matteoB

@matteoB@mas.to

By day: lumpenproletariat. By night: Japan-based film writer for Il Manifesto, Sonatine.it, etc.
Currently researching about Asian documentary, and Japanese stop-motion animation.
Occasional Film Festival consultant, and book editor.

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matteoB, to random

in 展覧会の絵 Pictures at an Exhibition (1966), Tezuka Osamu and Mushi Production show an impressive range of styles
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matteoB, to random
matteoB, to random
matteoB,

@OskarImKeller I found it particularly affective

matteoB,

@OskarImKeller definitely. It captures the life under war and in search of a way out very matter-of-factly, but at the same time very potently...

matteoB, to random

my 2023 in films, courtesy of Letterboxd

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matteoB, to Japan
matteoB, to Japan

In Defense of Degrowth Communism: A Talk with Economist Saitō Kōhei

https://www.nippon.com/en/japan-topics/e00200/?s=09

matteoB, to Taiwan

"AI relies on compute — nanoscopic silicon wafers with tens of billions of transistors. 90% of the world’s most advanced semiconductors are fabricated in one place — TSMC.(...) In the science fiction novel 'Dune', 'spice' is the most important resource in the universe; in an AI economy, compute is the new spice. Somehow, this tiny tropical island has become Arrakis, sitting on the first faultline of the future — compute."
http://mtclai.com/writing/2023/7/31/taiwan-the-island-on-the-faultlines-of-the-future?s=09

matteoB, to animation

Yamamura Kōji on anime vs animation:

"What is animation?
I'd like to call what I make not 'anime' , but 'animation'.
In Japan, the term 'anime' has become prevalent, but first I'd like to provide an explanation of the difference between 'anime' and 'animation'.
"Animation began to be called '動画' (dōga) when production started in Japan, and in the '50s, it became known as 'アニメーション' (animation). However, at some point, it transitioned to the abbreviated term 'アニメ' (anime)."
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thejapantimes, to Japan
@thejapantimes@mastodon.social avatar

Small-circulation, self-published works known as zines are quietly gaining traction in Japan, as a growing number of writers and artists are moving away from showcasing their creations on social media. https://www.japantimes.co.jp/news/2023/08/10/japan/media/zine-culture-publishing/?utm_content=buffer0f4a1&utm_medium=social&utm_source=mastodon&utm_campaign=bffmstdn

matteoB,

@thejapantimes nice piece, but, as always, it's about Kantō...

matteoB, to Cinema

new open access book:
"Film archives are fast spreading around the world, and with them issues surrounding archival digitisation, artistic appropriation, and academic reinterpretation of film material that demand scholarly attention. This volume aims to fill this demand with a thought-provoking collection of original articles contributed by renowned scholars, archivists, and artists"

https://library.oapen.org/handle/20.500.12657/64029?s=09

matteoB, to random French

@milubo @HayleyLScanlon Machiko Kyō in lighter and comedic roles is a blast, see Ichikawa's 穴 The Hole (1957)

matteoB, to Anime

砂漠の民 The People of the Desert is a manga/comic strip by serialised between 1969 and 1970 under the pen name Saburō Akitsu

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matteoB, to Anime

星をかった日 Hoshi wo katta hi (Miyazaki Hayao, 2006)

matteoB, to Japan

since the Barbie movie is upon us...
in 1990 Licca chan, the Japanese answer to Barbie launched by Takara/Takara Tomi in 1967, had a OVA directed by Mochizuki Tomomi (Ocean Waves, Twilight Q), リカちゃん ふしぎな不思議なユーニア物語...an homage of sorts to Alice in Wonderland...

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matteoB, to Japan

starts today 高畑勲展 日本のアニメーションに遺したもの "Takahata Isao: a Legend in Japanese Animation", an exhibition at MieMu, Mie Prefectural Museum (July 8 - September 18)

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matteoB,

in 2019 the Mie Prefectural Museum hosted an exhibition on Kondō Yoshifumi, it was very good, there was also a screening of the 2nd pilot for Little Nemo: Adventures in Slumberland, and the catalogue is excellent

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matteoB, to mastodon

is there a community here on Mastodon dedicated to Japanese cinema?

matteoB, to Cinema

no promotion for the new movie by Miyazaki Hayao, as we all know, but in recent years we had the Ghibli Park and and incredible amount of Ghibli or Ghibli-related exhibitions around Japan (not only in Tokyo), so this pervasive presence of Miyazaki and Ghibli "things" and discourse in the everyday life might function as a sort of promotion of sorts...

matteoB, to Anime

nothing new, but a good summary of how the production committee system works in Japan

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