With its plodding, methodical beat, eerie organ-like tones and vocals that sound like they're coming from the bottom of the well, it's hard to categorize "Domingo de Romeria" by @sintrom as anything but experimental, but a weird sort of singer-songwriter experimentalism. Weird but intriguing, which is always a lovely combo.
Hi everyone, I'm a totally blind electronic musician. Looking for a audio, developer fluent in C++ d to help me with a very special open source project to assist blind people with electronic music production. If you can help me, or know anyone in your network who can please reach out and get at me. Thanks very much everyone :-) #electronic music :-)
They say if you sell your crafts, post about them. OK.
I love the future - the future of the 1970s, not what we got. TLDR - I created light props to resemble the blinking computers of 1970s scifi futuristic movies. I sell them as kits on Etsy; all you do is solder the LEDs to the board.
The slow-flashing LEDs drift out of sync and make patterns that fool your brain that something deeper is going on. This is the bigger one, the Super-Computron 4500.
The original version is the smaller Computron 3000, which has a 12x12 grid of 144 LEDs on a 100mm / 4 inch square circuit board.
They're both available in a choice of colours (red, green, blue, orange, amber), as well as in slowly-morphing RGB "rainbow", as shown here. Plug it in (the flare is artistic, I guess... 😀 ) and it starts off red, and then slowly morphs through all colours. The "pixels" drift out of sync, giving complex patterns and motion.
Blue is very, very popular, despite it not being seen much in 1970s movies, and blue LEDs weren't common until well into the 2000s. But people like them.
My favourites are the classic colours of the 70s movies - red, amber, green. And I like the rainbow-morphing effect a lot. On the Super-Computron 4500, the rainbow morph is amazing.