texcut, to Birds Polish
@texcut@mastodon.social avatar

There is a place in Kraków with a hundreds of ravens just raving day and night.

📷 Nikon FE
🎞️ Fomapan 200

Hundreds of ravens sit on the snow.

juergenlibertus, to BelieveInFilm
@juergenlibertus@social.cologne avatar
thomaswm, to movies
@thomaswm@mastodon.social avatar
arek, to analog Polish
@arek@mastodon.internet-czas-dzialac.pl avatar
Ingiald, to Minolta
@Ingiald@pixelfed.social avatar

Porte & Fenêtres VIII
📷 X-500
🎞 Eastman 250D
🧪 Lab, Scanned Opticfilm 8200i

arkadiusz, to analog
arkadiusz, to analog
sugarfuel, to random German
@sugarfuel@mastodon.social avatar

… blast from the past … #analogphotography #ilford #blackandwhitefilm

Gargron, to BelieveInFilm
@Gargron@mastodon.social avatar

First experiment with the tungsten light.

Pentax 6x7
Kodak Portra 400
Takumar 105mm/2.4

Gargron, to BelieveInFilm
@Gargron@mastodon.social avatar

Neat side street. Brussels.

Pentax 6x7
Ilford Delta 400
Takumar 105mm/2.4

arkadiusz, to analog
arek, to photography Polish
@arek@mastodon.internet-czas-dzialac.pl avatar
Gargron, to BelieveInFilm
@Gargron@mastodon.social avatar

Brickwork. Brussels.

Pentax 6x7
Ilford Delta 400
Takumar 105mm/2.4

Gargron, to BelieveInFilm
@Gargron@mastodon.social avatar

I liked the way the buildings were arranged in front of me with the peak of the town hall looming over. Brussels.

Pentax 6x7
Ilford Delta 400
Takumar 105mm/2.4

arkadiusz, to analog
Gargron, to BelieveInFilm
@Gargron@mastodon.social avatar

A little space between streets. Brussels.

Pentax 6x7
Ilford Delta 400
Takumar 105mm/2.4

tek_dmn, to BelieveInFilm
@tek_dmn@mastodon.tekdmn.me avatar

It's half past 1 in the morning. I just spent 15 minutes in my bathroom. With the lights out. Reversing a roll of 120 film by hand, because my camera decided it wanted to be special and wouldn't properly count frames, and thus wound the entire rollover before even moving off of S. I didn't bring an empty spool with me. So I have to, in the dark, unwind, reverse, and rewind, an entire roll of 120.

This is not the first time I've done this. And I can tell you from experience that every time I do it I end up having to move the start of the film about a quarter inch or so because I can never get the tension right and have to move the taped end. So I'm sitting here, literally sitting, on the floor, I kid you not, using my feet as makeshift clamps to hold either end of the roll flat so I can manipulate the other one without it coiling up into cthulhu's monster.
I did it. But I don't know how badly misaligned everything is.

arek, to photography Polish
@arek@mastodon.internet-czas-dzialac.pl avatar

Printy od Poznańskiego Analoga. Piękna wyczuwalna faktura ziarna i wspaniała jakość: https://facebook.com/kodakvsfuji

Fotki wykonane aparatem Zeiss Ikon Contina z 1952 r. na czarno-białym filmie Kodak Double-X 5222 ISO 250 (ta sama taśma co czarno-białe kadry w filmie Oppenheimer).

Cyfrowe skany:
https://pixelfed.social/p/arkadiusz/654704289013002076

https://pixelfed.social/p/arkadiusz/652247342003767917

Film prezetujący z bliska wydrukowane zdjęcie

sem-sinchenko, to BelieveInFilm
@sem-sinchenko@pixelfed.social avatar
coolandnormal, to photography
@coolandnormal@aus.social avatar

🦨Recommendations please🦨

Please boost this out of my echo chamber.

I'm looking for a camera:

  • prefer instant print, all in one, printer as part of the unit*
  • preferably 100% analogue, but just not connecting to the Internet/Bluetooth is okay
  • neither the machine nor the consumables can be vastly expensive [prefer to keep the budget around $200-500]
  • can be from any era as long as consumables remain available
  • It must take a clear picture with good dynamic range, good fine textures
  • it doesn't have to capture colour at all, but monochrome film cannot be at a premium either, that's my bulk standard
  • all the basic manual controls must be user facing, if any aspect of the process has an 'auto' mode it must be easy to disable

*(eg Polaroid, but not necessarily using Polaroid chemistry or branding)

arkadiusz, to analog
maxcooperavl, to random
@maxcooperavl@mastodon.social avatar
guidobibra, to photography
@guidobibra@mastodon.social avatar

Analog Tales 4: The Lordomat SE The Leidolf Wetzlar Lordomat SE was my late mother Angela’s main camera in the 1950s and 1960s... [More in the blog post] https://foto.bibra-medien.de/2024/02/04/analog-tales-4-the-lordomat-se/

arkadiusz, (edited ) to BelieveInFilm
tpmajer, to analog
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