I just released a new video piece. I called it INK because there's a lot of ink in the video and "Ink" looks so small. Sounds composed with Csound using a python script I wrote to analyze the individual frames of the video. I hope you like it! https://vimeo.com/932750036
Hello world - I've just joined and trying to find friends. I'm an #artist generally working between #communityart and #soundart. I'm into #feminism and experimenting with the #creative possibilities of #hamradio. I'm also a #PhD student studying #listening. Please say hello if our interests overlap! :)
I'll be coming through Oakland, CA in mid Feb. While I'm there I'll be hosting Sound Hackers at Circuit Launch with my friend Beau. It's part "bring-a-hack" projects on tables and part short talks/demos/performance.
Like bleeps and bloops? Like making things? Come along!
We'll be guest lecturing at the Royal College of Art in London next week for RCA masters (of research) students. Will be lovely to share some of our collective's processes and experiments! Co-thinking/making in a collective comes with it's challenges but also so many great rewards when you operate as one multi-tendrilled unit. 🐙
PRODUCTION-GRANT for ARTISTS
Residency: 2 to 3 months in the period February to early May
Presentation: Vogelklang Soundcamp (4 and 5 May 2024)
Location: St. Georgen in the Black Forest
Application deadline: 10 December 2023
The KUNSTVEREIN GLOBAL FOREST will award two project-based, two to three months artist residencies for research and artistic production. The residencies will take place after individual arrangements between 1 February to 4 May 2024. The results of the residencies will be presented to the public at the annual VOGELKLANG-SOUNDCAMP on 4 and 5 May 2024.
The VOGELKLANG-SOUNDCAMP 2024 is supported by the Hochschule Furtwangen (HFU), KONA Printfactory, Ah&OH, Campus Gestaltung Trier and by MaxCine from the Max Planck Institute for Behavioural Biology, Radolfzell.
This is a 30-minute long environmental abstract sound composition I released a couple of months ago called 'From What's Gathered', if you felt like checking it out...
It presents a series of sound works and recordings in which sound artists work with the listening act in existential finitude situations.
The artists were asked to create a sound work that can be heard by a person in existential finitude (in a relatively short period of time) or a sound work to be heard while someone dies or a sound work that the artists themselves would like to listen to while they die.
Hello. Are there any fans of sound art, field recordings, musique concrète, drones and experimental noise out there???
My name is Fletina. I run a little blog dedicated to "non-music" called Audio Crackle. I just thought I'd finally check out Mastodon, and I'd really appreciate some followers, thanks.
Sure, let's make more announcements at 8:30pm on a Tuesday night, why not.
Hey, people! I'm on the editorial board of #Resonance: The Journal of Sound and Culture, and we are seeking submissions. Please think about putting something in if you are an academic, artist, or ghastly hybrid working on #sound#SoundStudies#SoundArt
Sure, let's make more announcements at 8:30pm on a Tuesday night, why not.
Hey, people! I'm on the editorial board of Resonance: The Journal of Sound and Culture, and we are seeking submissions. Please think about putting something in if you are an academic, artist, or ghastly hybrid working on #sound#SoundStudies#SoundArt
Vom 27.10. – 29.10.2023 lädt das Projekt LAND.SCHAFFT.SOUND. klangbegeisterte Interessierte zu einem Praxisworkshop rund um das Thema „#Folgelandschaften in der #Oberlausitz“ ein.
Acoustic Modular System vs Mechanical Techno - live set
New video online now, me and Sam Underwood's complete (hour long) live set at the end of our residency in France a couple of months ago - https://www.youtube.com/watch?v=G0XdXMDs0RM
Thrilled to say that my latest work, ‘Four Unbindings‘ is out for preorder today on Richard Chartier’s excellent label, LINE. It's an honour to be on the LINE roster for this release. Many thanks to Richard, and to @room40 for the consistently lovely work on mastering!
I’ll have more to say about the work in the coming weeks, but for now, I hope you’ll head on over to Bandcamp: