A7Production, to streaming French
@A7Production@mastodon.social avatar
jesswetmachine, to Starfield French

Pourquoi on voir pulluler les critiques sur :
on peut imaginer qu'il y a un intérêt mercantile dans le fait de dénigrer : L', c'est le saint graal aujourd'hui. Les youtubeurs.ses qui dénigrent starfield, ielles l'ont compris , du coup ça pullule. Et derrière, tu as les moutons qui suivent, pour "faire partie du groupe". Groupe qui alimente les premiers en audience. Le problème, c'est que ça parasite. Je trouve plus gratifiant de jouer et apprécier le jeu.

Lichtenbergian, to random
@Lichtenbergian@mastodon.sdf.org avatar

Philip Glass is not writing music for those who like a thumping bass — I am not creating cocktails for those who like sweet, fruity drinks — Michael Bay is not making movies for those who appreciate plot and nuanced characters. (p. 101)

Lichtenbergian, to random
@Lichtenbergian@mastodon.sdf.org avatar

The trick is to be your own , not your own Critic. There is a difference. (p. 102)

Lichtenbergian, to random
@Lichtenbergian@mastodon.sdf.org avatar

MOMA is not your . The NYT bestseller list is not your . The Tony Awards committee is not your . (p. 100)

fheinderyckx, to Netflix
@fheinderyckx@mastodon.social avatar

Finally:
“Starting today [Netflix] will publish What We Watched: A Netflix Engagement Report twice a year. This is a comprehensive report of what people watched on Netflix over a six month period1, including:

@communicationscholars

theEllamo, to art

👋Hi, thought I would take the time to do a little here! 👋

Hello, I’m Ella! A Science Communicator who has just handed in her Honours thesis on ‘unfurling ‘. I’m most interested in + intersections, science accessibility, and STEM equity.

I run a and podcast with @1sabelR called 🎙️✨👂
https://linktr.ee/sci_burst

I work in & & + in my free time I lead a team building cars!🏎️💨☀️

☀️

HeavenlyPossum, to random
@HeavenlyPossum@kolektiva.social avatar

The Israeli state is starving the people of Gaza and I don’t know how to wrap my head around the horror of this.

I watched Asad do this to Syrians for years and it is a horrific way to die. People with diabetes will die first, in agony, and then children and the elderly.

https://www.wfp.org/news/gaza-faces-widespread-hunger-food-systems-collapse-warns-wfp

HeavenlyPossum,
@HeavenlyPossum@kolektiva.social avatar

@justicesandwich @messaroundmarx

All these make this whole thing seem really like you’re doing it for a wider rather than as part of an which makes me think you’re a

Lichtenbergian, to random
@Lichtenbergian@mastodon.sdf.org avatar

Be your own for your work-in-progress. Use morning pages or a to chronicle your efforts. Blog about it if you like. Nothing clarifies the mind like putting your failure out there for all the internet to see. (p. 103)

jbo, to random German
@jbo@jbo.social avatar
robf, to twitter
@robf@mastodon.green avatar

https://niemanreports.org/articles/npr-twitter-musk/

"The numbers confirm what many of us have long suspected — that wasn’t worth the effort, at least in terms of traffic"

A memo circulated to staff says traffic has dropped by only a single percentage point as a result of leaving.

cazabon, to anime_titties

I think said something to the effect of, you can't show the a , act of in Act One unless the shoots itself in the foot with it in Act Three.

@techdirt @CrazyITGuy42

josemurilo, to internet
@josemurilo@mato.social avatar

"Social networks were initially designed around communities of trust. Twitter expanded the act of posting to the world.
The shift from to was culturally destructive. It set the expectation that everyone deserves an ."
https://telegra.ph/The-Ugly-Honesty-of-Elon-Musks-Twitter-Rebrand-08-01

linforme, to television French
@linforme@masto.ai avatar

Cyril Hanouna et C8 pénalisés par le vieillissement de leur audience

👉 Si « Touche pas à mon poste » voit son audience progresser, l’émission touche désormais une cible moins prisée des annonceurs. À l’instar de toute la grille de la chaîne du groupe Vivendi.

https://www.linforme.com/medias-culture/article/cyril-hanouna-et-c8-penalises-par-le-vieillissement-de-leur-audience_837.html

drimplausible, to fediverse
@drimplausible@mastodon.online avatar

With looming introduction of and the subsequent integration with the I thought a quick summary of a key piece of literature is in order. Likely too late, but perhaps not.

Basically, what is or business model?

The production of the

🧵

(This is from 1977, by Dallas W. Smythe, so some of it may seem obvious in retrospect. Please read it through.)

(Also I'm posting as I go, so it might take a bit).

drimplausible,
@drimplausible@mastodon.online avatar

8
Q4) what is the nature of in terms under ?
A) it's an inducement. It's the that attracts the in the door, and encourages them to stay.

This speaks nothing to cost, "quality", or format. In fact, the cheaper this can be procured, the better. A free lunch isn't free, obvs, but someone is providing the bread and meat.

If the users bring their own, even better.

FedicaHQ, to random
@FedicaHQ@m.fedica.com avatar

Let's get beneath the surface.

For better engagement, get deep insight:

segmentation



Research any topic or

https://www.youtube.com/watch?v=mNOAq_l8klM

video/mp4

DaveGildedALM, to music
j9t, to accessibility
@j9t@mas.to avatar

📝 Website Issues: On the Relevance of Audience Size and Impact:

Website issues—relating to , , , , , others—are usually treated with a particular priority, but that priority may not always be understandable, and may also be off. On the perspective we obtain when we consider and chart size and impact.

https://meiert.com/en/blog/issues-audience-impact/

A_Passion_for_Jazz, to jazz

♪♫ "I feel that when you have something that you believe in all the way, you create an ."

A_Passion_for_Jazz, to jazz

♪♫ "What I look for in is a connection with the ."

edwardchampion, to fediverse

I'm going to jump off this post from @mmasnick concerning @onthemedia going well out of its way to condemn Mastodon as a failure in this week's episode. I've been a fan of OTM for years, but this is a surprisingly short-sighted take from a program that USUALLY gets it.

This place is ONLY a failure if your primary motivation is snagging passive and unthinking eyeballs.

But this represents a false metric.

If you consider the engagement ratio on Twitter compared to here, the Fediverse is clearly more successful -- in that you'll have a HIGHER percentage of ACTIVE users ENGAGING with your posts. Hell, even an obscure creative weirdo like me has been surprised by how TIGHTER the bonds are here and how much GREATER the level of engagement is.

On the Media obviously has to answer to WNYC. And big numbers -- meaning a total representing active and INACTIVE -- is the false metric. Media orgs need to readjust the numbers on what qualifies as success.

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