EastAsiaArt, to art
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Koitsu Tsuchiya - Rain at Horyuji Temple, Nara (1938)

EastAsiaArt, to art
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Koitsu Tsuchiya - Zojoji Temple in Snow (1933)

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Koitsu Tsuchiya - Nagoya Castle (1937)

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Koitsu Tsuchiya - Fuji from Lake Kawaguchi (1933)

EastAsiaArt, to art
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Tung Ming-Chin - The Birth of a New Hero (2008)

youronlyone, to Korea
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Climate change threatens Bhutan’s spring flows (kuenselonline.com)

A study conducted in Bhutan’s Dungju Ri and Yude Ri catchments in the Trashigang region has shed light on the perilous impact of climate change on the country’s spring water resources. Led by Tshewang Dhendup, a lecturer at the Sherubtse College in Kanglung, the study findings were unveiled during the Bhutan Research...

EastAsiaArt, to art
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Maika Elan - Aint' Talkin' Just Lovin'

thejapantimes, to Life
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EastAsiaArt, to art
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Ikkō Narahara - Japanesque <Zen> (1969)

EastAsiaArt, to art
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Ikkō Narahara - Japanesque <Zen> (1969)

EastAsiaArt, to art
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Ikkō Narahara - The Horse Crossing on the Sea (1961)

EastAsiaArt, to art
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Gang Hui-an (1417-1464) - Scholar gazing at the running river

zyrxvo, to Korea

Jeonju Hanok Village, July 2023
More details in the ALT description.



EastAsiaArt, to art
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Kim Tschang-Yeul - Recurrence (1994)

EastAsiaArt, to art
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Song Hyun-sook - 3 Brushstrokes (2019)

EastAsiaArt, to art
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Tajima Hiroyuki - Early Summer (1971)

EastAsiaArt, to art
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Painting of a ferocious tiger (early Joseon Dynasty, 1392-1897)

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Hasui Kawase - Tsuchizaki (1928)

EastAsiaArt, to art
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Hasui Kawase - Tsukumojima (1922)

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Hasui Kawase - Miyajima in Mist (1947)

JohnBarentine, to China
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"For a long time, people came to my community for the sea. Now, they have more reasons to visit, including watching the stars. This international certification means the area will be known to a wider audience overseas, and this will attract more tourists and benefit the local economy."

https://www.chinadaily.com.cn/a/202306/06/WS647e67dda31033ad3f7ba980_1.html

SteveMcCarty, to Japan
@SteveMcCarty@hcommons.social avatar

Went to meet a VIP, as a granddaughter or child is regarded in Japan. We brought her to play in a nearby archaeological site turned into a large park.

The Yayoi Period (弥生時代), which featured an influx of Asian mainlanders with agricultural and metalworking technology, until recently had been estimated as around 300 BC to 300 AD. But the Yayoi civilization in this park (安満遺跡) goes back 2,500 years, and the region also has remnants from the earlier Jōmon Period (縄文時代) New Stone Age culture.

The photos show the characteristic care and pride with which ancient artifacts are regarded in Japan. The illustration in the first photo is especially striking to me. Bronze dōtaku bells from over 2,000 years ago had no practical use, so we can assume that they were used in religious rituals. The first photo illustrates such a scene in the Yayoi Period, and the caption reads: A shaman rings a ritual bell in a festival.


@religion @histodons

The historic Ama site in Takatsuki, Osaka Prefecture
Illustrated lifestyle of about 2,500 years ago in Japan
Getting dressed to meet our VIP granddaughter and daughter-in-law, although the conversation is in Japanese, probably many married couples have gone though something like this. Wife: You can't wear that shirt, there are bird droppings on the back! Husband: How about this yellow Indian style shirt? Wife: Wear this one; you can't keep dressing like a bum now that you're an old man.

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