art_history_animalia, to random
@art_history_animalia@historians.social avatar

For #WorldOtterDay :
Christian Morrisseau (Anishinaabe, 1969-2022)
#Otter Family, 2005
acrylic on canvas, 93.5 x 121.9 cm (36.79 ins x 48 in)
https://www.mutualart.com/Artwork/OTTER-FAMILY/0DF90C78588179DD
#FirstNationsArt #NativeAmericanArt #IndigenousArt

art_history_animalia, to random
@art_history_animalia@historians.social avatar
art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
, 1974
Art Thompson (Canadian, Ditidaht, Nuu-Chah-Nulth, 1948-2003)
serigraph, 58.5 x 44.4 cm
Art Gallery of Greater Victoria 1998.035.024: https://aggv.ca/emuseum/objects/15671/woodpecker

art_history_animalia, to random
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For :
figure by Melvin Olanna, 1968
Inupiat Eskimo, Shishmaref, Alaska, USA
Yellow cedar wood, L 32 x W 18.5 x H 20.5 cm
25/6106 Indian Arts & Crafts Board Collection, DOI, at Smithsonian NMAI

photo of the virtual label from information monitor at museum- text transcribed in post

art_history_animalia, to octopus
@art_history_animalia@historians.social avatar

It's 🐙and I'm awestruck by this incredible platter! Traditional carved argillite, late 19th c., from Haida Gwaii (Queen Charlotte Islands, BC, Canada). 3 x 20 x 29.6 cm. Anchorage Museum 1977.008.001: http://onlinecollections.anchoragemuseum.org/uploaded_files/1977-008-001-2.jpg

art_history_animalia, to random
@art_history_animalia@historians.social avatar
art_history_animalia, to random
@art_history_animalia@historians.social avatar

:
dish
Heiltsuk (NW Coast, BC, Canada)
collected 1927
painted wood 10.2x15.2x24.1cm
http://collection-online.moa.ubc.ca/search/item?keywords=Wood+frog&row=43
Frogs are commonly encountered in NW Coast art. Can symbolize transformation, rebirth & renewal, communication & sharing of knowledge, stability, abundance, and prosperity & good luck; also important spirit helpers to shamans because of their ability to traverse between two worlds.

view 2 right facing side profile
view 3 left facing top down profile

art_history_animalia, to random
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:
2 beaded figure pendants by Emma Marks, culture (Juneau, Alaska, USA)
collected 1973-4
glass beads, thread, felt backing, suede backing & strap
8.2 x 6.7 x 0.5 cm (3 1/4 x 2 5/8 x 3/16 in.)
6.8 x 8.8 x 0.7 cm (2 11/16 x 3 7/16 x 1/4 in.)
Harvard Peabody Museum 974-12-10/52237A, 974-12-10/52237C
https://collections.peabody.harvard.edu/objects/details/580711
https://collections.peabody.harvard.edu/objects/details/433066

museum photo of beaded frog pendant #2 green, light blue, red, white, black, white, orange, yellow, with dark brown strap

art_history_animalia, to random
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art_history_animalia, to random
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For when falls on (and ):
Button blanket with &
c. late 19th - early 20th c.
Gitxsan culture (British Columbia, Canada)
wool, cotton, shell, graphite
130 cm x 188.5 cm
UBC Museum of Anthropology 3051/7: http://collection-online.moa.ubc.ca/search/item?keywords=Gitxsan+button+blanket&row=0

art_history_animalia, to random
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:
-Shaped Bowl, c. 1890–1920
Native North America, NW Coast, Alaska, Tlingit?
Wood, 11.3 x 27 x 18.7 cm (4 7/16 x 10 5/8 x 7 3/8 in.)
Cleveland Museum of Art 2009.434: https://www.clevelandart.org/art/2009.434

official museum photo of the the beaver bowl on grey background, view 2
official museum photo of the the beaver bowl on grey background, view 3

art_history_animalia, to random
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For here are 2 examples of (aka killer whale) headdresses from the Northwest Coast that the dancer could animate with moving parts:
1 Haida - “dancer could roll its eyes or move lower jaw”
Carnegie Museum of Natural History
2 Kwakiutl - “dancer pulled strings to make the pectoral fins, tail flukes & jaw move”
Field Museum

Killer Whale Headdress. The dancer pulled strings to make the pectoral fins, tail flukes and jaw move. Used in the Tlásulá. Kwakiutl (Fort Rupert). 19271 Field Museum

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