to give a virtual keynote at the #CrossingFonds Symposium next week in Vancouver/online!
I will speak about conceptual analogues as a versatile vehicle to aid transdisciplinary collaboration in the intersecting contexts of #archives, #visualization and #design.
Die "Studentische Werkstatt: '#KI in #Didaktik und #Literaturwissenschaft'" wird am 3., 17. und 31. Mai 2024 an der Goethe-Universität Frankfurt am Main stattfinden und kann auch digital besucht werden.
We are very pleased to announce that the program for this years’ Conference of Computational Literary Studies #CCLS2024 is now published here: https://jcls.io/site/ccls2024/
CCLS2024 will take place on June 13 and 14 in #Vienna. Participation is possible on-site (fee) or online (free of charge).
It also includes a new option to mask the image. If this is checked the app will try and snip the article out of the page, rather than just cropping to a box around it. #GLAM#histodons#digitalHumanities#ozHist
#CfP für die 15. Jahrestagung des Fachverbands für #Kulturmanagementforschung, die sich vom 9. bis 11. Oktober 2024 in Frankfurt am Main dem Thema "Analog, digital oder irgendwo dazwischen – die zukünftigen Räume der #Kultur" widmen wird.