#WordWeavers 2406.04 — Antagonist POV: Is it easy for you to apologize? Can you apologize to someone right now?
If I made a mistake or bumped into somebody? Of course. Many people recognize me, or take a look at me, and something between awe and stupidity sets in. I account for that. I've survived the fall of civilizations; I can be charming. What I won't apologize is for doing things I must do, whether it simply upsets you or ends up killing people you knew, and all the permutations in between. My role in this miserable life that never ends is ensuring humanity survives. Nobody apologizes to me for saddling me with that responsibility. You know what really ticks me off? Questions like this one. Sorry!
After watching “Arrival” last night, I’m fixated on the idea of nonlinear memory. It must be disorienting, and incredibly strange to remember your entire life when you haven’t fully lived it yet.
"Artists are people who are not at all interested in the facts—only in the truth. You get the facts from outside. The truth you get from inside." –Ursula K. Le Guin
Somehow in the past week or so I've fallen back in love with the aesthetics and vibe of the Star Wars prequels (especially "Attack of the Clones") as well as the Old Republic games. Nothing else quite looks like them. I want to live in that world...
Well...maybe not an exact replica. I might want to change out the hues to be red-dominated...but I wouldn't need to look too far for inspiration. Another politician from the same planet indulged in this most Sith-like of color schemes. 😉
I think it might be because I went to the villa last April and it's only now truly sinking in. Yes, where Padmé got married is a real place: Villa del Balbianello. And having seen it in person I'm not sure if I could abide being married anywhere else than at that same spot.
It seems a person can get married there. It's expensive for a wedding venue, but since my dream wedding doesn't involve a crowd, that helps to keep costs down, so splurging on the venue might be more financially attainable than I'd expect.
#WordWeavers 2406.03 — Who is your most creative character?
In the sense of one of my creations being uniquely different? I have one who character who interacts with the spirits of a few people and aliens who have died over the course of the two SF novels, but in the end it's difficult to decide whether the spirits were "real" or if the shaman is simply insane. In another set of novels, the main POV is able to rewrite reality (but not history) by application of will, but doesn't really understand the process or the implications. It takes a couple of books for her to fully understand she's being used, then she has to fix what she's been tricked into doing.
In the sense of the character being a creative? Being creative isn't often important in my stories, but my characters have things they do beyond what is necessary for the stories. Almost all my characters cook, and at least one of them cooks for a party that proves pivotal to the story (the shaman above). Caramelo in Inklings is a "spirit" photographer. It's important for the story as the MC wants to get him a job because she finds his work amazing. His artistry allows me to add a visual component to how the magic flows in the story.
#PennedPossibilities 335 — Do you use metaphors in your writing? What are some examples?
Yes. But it took a question like this to think to quantify it: A lot less than I thought. Going through three different stories (recent works), I found that I rely on simple description and simile most of the time. After 10 minutes, I couldn't find anything suitably florid or particularly interesting to relate.
I had to purchase my first historic fanzine for its Clifford D. Simak interview — this volume wasn’t digitized in the various online fanzine repositories. #scifi#sciencefiction
I've finished: Those Beyond the Wall by Micaiah Johnson
The sequel to: The Space Between Worlds
This is the story of Ashtown, of the runners, of the emperor, of Cheeks and of scales.
This is the story of their violence, of their grace, of their love, of their hate.