vga256, (edited ) to Fonts
@vga256@dialup.cafe avatar

oh hell yes. i think i just found the original typeface used: it was LTC Spire by the Lanston Type Company

edit: it led to a fascinating web preservation backstory about the origins of the font itself:
https://dialup.cafe/@vga256/112460660100094359

vga256,
@vga256@dialup.cafe avatar

i am fascinated by this typeface history. as it turns out, Gerald Giampa was the owner of the LTC Spire typeface when it was licensed for use in the GeoWorks operating environment.

i had no idea that he was canadian, and moved his foundry to Prince Edward Island before it was destroyed in a tidal wave. P22 bought his font faces, and designed this absolutely gorgeous traditional web site called The Giampa Tour. it disappeared from the web over 10 years ago, and this is probably the first time it has been seen in a decade. it's full of incredibly nerdy typeface history, including some fantastic rants on how shitty Adobe was to deal with, even back in the late 1980s. 😆

this is what the world wide web was made for, and i'm so glad WBM managed to preserve a working copy, as P22 has been out of business for many years - and its website gone with it.

i've rebuilt the entire site using the WBM's snapshot for public viewing here, where it will remain as an online museum and tribute to Gerald Giampa's incredible work:

https://www.dialup.cafe/~giampa

#fonts #typefaces #history #canada #retroComputing #indieweb #smolweb

masukomi, to Typefaces
@masukomi@dice.camp avatar

Starting to deal with layout questions means starting to consider .

Wanted to share some really nice ones (not free, but cheap) I've come across this morning

  1. ARQUI: a really nice take on traditional architecture drawings handwriting style BUT it ALSO has a lower case variant. https://creativemarket.com/juanmikes/1828260-Arqui-Architect-Blueprint-Font

  2. Architect: (pic with escalator) somewhat extreme display font with arguably bad accessibility but also 👼💩 for a big name, could be great. https://creativemarket.com/Eleidan/1119873-Architect-sans-serif-font

image/png
image/png

FontsInUse, to Typefaces
@FontsInUse@typo.social avatar

Over the past eight days, we have published 80 new Uses. Among the featured are 38 that weren’t represented in the collection before.

The debutants include brand new releases like Choppin, Euchre (@Okay) and Retiler, the custom Curtis (all 2024), and the yet unreleased Turist. The oldest newbie is Fuchs Space Age (c.1969).

There are sans, serif, slab, script, stencil, mono, rounded, pixel, eroded and more. See them all at https://fontsinuse.com

FontsInUse, to Typefaces
@FontsInUse@typo.social avatar

Over the past week, we have added uses for 18 that weren’t represented in the collection before. Here’s the debutants (1/2):

AC Affix (2024) https://fontsinuse.com/typefaces/233089/ac-affix
Aelyn (2021) https://fontsinuse.com/typefaces/183804/aelyn
BDR Mono (1999) https://fontsinuse.com/typefaces/155422/bdr-mono
Feather Bold (@krista 2019) https://fontsinuse.com/typefaces/233362/feather-bold
Goga (2023) https://fontsinuse.com/typefaces/233235/goga
Hexadecimal (c.2019) https://fontsinuse.com/typefaces/231418/hexadecimal
Imperial Script (2003) https://fontsinuse.com/typefaces/21324/imperial-script-leuschke
Kit Sans & Rounded (2023) https://fontsinuse.com/typefaces/230879/kit-sans

FontsInUse, to Typefaces
@FontsInUse@typo.social avatar

New Typeface Entry: Theda Bara https://fontsinuse.com/typefaces/232222/theda-bara, an art deco style in the vein of Baby Teeth, shown by Solotype as early as 1982. Like most Solo designs, it likely originated elsewhere. More info welcome!

Image: Art Deco Display Alphabets, Solotype/Dover, 1982 (https://archive.org/details/artdecodisplayal0000unse/page/90/mode/2up).

