dominicumile, to jazz
@dominicumile@mastodon.social avatar

: A 1974 reissue of ’s Live at the Village Vanguard (green/ABC Impulse labels etc.; sounds great, cheap). Cut from four nights of his two weeks at the NYC venue in 1961. Its B-side “ends when it ends and it could conceivably go on much longer. It doesn’t know the meaning of ‘sufficient.’ Sometimes it gets unbearably exciting. It can make the listener think: What exactly is going on here?” https://www.washingtonpost.com/arts-entertainment/2021/11/03/john-coltrane-village-vanguard-1961/ @vinylrecords

muz4now, to MusicTheory
@muz4now@mastodon.world avatar
sheribiesen, to classic
@sheribiesen@mastodon.social avatar

John Coltrane - Equinox (Original) youtu.be/5m2HN2y0yV8 #classic #Coltrane #jazz #music #blues #JohnColtrane #TuesdayMotivation #Spring #Equinox

cdarwin, to random
@cdarwin@c.im avatar

Three shades of jazz swirled together in 1959 to make ‘Kind of Blue’

Frank Sinatra biographer James Kaplan has set his sights on three jazz giants
— Miles , John and Bill
— as their lives and their art lead up to the recording of 🔹Kind of Blue🔹 Davis’ landmark 1959 album that featured Coltrane on tenor saxophone and Evans on piano.

The album marked a commercial and creative peak in jazz, the summit of what Kaplan, in the book’s subtitle, calls 🔹The Lost Empire of Cool.🔹

Along the way we meet a supporting roster comprising some of 20th century music’s greatest minds and talents.

There’s Charlie , the sax virtuoso who, along with trumpeter Dizzy , all but created bebop, and who left many followers scrambling to emulate his every move — including, tragically, his insatiable heroin addiction.

There’s Thelonious , the bearlike composer and pianist who thought in rhythms that others couldn’t fathom.

There’s Ornette , the Texas-born saxophonist whose experiments went further out than even Coltrane (for a time, anyway) and left many listeners and peers baffled and even angry.

https://www.latimes.com/opinion/story/2024-03-08/james-kaplan-3-shades-of-blue-miles-davis

rgs, to random
@rgs@metasocial.com avatar

Today’s a good day to listen to Alabama, in memoriam. https://en.wikipedia.org/wiki/Alabama_(John_Coltrane_song)

mjgardner,
@mjgardner@social.sdf.org avatar
SrRochardBunson, to random

Them: What are you doing for

Me: Organizing with an anarchic musician's collective to revolutionize music while destroying the patriarchy and bashing the fash.

Them: 🤨

Me: :yayblob: :blobDab: :yayblob: :blobDab: :yayblob:

SrRochardBunson,

And . Lots of jazz.

Village Vanguard 1961 specifically

stevenray, to jazz
@stevenray@sfba.social avatar
passthejoe, to jazz
@passthejoe@ruby.social avatar
mielcarz, to jazz
@mielcarz@shakedown.social avatar

If you read one thing today let it be Patti Smith on John Coltrane. Beautiful.

https://pattismith.substack.com/p/a-love-supreme

mikebabyak, to guitar Spanish
@mikebabyak@musicians.today avatar

Daily . A cover for Sunday morning. He was always pretty obsessed with Coltrane’s My Favorite things recordings.

https://youtu.be/nKqDQazgu0E?si=z6wqpiJLuUpgXFE3

MJCarty, to jazz
@MJCarty@mastodon.social avatar
jake4480, to vinyl
@jake4480@c.im avatar

August 12th is National Vinyl Record Day (apparently) so I grabbed all the vinyl I could find in my house. It's not a lot. I used to have many crates full. But after many moves, I thinned the collection down to nearly nothing, as I do digital music mostly now (I have no turntable anymore either). But sometimes, I grab a couple. Bought the bottom row here recently. Odd I can't find my copy of Telekon. Pretty sure I still have that one somewhere. I hope so. And wow, I have two copies of Green Thoughts, one signed, one not. Check out that picture disc. I should get better photos of it eventually. It's rad.

TheodeBruijn,
@TheodeBruijn@mstdn.social avatar

@jake4480 Any collection that holds A Love Supreme / John Coltrane isn’t that bad 😊.

NoahSimon, to music
aaj, to jazz
@aaj@jazztodon.com avatar

Interview: The Amazing John Coltrane & Eric Dolphy At The Gate

John Coltrane With Eric Dolphy Evenings At The Village Gate winds the clock back to the summer of 1961, not long before the formation of the classic quartet. , in incandescent form, fronts a similarly hard-kicking sextet completed by Tyner, Jones, Eric Dolphy on bass clarinet, flute and alto saxophone, and twin bassists Reggie Workman and Art Davis.

https://www.allaboutjazz.com/ken-druker-the-amazing-john-coltrane-and-eric-dolphy-at-the-gate

aaj, to jazz
@aaj@jazztodon.com avatar

Album Review: John Coltrane: Evenings At The Village Gate

It is important to emphasize, at the outset of this review, that Evenings At The Village Gate is a John Coltrane album of headline significance. Recorded during a four-week run at the New York City club in August and September 1961, the disc is a snapshot of Coltrane partway through the most momentous year of his development...

https://www.allaboutjazz.com/evenings-at-the-village-gate-john-coltrane-impulse-records

jake4480, to random
@jake4480@c.im avatar

I'm not a huge vinyl/LP collector anymore (I love them, but I had hundreds & moving them around is rough-- they're big & heavy!)

I probably still have ~10.

Yesterday, wifey alerted me to some low-priced ones-- I ordered these two, and I'm PSYCHED to get them.

I love Coltrane SO much-- and that blue vinyl is so beautiful! 😍

Jimi is my favorite guitarist ever-- I hear him in so much of my favorite music, too.

Axis: Bold as Love has my favorite Hendrix song on it ("You Got Me Floatin'"). And that cover art is so epic, too! 🤯

Cover of the Jimi Hendrix Experience album Axis: Bold as Love

larsibacken,
@larsibacken@mastodon.nu avatar

@jake4480 I have the same , though on CD. Pure magic 😎

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