FontsInUse, to Fonts
@FontsInUse@typo.social avatar

Staff pick:
Studio MPLS designed the #logo and #packaging for Strange Lands, a #gin distillery in Trois-Rivières, Quebec.

The #fonts in use are Crayonette DJR (@djrrb) and Corfe (Beasts of England), supported by LHF Egyptian (Letterhead Fonts) and Jeff Levine’s Series A Signage JNL.
More: https://fontsinuse.com/uses/56181/strange-lands-gin

#FontsInUse #typefaces #typography

FontsInUse, to Fonts
@FontsInUse@typo.social avatar

Congrats, HvD Fonts! Brandon Grotesque joins Club 💯: it’s now represented with 100+ Uses on @FontsInUse.

https://fontsinuse.com/typefaces/37/brandon-grotesque?order=most-liked

Did you know it’s the 14th typeface design from the digital age to reach this mark?

markwyner, to design
@markwyner@mas.to avatar

Did you know that the vertical positioning of colons isn’t constant? It varies depending on the typeface and in some cases its surrounding characters.

There are three basic conventions that I’ve seen within various typefaces:

  1. Always set to baseline (see Lato).
  2. Aligned with character height (see Inter).
  3. Aligned based on context (see San Francisco).

I prefer to the third approach. How about you?

letterformarchive, (edited ) to Typography
@letterformarchive@typo.social avatar

In heaven at Hamilton Wood Type & Printing Museum finding blocks that match Jack Stauffacher’s proofs.

Thanks to Jim Moran and @BijouType.

lauren, to blender
@lauren@social.lol avatar

Time for an updated !

Hi, I’m Lauren! 👋 You might have Herda me, but if not, here’s the gist: I’m an interactive designer in Baltimore, USA.

I love making stuff in , building and UIs in , making , , and collecting hobbies.

I geek out about stuff like , antique (mostly of zeppelins), like , and retro-inspired aesthetics like . I love learning how are made. I love coffee AND tea.

FontsInUse, to Fonts
@FontsInUse@typo.social avatar

Over the past days, we have published more than 25 new uses of with interlocking letterforms. https://fontsinuse.com/tags/10566/interlocking-letterforms

The examples include film titles and posters, record and book covers, food packaging and more. They range from 1961 to 2023, and from Brazil to Greece and the Philippines.

See all uses of the featured fonts by Headliners, Filmotype, PLINC, Lettergraphics, House Industries, @typodermic, and PintassilgoPrints: https://fontsinuse.com/search/advanced?v=2&match0=all&typefaces0=230949,40498,125579,144046,28096,29098,28977,202766,115266,161117,126972,91899,125578

FontsInUse, to Fonts
@FontsInUse@typo.social avatar

Staff pick:
Gretel’s of Mountain Hardwear features a series of custom by Andrea Trabucco-Campos & Fabiola Mejía, a feat. script caps based on Excoffon’s Mistral, Vincent Chan’s upcoming Quadrant, and, on the website, Greg Gazdowicz’s Roboto Serif.
More: https://fontsinuse.com/uses/56114/mountain-hardwear-rebrand-and-seek-wilder-pat

fhardwig, to Typefaces
@fhardwig@mastodon.social avatar

I have a soft spot for #typefaces that don’t really count as #blackletter but are infused with characteristics of broken script. Think Fanfare (Louis Oppenheim, 1929), ITC Honda (Bonder & Carnase, 1970), or, more recently, Eskapade Fraktur (Alisa Nowak, 2012) and Birra Bruin (Elena Schneider, 2019).

Felix Braden’s Ferryman is a fine new addition to this hybrid genre, and a convenient one: it comes in a full range of weights, with italics.

Now out on Floodfonts:
https://www.floodfonts.com/ferryman/

Type specimen for Ferryman, showing two columns with five lines of stacked and justified words, in alternating colors.

FontsInUse, to chicago
@FontsInUse@typo.social avatar

is the commuter rail system in ’s metropolitan area. Every month, their feature a new design. 🚇 🎟️

@fhardwig took a look at the used in 1990 and 1991: https://fontsinuse.com/uses/55722/metra-tickets-1990-1991

Featuring scans from the great collection by Nicholas Rougeux (C82).

jmac, to Fonts
@jmac@masto.nyc avatar

The number of people who think of ITC Willow as “the Kill Doctor Lucky font” is, I assume, small, and surely diminishing. But so help me, I’ll be one of them until the end. Until the very end. https://www.fonts.com/font/itc/itc-willow/itc-willow

FontsInUse, to Typefaces
@FontsInUse@typo.social avatar

Newly added:
Stingray, a twisted 3D extravaganza drawn by John S. Allen in the late 1960s for Photo-Lettering, Inc. See it in use for a book jacket and two record covers:
https://fontsinuse.com/typefaces/175125/allen-stingray

lauraehall, to random
@lauraehall@xoxo.zone avatar

Welcome to my Friday good links, a collection of stuff I enjoyed over the past week!

Today’s links include tall ships, free-to-use endpapers, coloring books, wooden alphabets, and more ⚓🌀🖍️

Three vintage dancers in fringed skirts shake their hips towards the camera

lauraehall,
@lauraehall@xoxo.zone avatar
  1. Browse this cool 1992 book of gorgeous wooden ornamented types, "twenty-three alphabets from the foundry of Louis John Pouchee) from the Letterform Archive

https://oa.letterformarchive.org/item?workID=lfa_antiquarianfacsimile_0008

brunoph, to photography
@brunoph@breakpoint.cafe avatar
FontsInUse, to Typefaces
@FontsInUse@typo.social avatar

Last week, Albert Boton, one of the preeminent French type designers of the past sixty years, died at the age of 91. We pay tribute with a series of applications of his https://fontsinuse.com/type_designers/13/albert-boton

The newly added in-use examples span 57 years and feature 13 different typefaces, providing a glimpse into ’s rich œuvre. Six of the weren’t represented in our collection yet.

FontsInUse,
@FontsInUse@typo.social avatar

Overview of designed by . From “Albert Boton. 21 planches typographiques”, a publication edited by Olivier Nineuil and published in Ypsilon éditeur’s Bibliothèque typographique collection in 2011 (out of print).

saikoroparty, to Fonts
@saikoroparty@dice.camp avatar

Okay, here's a weird one. Does anyone here make fonts? I'm always looking for new fonts to use for commercial work (mostly illustration, sometimes comics). Any style! Paid is fine.

WebAxe, to accessibility
@WebAxe@a11y.info avatar

A Guide to Understanding What Makes a Typeface Accessible, and How to Make Informed Decisions
https://www.linkedin.com/pulse/guide-understanding-what-makes-typeface-accessible-ford-williams/

FontsInUse, to Fonts
@FontsInUse@typo.social avatar

“I Take Full Responsibility” is a book about the end of unlimited growth in Silicon Valley. For the 2nd Riso-printed edition, author and designer @scottboms used a varied mix of .

The main typeface is Bennet Text (Richard Lipton). The cover combines Gridlite (rosetta@mastodon.design), Knockout (@jonathan), and Aglet Mono (@jesseragan). See all of these and the other six on : https://fontsinuse.com/uses/53618/i-take-full-responsibility

davidbisset, to Typefaces
@davidbisset@phpc.social avatar

https://www.freefaces.gallery is a curated collection of that are available under a variety of free licenses.

typographica, to random
@typographica@typo.social avatar

These wooden address numbers have followed me my whole life, from my family’s summer condo in Idaho, to the house across the street from my childhood home in Salt Lake City, to the Oakland building where @laureola and I live now. https://flic.kr/p/2oGpf8u

Still seeking the designer and manufacturer. They were most likely introduced in the early 1970s.

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